Charlotte Keating, a doctor and woman of independent means, is slowly pulled into a shadowy realm of violence and desperation after she investigates the suspicious death of a young woman she had recently declined to provide an illegal abortion. After Charlotte “Charley” Keating turns away a patient seeking an abortion she struggles with the ethical quandaries of such an act. As a feminist she would have liked to help the young girl in trouble but as a doctor with a practice and other patients counting on her she doesn’t feel like she can risk breaking the law for a complete stranger. When the poor girl turns up dead, Charley’s entire life is thrown into chaos. Perhaps Margaret Millar’s most controversial book—and certainly among her best—Do Evil in Return is a meticulously plotted and suspenseful meditation on abortion and the hypocrisy of the laws governing a woman’s body. Millar may be known as the Grande Dame of domestic suspense, but this brutal tale of a doctor hell-bent on uncovering the truth puts her in line with noir luminaries like David Goodis and Jim Thompson.

One of the New York Times Book Review's Top Ten Best Crime Novels of 2020 "[McMahon] tells his story with flair."--New York Times Book Review The author of The Good Detective delivers a gripping and atmospheric new novel in which a cop takes on a harrowing case and confronts old personal demons. What if the one good thing you did in your life doomed you to die? A hard-nosed real estate baron is dead, and detectives P.T. Marsh and Remy Morgan learn there's a long list of suspects. Mason Falls, Georgia, may be a small town, but Ennis Fultz had filled it with professional rivals, angry neighbors, and a wronged ex-wife. And when Marsh realizes that this potential murder might be the least of his troubles, he begins to see what happens when ordinary people become capable of evil. As Marsh and Morgan dig into the case, it becomes clear that Fultz's death was not an isolated case of revenge. It may be part of a dark web of crimes connected to an accident that up-ended Marsh's life a couple years earlier--and that now threatens the life of a young child. Marsh veers dangerously off track as his search for clues becomes personal..and brings him to a place where a man's good deeds turn out to be more dangerous than his worst crimes.

*NOW A NETFLIX LIMITED SERIES—from producer and director Shawn Levy (Stranger Things) starring Mark Ruffalo, Hugh Laurie, and newcomer Aria Mia Loberti* Winner of the Pulitzer Prize and National Book Award finalist, the beloved instant New York Times bestseller and New York Times Book Review Top 10 Book about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II. Marie-Laure lives with her father in Paris near the Museum of Natural History where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris, and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel. In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the Resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge. Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).

While Flannery O'Connor is hailed as one of the most important writers of the twentieth-century American south, few appreciate O'Connor as a philosopher as well. In Return to Good and Evil, Henry T. Edmondson introduces us to a remarkable thinker who uses fiction to confront and provoke us with the most troubling moral questions of modern existence. 'Right now the whole world seems to be going through a dark night of the soul, ' O'Connor once said, in response to the nihilistic tendencies she saw in the world around her. Nihilism--Nietzche's idea that 'God is dead'--preoccupied O'Connor, and she used her fiction to draw a tableau of human civilization on the brink of a catastrophic moral, philosophical, and religious crisis. Again and again, O'Connor suggests that the only way back from this precipice is to recognize the human need for grace, redemption, and God. She argues brilliantly and persuasively through her novels and short stories that the Nietzschean challenge to the notions of good and evil is an ill-conceived effort that will result only in disaster. With rare access to O'Connor's correspondence, prose drafts, and other personal writings, Edmondson investigates O'Connor's deepest motivations through more than just her fiction and illuminates the philosophical and theological influences on her life and work. Edmondson argues that O'Connor's artistic brilliance and philosophical genius reveal the only possible response to the nihilistic despair of the modern world: a return to good and evil through humility and grace.

From the olive trees of southern France to Gnostic cults in Egypt, a man and his lovers are invented and reinvented in this first volume of a great literary adventure. For British doctor Bruce Drexel, a return to Provence is bittersweet. Here, at a rustic chateau, he once fell in love with Sylvie, the Frenchwoman who would become his wife, and befriended her brother, Piers. The three made up a peculiar, potent ménage for years until Sylvie’s descent into madness and Piers’s suicide. As Drexel attends to Piers’s affairs, he becomes steeped in the memories of a spiritually transformational trip to Egypt; the band of intellectual confederates who used to be his intimate friends; and a three-sided love that became his reason for being. So begins Monsieur, the masterful first entry of Durrell’s Avignon Quintet, an infinite regress of memory and imagination that challenges the formal conventions of fiction.