From award-winning author Sarah Ellis comes the story of an American draft dodger who turns up to stay with thirteen-year-old Charlotte and her family. In 1970 Vancouver, thirteen-year-old Charlotte and her best friend, Dawn, are keen to avoid the pitfalls of adolescence. Couldn’t they just skip teenhood altogether, along with its annoying behaviors—showing off just because you have a boyfriend, obsessing about marriage and a ring and matching dining-room furniture? Couldn’t one just learn about life from Jane Austen and spend the days eating breakfast at noon, watching “People in Conflict,” and thrift-store shopping for cool castoffs to tie-dye for the upcoming outdoor hippie music festival? But life becomes more complicated when the girls meet a Texan draft dodger who comes to live with Charlotte’s Quaker family. Tom Ed expands Charlotte’s horizons as they discuss everything from war to civil disobedience to women’s liberation. Grappling with exhilarating and disturbing new ideas, faced with a censorship challenge to her beloved English teacher and trying to decode the charismatic draft dodger himself, Charlotte finds it harder and harder to stick to her unteen philosophy, and to see eye to eye with Dawn. Key Text Features historical context Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.6.3 Describe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution. CCSS.ELA-LITERACY.RL.6.4 Determine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of a specific word choice on meaning and tone CCSS.ELA-LITERACY.RL.6.6 Explain how an author develops the point of view of the narrator or speaker in a text.

This is a book about young men who learned to play baseball during the 1930s and 1940s, and then went on to play for one of the most exciting major-league ball clubs ever fielded, the team that broke the colour barrier with Jackie Robinson. It is a book by and about a sportswriter who grew up near Ebbets Field, and who had the good fortune in the 1950s to cover the Dodgers for the Herald Tribune. This is a book about what happened to Jackie, Carl Erskine, Pee Wee Reese, and the others when their glory days were behind them. In short, it is a book fathers and sons and about the making of modern America. 'At a point in life when one is through with boyhood, but has not yet discovered how to be a man, it was my fortune to travel with the most marvelously appealing of teams.' Sentimental because it holds such promise, and bittersweet because that promise is past, the first sentence of this masterpiece of sporting literature, first published in the early '70s, sets its tone. The team is the mid-20th-century Brooklyn Dodgers, the team of Robinson and Snyder and Hodges and Reese, a team of great triumph and historical import composed of men whose fragile lives were filled with dignity and pathos. Roger Kahn, who covered that team for the New York Herald Tribune, makes understandable humans of his heroes as he chronicles the dreams and exploits of their young lives, beautifully intertwining them with his own, then recounts how so many of those sweet dreams curdled as the body of these once shining stars grew rusty with age and battered by experience.

New York Times Bestseller! Beloved and bestselling author Sir Terry Pratchett's Dodger, a Printz Honor Book, combines high comedy with deep wisdom in a tale of one remarkable boy's rise in a fantasy-infused Victorian London. Seventeen-year-old Dodger is content as a sewer scavenger. But he enters a new world when he rescues a young girl from a beating, and her fate impacts some of the most powerful people in England. From Dodger's encounter with the mad barber Sweeney Todd, to his meetings with the great writer Charles Dickens and the calculating politician Benjamin Disraeli, history and fantasy intertwine in a breathtaking account of adventure and mystery. Creator of the popular Discworld fantasy series, Sir Terry also received a prestigious Printz Honor from the American Library Association for his novel Nation.

A boy's imaginary friend is driving him crazy in Dodger and Me, the first installment of a hilarious new series by acclaimed author Jordan Sonnenblick. What would you do if your best friend was: 1. Imaginary? 2. An oversize blue chimp in surfer shorts? (Potentially embarrassing, but hey, no one else can see him . . . right?) 3. Proposing a plan to help you improve your life? 4. Did we say imaginary? 5. Driving you crazy?!?! Now you have an idea of what Willie Ryan's life is like when he meets Dodger. It's the beginning of a lot of trouble—and a friendship you'll never forget!

