Dmitri Shostakovich, Pianist
Title | Dmitri Shostakovich, Pianist PDF eBook |
Author | Sofia Moshevich |
Publisher | McGill-Queen's Press - MQUP |
Pages | 244 |
Release | 2004-03-19 |
Genre | Music |
ISBN | 0773571256 |
She traces his musical roots, piano studies, repertoire, and concert career through his correspondence with family and friends and his own and his contemporaries' memoirs, using material never before available in English. This biographical narrative is interwoven with analyses of Shoshtakovich's piano and chamber works, demonstrating how he interpreted his own music. For the first time, Shoshtakovich's own recordings are used as primary sources to discover what made his playing unique and to dispel commonly held myths about his style of interpretation. His recorded performances are analysed in detail, specifically his tempos, phrasing, dynamics, pedal, and tonal production. Some unpublished variants of musical texts are included and examples of his interpretations are provided and compared to various editions of his published scores.
Dmitri Shostakovich, Pianist
Title | Dmitri Shostakovich, Pianist PDF eBook |
Author | Sofia Moshevich |
Publisher | McGill-Queen's Press - MQUP |
Pages | 256 |
Release | 2004 |
Genre | Biography & Autobiography |
ISBN | 9780773525818 |
Dmitri Shoshtakovich (1906–1975) is recognized as one of the greatest composers of the twentieth century yet few people know that he was also an outstanding concert pianist who maintained a hectic performing schedule. In Dmitri Shostakovich, Pianist Sofia Moshevich offers the first detailed examination of Shoshtakovich the pianist within the context of his life and work as a composer. She traces his musical roots, piano studies, repertoire, and concert career through his correspondence with family and friends and his own and his contemporaries' memoirs, using material never before available in English. This biographical narrative is interwoven with analyses of Shoshtakovich's piano and chamber works, demonstrating how he interpreted his own music. For the first time, Shoshtakovich's own recordings are used as primary sources to discover what made his playing unique and to dispel commonly held myths about his style of interpretation. His recorded performances are analysed in detail, specifically his tempos, phrasing, dynamics, pedal, and tonal production. Some unpublished variants of musical texts are included and examples of his interpretations are provided and compared to various editions of his published scores.
Shostakovich and Football
Title | Shostakovich and Football PDF eBook |
Author | Dmitri Braginsky |
Publisher | |
Pages | 192 |
Release | 2018 |
Genre | Composers |
ISBN | 9785900539133 |
Dmitry Shostakovich Composer
Title | Dmitry Shostakovich Composer PDF eBook |
Author | D. Rabinovich |
Publisher | |
Pages | 204 |
Release | 2002-07-01 |
Genre | Biography & Autobiography |
ISBN | 9781410201119 |
Dmitry Shostakovich has long been regarded as one of the leading modern composers, a reputation truly deserved. His talent is that of the bold explorer, the imaginative thinker, his individuality clear-cut and unmatched.His work covers practically every genre: operas and ballets, symphonies and concertos, orchestral suites and overtures, cantatas and oratorios, string quartets and chamber pieces with piano, incidental music for plays and films, popular songs and light music. His works exceed a hundred in number.
Shostakovich
Title | Shostakovich PDF eBook |
Author | Laurel E. Fay |
Publisher | |
Pages | 494 |
Release | 2000 |
Genre | Biography & Autobiography |
ISBN | 9780195182514 |
For this biography the author has used many primary documents; Shostakovich's many letters, concert programmes, newspaper articles and diaries of his contemporaries. Showing his life as an example of the paradoxes of living as an artist in Russia.
Shostakovich
Title | Shostakovich PDF eBook |
Author | Brian Morton |
Publisher | Haus Publishing |
Pages | 197 |
Release | 2022-05-20 |
Genre | Music |
ISBN | 1913368440 |
A biography of popular twentieth-century Soviet composer Dmitri Shostakovich. Internationally esteemed, Soviet composer Dmitri Shostakovich is widely considered to have been the last great classical symphonist, and his reputation has continued to increase since his death in 1975. Shostakovich wrote his First Symphony at the age of nineteen, then he soon embarked on a dual career as a concert pianist and composer. His early avant-gardism resulted in the triumph of his 1934 opera Lady Macbeth of Mtsensk. Though at first highly praised by Stalin, Shostakovich would later suffer from a complex and brutalizing relationship with the Soviet dictator and the governments that followed him. Despite this persecution, his Seventh Symphony was embraced as a potent symbol of Russian resistance to the invading Nazi army in both the USSR and the West. Though his later years were marked by ill health, his rate of composition remained prolific. His music became increasingly beloved as he established himself as the most popular composer of serious music in the middle of the twentieth century.
Shostakovich and Stalin
Title | Shostakovich and Stalin PDF eBook |
Author | Solomon Volkov |
Publisher | Knopf |
Pages | 315 |
Release | 2007-12-18 |
Genre | Biography & Autobiography |
ISBN | 0307427722 |
“Music illuminates a person and provides him with his last hope; even Stalin, a butcher, knew that.” So said the Russian composer Dmitri Shostakovich, whose first compositions in the 1920s identified him as an avant-garde wunderkind. But that same singularity became a liability a decade later under the totalitarian rule of Stalin, with his unpredictable grounds for the persecution of artists. Solomon Volkov—who cowrote Shostakovich’s controversial 1979 memoir, Testimony—describes how this lethal uncertainty affected the composer’s life and work. Volkov, an authority on Soviet Russian culture, shows us the “holy fool” in Shostakovich: the truth speaker who dared to challenge the supreme powers. We see how Shostakovich struggled to remain faithful to himself in his music and how Stalin fueled that struggle: one minute banning his work, the next encouraging it. We see how some of Shostakovich’s contemporaries—Mandelstam, Bulgakov, and Pasternak among them—fell victim to Stalin’s manipulations and how Shostakovich barely avoided the same fate. And we see the psychological price he paid for what some perceived as self-serving aloofness and others saw as rightfully defended individuality. This is a revelatory account of the relationship between one of the twentieth century’s greatest composers and one of its most infamous tyrants.