The poetry of Dylan Thomas has long been heralded as amongst the greatest of the Modern period, and along with his play, Under Milk Wood, his books are amongst the best-loved works in the literary canon. This new selection of his poetry contains all of his best-loved verse - including 'I See the Boys of Summer', 'And Death Shall Have No Dominion', 'The Hand that Signed the Paper' and, of course, 'Do Not Go Gentle into that Good Night' - as well as some of his lesser-known lyrical pieces, and aims to show the great poet in a new light. '[Then] the greatest living poet in the English language.' (Observer) 'He is unique, for he distils an exquisite mysterious moving quality which defies analysis.' (Sunday Times)

The most complete and current edition of Dylan Thomas' collected poetry in a beautiful gift edition celebrating the centenary of his birth The reputation of Dylan Thomas (1914-1953) as one of the greatest poets of the twentieth century has not waned in the fifty years since his death. A Welshman with a passion for the English language, Thomas’s singular poetic voice has been admired and imitated, but never matched. This exciting, newly edited annotated edition offers a more complete and representative collection of Dylan Thomas’s poetic works than any previous edition. Edited by leading Dylan Thomas scholar John Goodby from the University of Swansea, The Poems of Dylan Thomas contains all the poems that appeared in Collected Poems 1934-1952, edited by Dylan Thomas himself, as well as poems from the 1930-1934 notebooks and poems from letters, amatory verses, occasional poems, the verse film script for “Our Country,” and poems that appear in his “radio play for voices,” Under Milk Wood. Showing the broad range of Dylan Thomas’s oeuvre as never before, this new edition places Thomas in the twenty-first century, with an up-to-date introduction by Goodby whose notes and annotations take a pluralistic approach.

"Lillian Boedecker Barron is 84 years old, vibrant, funny, wise, and recently deceased! During her lifetime, Lillian shared a special, long-distance bond with her granddaughter, Kelly, and suffered an estrangement from her son Windsor, a Colonel in the Air Force, as he moved his family from base to base all over the world. After her death, Lillian discovers that she cannot "move on" until the rifts are somehow mended. Windsor and Kelly come from overseas to settle Lillian's affairs and are aghast to discover that the walls of her house have been painted with wild, sometimes humorous, sometimes horrific murals and drawings. As they unravel secrets of the paintings, the two make astonishing discoveries about themselves and a special relationship between Lillian and a neighborhood child"--Publisher.

Forget getting older gracefully--This is the beauty and style bible every woman has been waiting for! How Not to Look Old is the first--ever cheat sheet of to-dos and fast fixes that pay-off big time--all from Charla and her friends, the best hair pros, makeup artists, designers, dermatologists, cosmetic dentists and personal shoppers in the biz. Packed with eye-opening details on hair color, brows, lipstick, wrinkle-erasers, jeans, shapewear, jewelry, heels, and more, the book speaks to every woman: from low maintenance types who don't want to spend a fortune or tons of time on her looks to high maintenance women who believe in looking fabulous at any price. There's also too-old vs. just-right before and after photos, celebrity examples of good and bad style, shopping lists of Charla's brilliant buys in fashion and beauty products, coveted addresses of "Where the top beauty pros go," fun sidebars--and more. Known to national audiences from her ten years on NBC's Today show, style expert Charla Krupp dishes out her secrets in this "ultimate" to-do list for looking hip and fabulous -- no matter what your age.

In this unforgettable space opera, #1 New York Times bestselling author George R. R. Martin presents a chilling vision of eternal night—a volatile world where cultures clash, codes of honor do not exist, and the hunter and the hunted are often interchangeable. A whisperjewel has summoned Dirk t’Larien to Worlorn, and a love he thinks he lost. But Worlorn isn’t the world Dirk imagined, and Gwen Delvano is no longer the woman he once knew. She is bound to another man, and to a dying planet that is trapped in twilight. Gwen needs Dirk’s protection, and he will do anything to keep her safe, even if it means challenging the barbaric man who has claimed her. But an impenetrable veil of secrecy surrounds them all, and it’s becoming impossible for Dirk to distinguish between his allies and his enemies. In this dangerous triangle, one is hurtling toward escape, another toward revenge, and the last toward a brutal, untimely demise. Praise for Dying of the Light “Dying of the Light blew the doors off of my idea of what fiction could be and could do, what a work of unbridled imagination could make a reader feel and believe.”—Michael Chabon “Slick science fiction . . . the Wild West in outer space.”—Los Angeles Times “Something special which will keep Worlorn and its people in the reader’s mind long after the final page is read.”—Galileo magazine “The galactic background is excellent. . . . Martin knows how to hold the reader.”—Asimov’s “George R. R. Martin has the voice of a poet and a mind like a steel trap.”—Algis Budrys

This volume of poetry provides a collection of funeral poems, appropriate for reading at a funeral or memorial service.

"Thanatopsis" is a renowned poem written by William Cullen Bryant, an American poet and editor of the 19th century. First published in 1817 when Bryant was just 17 years old, the poem is considered one of the early masterpieces of American literature. In "Thanatopsis," Bryant explores themes related to death and nature, contemplating the idea of mortality and the interconnectedness of life and death. The title, derived from the Greek words "thanatos" (death) and "opsis" (view), suggests a meditation on the contemplation of death. The poem begins with an invocation to nature, portraying it as a grand and eternal force. Bryant expresses the idea that death is a natural part of the cycle of life, and all living things ultimately return to the earth. He emphasizes the consoling and unifying aspects of death, encouraging readers to view it as a peaceful and harmonious process. "Thanatopsis" reflects the Romantic literary movement's appreciation for nature and its role in shaping human perspectives. Bryant's eloquent language and profound reflections on mortality contribute to the enduring appeal of the poem.