Document concernant le film "le Champion du cirque", 1924
Title | Document concernant le film "le Champion du cirque", 1924 PDF eBook |
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Pages | 2 |
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Documents concernant le film "le Champion", 1928
Title | Documents concernant le film "le Champion", 1928 PDF eBook |
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Pages | 6 |
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Documents concernant le film "l'Enfant du cirque", 1924
Title | Documents concernant le film "l'Enfant du cirque", 1924 PDF eBook |
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Pages | 16 |
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Documents concernant le film "Champion du monde", d'après le roman de Thomas Lauden et A.E. Thomas, 1924
Title | Documents concernant le film "Champion du monde", d'après le roman de Thomas Lauden et A.E. Thomas, 1924 PDF eBook |
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Pages | 12 |
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Documents concernant le film "le Champion", film Metro-Goldwynn-Mayer, 1932
Title | Documents concernant le film "le Champion", film Metro-Goldwynn-Mayer, 1932 PDF eBook |
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Pages | 36 |
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Édith Piaf
Title | Édith Piaf PDF eBook |
Author | David Looseley |
Publisher | Oxford University Press |
Pages | 264 |
Release | 2015 |
Genre | Biography & Autobiography |
ISBN | 1781382573 |
The world-famous French singer Édith Piaf (1915-63) was never just a singer. This book suggests new ways of understanding her, her myth and her meanings over time at home and abroad, by proposing the notion of an 'imagined Piaf.
Godard On Godard
Title | Godard On Godard PDF eBook |
Author | Jean-luc Godard |
Publisher | Da Capo Press |
Pages | 300 |
Release | 1986-03-22 |
Genre | Performing Arts |
ISBN | 9780306802591 |
Jean-Luc Godard, like many of his European contemporaries, came to filmmaking through film criticism. This collection of essays and interviews, ranging from his early efforts for La Gazette du Cinéma to his later writings for Cahiers du Cinéma, reflects his dazzling intelligence, biting wit, maddening judgments, and complete unpredictability. In writing about Hitchcock, Welles, Bergman, Truffaut, Bresson, and Renoir, Godard is also writing about himself-his own experiments, obsessions, discoveries. This book offers evidence that he may be even more original as a thinker about film than as a director. Covering the period of 1950-1967, the years of Breathless, A Woman Is a Woman, My Life to Live, Alphaville, La Chinoise, and Weekend, this book of writings is an important document and a fascinating study of a vital stage in Godard's career. With commentary by Tom Milne and Richard Roud, and an extensive new foreword by Annette Michelson that reassesses Godard in light of his later films, here is an outrageous self-portrait by a director who, even now, continues to amaze and bedevil, and to chart new directions for cinema and for critical thought about its history.