~Dokebi Cafe: Sacred Grounds for Those Who Wait~ "I will only love you even if I were to be born a thousand times." Gangeun is a poster girl for bad luck. She's a magnet for accidents small and large. Just when she's getting used to her eventful high school life, she encounters a strange "boy" named Mooyoung in front of a new cafe. What is this curious place? Who is this mysterious creature in the form of a boy? Bad luck seems to have left Gangeun but there's so much more that awaits her.

GET D!RTY Next time you're traveling or just chattin' in Korean with your friends, drop the textbook formality and bust out with expressions they never teach you in school, including: •Cool slang •Funny insults •Explicit sex terms •Raw swear words Dirty Korean teaches the casual expressions heard every day on the streets of Korea: •What's up? Wasseo? •Holy shit, I'm trashed. Ssibal, na manchiwi. •I gotta piss. Na swi ssayahae. •Who farted? Bangu nuga ggyeosseo? •Wanna try doggy-style? Dwichigi haeboja? •That bitch is crazy! Heo nyeon michin nyeoniya! •I could really go for some Korean BBQ. Na cheolpangui meokgospieo.

Here's your second chance to catch the mini-series critics and fans throughout the industry are talking about...Darkminds: Macropolis! A sadistic serial killer is on the loose and it's up to Agents Nagawa and Nakiko to find him before he kills again. But this killer is as twisted as they come. Before every murder he announces exactly where and when the murder will take place. The question is, can they get there on time! The result is a series of cat and mouse chases unlike any you've ever seen! If you love murder/mysteries, sci-fi and action, then you'll love Darkminds: Macropolis. With stunning art from Jo Chen and suspense-filled writing from Chris (Transformers) Sarracini, this is a series you can't miss! This TPB collects ISSUES 1-4 of the current 8-issue mini-series. A perfect starting point for anyone looking to jump onboard this fantastic series! Detectives Nagawa and Nakiko have seen it all, solving some of the most difficult and horrific cases the city of Macropolis has ever seen. A serial killer would be crazy to tempt fate in their town. Too bad serial killers are crazy. Daarkminds: Macropolis delivers us to a manga-inspired techno-noir future where crime has advanced right alongside technology. Our stalwart detectives will face a challenge like they've never encountered before - a murderer who wants to play with them. But what kind of person has the guts to challenge the best, and how far will he go to prove a point? Written by Chris Sarracini (Transformers G1, Fate of the Blade) and featuring beautifully rendered art by Jo Chen & Christina Chen, Darkminds: Macropolis contains issues #1-4 of the thrilling series. Also covers, and interviews with the creative team.

A carton of hate. A wedge of spite. A comic book of idiotic genius. The Eisner Award-winning dairy duo returns in this deluxe hardcover collecting every single stupid Milk and Cheese comic ever made from 1989 to 2010, along with a sh*t ton of supplemental awesomeness. This has everything you need! Don't judge it—love it! Or else! • Look for brand-new stories by Evan Dorkin in upcoming Dark Horse Presents issues! • "Evan's calcium-rich creations are guaranteed to spread lactose intolerance everywhere."—David Mazzucchelli (Asterios Polyp, Batman: Year One)

KAWS is one of the most prominent and prolific artists of his generation. Working across art, fashion and design, he creates colour-filled paintings, murals, large-scale sculptures, street and public art, products, and streetwear. His work is infused with humour and humanity and is deeply tied to our times. KAWS draws his cast of characters from pop-culture animations to form a distinctive artistic vocabulary. Featuring a new text by Margaret Atwood (The Handmaid's Tale), a biographical essay by NGV Senior Curator of Contemporary Art, Dr Simon Maidment, and more than 200 images, including documentation of the career-survey exhibition KAWS: Companionship in the Age of Loneliness at the National Gallery of Victoria, this publication is a comprehensive overview of the artist's work to date. -- Publisher website.

The Routledge Course in Korean Translation brings together for the first time materials dedicated to the theory and practice of translation to and from Korean. This advanced course in Korean translation discusses cross-linguistic and cross-cultural issues that arise in the course of Korean-English and English-Korean translation and offers useful tools for dealing with the problems that arise in the actual practice of translation. Equipped with examples from a range of genres, this book provides a foundational understanding in translation theory that is necessary in Korean translation. The Routledge Course in Korean Translation is essential reading for students of Korean at both undergraduate and postgraduate levels interested in translation, as well as for students and researchers with knowledge of Korean who are interested in linguistics, and cultural and comunication studies.

Fans of Lisa Greenwald and Wendy Mass are sure to fall head-over-heels for this funny, sweet story of crushes, competition, and the confusing reality of middle school. "Heartbreak is for suckers." -- Jenna Sakai When Jenna gets dumped over winter break, it confirms what she learned from her parents' messy divorce: Relationships are risky and only lead to disappointment. So even though she still has to see her ex-boyfriend Elliott at newspaper club, Jenna is going to be totally heartless this semester -- no boys, just books. But keeping her cool isn't always easy. Jenna's chief competition for a big journalism scholarship is none other than Elliott. Her best friend Keiko always seems busy with her own boyfriend. And cute-but-incredibly-annoying Rin Watanabe keeps stealing her booth at the diner she's been hiding at every day after school. Rin is every bit as stubborn and detached as Jenna. And the more Jenna gets to know him, the more intriguing a mystery he seems. Soon Jenna is starting to realize that being a loner is kind of, well, lonely. And letting people in might just be a risk worth taking.