Documents concernant le film "Chacun sa chance", 1931
Title | Documents concernant le film "Chacun sa chance", 1931 PDF eBook |
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The International Film Index, 1895-1990: Directors' filmography and indexes
Title | The International Film Index, 1895-1990: Directors' filmography and indexes PDF eBook |
Author | Alan Goble |
Publisher | |
Pages | 744 |
Release | 1991 |
Genre | Motion picture producers and directors |
ISBN |
Jean Vigo
Title | Jean Vigo PDF eBook |
Author | Michael Temple |
Publisher | Manchester University Press |
Pages | 204 |
Release | 2005 |
Genre | Performing Arts |
ISBN | 9780719056321 |
Jean Vigo is one of the legendary figures of world cinema, whose films L'Atalante and Zéro de Conduite still inspire young audiences today. Film historian Michael Temple explores Vigo's intense career and asks why it has had such a long-lasting impact on film culture, not just in France, but also for generations of filmmakers, critics, and moviegoers around the world. Accessibly written, this will be essential reading for students, teachers, film enthusiasts, and researchers.
Édith Piaf
Title | Édith Piaf PDF eBook |
Author | David Looseley |
Publisher | Oxford University Press |
Pages | 264 |
Release | 2015 |
Genre | Biography & Autobiography |
ISBN | 1781382573 |
The world-famous French singer Édith Piaf (1915-63) was never just a singer. This book suggests new ways of understanding her, her myth and her meanings over time at home and abroad, by proposing the notion of an 'imagined Piaf.
The Dada Painters and Poets
Title | The Dada Painters and Poets PDF eBook |
Author | Robert Motherwell |
Publisher | Harvard University Press |
Pages | 466 |
Release | 1989 |
Genre | Art |
ISBN | 9780674185005 |
Presents a collection of essays, manifestos, and illustrations that provide an overview of the Dada movement in art, describing its convictions, antics, and spirit, through the words and art of its principal practitioners.
Painted Love
Title | Painted Love PDF eBook |
Author | Hollis Clayson |
Publisher | Getty Publications |
Pages | 224 |
Release | 2003-10-30 |
Genre | Art |
ISBN | 0892367296 |
In this engrossing book, Hollis Clayson provides the first description and analysis of French artistic interest in women prostitutes, examining how the subject was treated in the art of the 1870s and 1880s by such avant-garde painters as Cézanne, Degas, Manet, and Renoir, as well as by the academic and low-brow painters who were their contemporaries. Clayson not only illuminates the imagery of prostitution-with its contradictory connotations of disgust and fascination-but also tackles the issues and problems relevant to women and men in a patriarchal society. She discusses the conspicuous sexual commerce during this era and the resulting public panic about the deterioration of social life and civilized mores. She describes the system that evolved out of regulating prostitutes and the subsequent rise of clandestine prostitutes who escaped police regulation and who were condemned both for blurring social boundaries and for spreading sexual licentiousness among their moral and social superiors. Clayson argues that the subject of covert prostitution was especially attractive to vanguard painters because it exemplified the commercialization and the ambiguity of modern life.
Godard On Godard
Title | Godard On Godard PDF eBook |
Author | Jean-luc Godard |
Publisher | Da Capo Press |
Pages | 300 |
Release | 1986-03-22 |
Genre | Performing Arts |
ISBN | 9780306802591 |
Jean-Luc Godard, like many of his European contemporaries, came to filmmaking through film criticism. This collection of essays and interviews, ranging from his early efforts for La Gazette du Cinéma to his later writings for Cahiers du Cinéma, reflects his dazzling intelligence, biting wit, maddening judgments, and complete unpredictability. In writing about Hitchcock, Welles, Bergman, Truffaut, Bresson, and Renoir, Godard is also writing about himself-his own experiments, obsessions, discoveries. This book offers evidence that he may be even more original as a thinker about film than as a director. Covering the period of 1950-1967, the years of Breathless, A Woman Is a Woman, My Life to Live, Alphaville, La Chinoise, and Weekend, this book of writings is an important document and a fascinating study of a vital stage in Godard's career. With commentary by Tom Milne and Richard Roud, and an extensive new foreword by Annette Michelson that reassesses Godard in light of his later films, here is an outrageous self-portrait by a director who, even now, continues to amaze and bedevil, and to chart new directions for cinema and for critical thought about its history.