What would you do if your best friend was: 1. Still imaginary (and getting into trouble with other "imaginary" creatures, such as leprechauns. That's right, leprechauns!!)? 2. In danger of losing his home, and the only forest in your town, the magical Field of Dreams? 3. Driving you crazy?!?! (But in a best-friend type of way . . . ) Now you have an idea of what Willie Ryan's life is like in the third and final installment of the hilarious Dodger and Me series. Only this time, Dodger's gone and peeved a band of leprechauns; Willie's sister, Amy, is missing; and class bully James Beeks's dad wants to build a housing development in the Field of Dreams. It just might take an oversize blue chimp—who may or may not be imaginary—and his two fifth-grade friends, Willie and Lizzie, to step up as environmental activists and save the woods (and still get their homework done).

Oliver Twist; or, The Parish Boy's Progress - Charles Dickens - Oliver Twist, or the Parish Boy's Progress, Charles Dickens's second novel, was published as a serial from 1837 to 1839, and as a three-volume book in 1838. Born in a workhouse, the orphan Oliver Twist is sold into apprenticeship with an undertaker. After escaping, Oliver travels to London, where he meets the "Artful Dodger", a member of a gang of juvenile pickpockets led by the elderly criminal Fagin. Oliver Twist unromantically portrays the sordid lives of criminals, and exposes the cruel treatment of the many orphans in London in the mid-19th century. The alternative title, The Parish Boy's Progress, alludes to Bunyan's The Pilgrim's Progress, as well as the 18th-century caricature series by painter William Hogarth, A Rake's Progress and A Harlot's Progress. In an early example of the social novel, Dickens satirises child labour, domestic violence, the recruitment of children as criminals, and the presence of street children. The novel may have been inspired by the story of Robert Blincoe, an orphan whose account of working as a child labourer in a cotton mill was widely read in the 1830s. It is likely that Dickens's own experiences as a youth contributed as well. Oliver Twist has been the subject of numerous adaptations, including a highly successful musical, Oliver!, the multiple Academy Award-winning 1968 motion picture, Disney's animated film Oliver & Company in 1988 and the 1948 film, starring Alec Guinness as Fagin. Oliver Twist is born into a life of poverty and misfortune, raised in a workhouse in the fictional town of Mudfog, located 70 miles (110 km) north of London. He is orphaned by his father's mysterious absence and his mother Agnes' death in childbirth, welcomed only in the workhouse and robbed of her gold name locket. Oliver is meagerly provided for under the terms of the Poor Law and spends the first nine years of his life living at a baby farm in the "care" of a woman named Mrs Mann, who embezzles much of the money entrusted to the baby farm by the parish. Oliver is brought up with little food and few comforts. Around the time of Oliver's ninth birthday, Mr Bumble, the parish beadle, removes Oliver from the baby farm and puts him to work picking and weaving oakum at the main workhouse. Oliver, who toils with very little food, remains in the workhouse for six months. One day, the desperately hungry boys decide to draw lots; the loser must ask for another portion of gruel. This task falls to Oliver, who at the next meal comes forward trembling, bowl in hand, and begs the master for gruel with his famous request: "Please, sir, I want some more". A great uproar ensues. The board of well-fed gentlemen who administer the workhouse offer £5 to any person wishing to take on Oliver as an apprentice. Mr Gamfield, a brutal chimney sweep, almost claims Oliver. However, when Oliver begs despairingly not to be sent away with "that dreadful man", a kindly magistrate refuses to sign the indentures. Later, Mr Sowerberry, an undertaker employed by the parish, takes Oliver into his service. He treats Oliver better and, because of Oliver's sorrowful countenance, uses him as a mourner at children's funerals. Mr Sowerberry is in an unhappy marriage, and his wife looks down on Oliver and misses few opportunities to underfeed and mistreat him. He also suffers torment at the hands of Noah Claypole, an oafish and bullying fellow apprentice and "charity boy" who is jealous of Oliver's promotion to mute, and Charlotte, the Sowerberrys' maidservant, who is in love with Noah.