A landmark reissue of Studs Terkel’s classic microcosm of America, with a new foreword by the Pulitzer Prize–winning journalist and co-creator of the Division Street Revisited podcast “Remarkable. . . . Division Street astonishes, dismays, exhilarates.” —The New York Times When New Press founder André Schiffrin first published Division Street in 1967, Studs Terkel’s reputation as America’s foremost oral historian was established overnight. Approaching Chicagoans as emblematic of the nation at large, Terkel set out with his tape recorder and spent a year talking to over seventy people about race, family, education, work, prospects for the future—all topics that remain deeply contentious today. Subjects included a Black woman who attended the 1963 March on Washington, a tool-and-die maker, a baker from Budapest, a closeted gay actor, and a successful but cynical ad man. As Tom Wolfe wrote, Studs was “one of those rare thinkers who is actually willing to go out and talk to the incredible people of this country.” Most interviewees shared the hope for a good life for their children and the wish for a less divided and more just America, but the real Chicago street referenced in the title takes on a metaphorical meaning as a symbol of the acute social divides of the 1960s—and highlights the continued relevance of Terkel’s work in our polarized times. Now, over fifty years later, Melissa Harris and Pulitzer Prize–winning journalist Mary Schmich have created the remarkable Division Street Revisited podcast, coming in January 2025, in which they have found and interviewed descendants of Terkel’s original subjects in seven rich episodes. Schmich’s foreword to the reissue and the extraordinary podcast—along with the new edition of Division Street—together demonstrate Studs Terkel’s prescience and the enduring importance of his work.

In 2016 the Super Bowl came to San Francisco. The unhoused were moved to Division Street where, officials hoped, they would be 'invisible'. Amid the unlimited wealth of that 'super' week, the unhoused were crowded together in tents or sleeping rough on the ground. No facilities and no promises of permanent housing were given. The voices of the unhoused on Division Street are integral to this project. Through photographs, first-person storytelling, messages left on the street, media headlines and politicians' characterizations we see the invisible.

Radical friends of the 1960s reunite in a boarding house in Chicago. Characters include a black landlady with a Polish accent and a transexual cop.

This book includes an overview of the people, institutions, and events that shaped the establishment, growth and history of the African-American community in Orlando. We examine the creation of the neighborhood's educational centers, plases of worship, and businesses, and the irony of how desegregation inadvertently led to the decline of the community. Significant instances of racial unrest in Orlando that are often overlooked are detailed in this manuscript

*SHORTLISTED FOR THE T.S ELIOT PRIZE AND COSTA POETRY AWARD 2013* 'A stone is lobbed in '84, hangs like a star over Orgreave. Welcome to Sheffield. Border-land, our town of miracles...' - 'Scab' From the clash between striking miners and police to the delicate conflicts in personal relationships, Helen Mort's stunning debut is marked by distance and division. Named for a street in Sheffield, this is a collection that cherishes specificity: the particularity of names; the reflections the world throws back at us; the precise moment of a realisation. Distinctive and assured, these poems show us how, at the site of conflict, a moment of reconciliation can be born.

Set in the 1940s, Elaine Soloway's memoir takes its title from the street that Studs Terkel exalts in his classic book, "Division Street: America" and from the pet name her father gave her. Soloway lived in a three-room flat above her family's grocery store. In her tale of bookies, poolrooms, sidewalk playgrounds, and relatives who lived down the block, we learn about her loving but embattled parents, her adored older brother, and neighborhood kibitzers. Along with her recollections of a lively, unique community, she also shows the underside of childhood and urban life. Although far from the Holocaust and the war overseas, Soloway faced dangers close to home when a child her age was horribly murdered, and when predators preyed on voiceless little girls. As Soloway struggled to find her own identity, the family store and Division Street waged battles too: for post-war prosperity, television, supermarkets, and suburbia threatened an end to corner stores and to old neighborhoods everywhere.

Winner of the NAACP Image Award for Fiction From Kiese Laymon, author of the critically acclaimed memoir Heavy, comes a “funny, astute, searching” (The Wall Street Journal) debut novel about Black teenagers that is a satirical exploration of celebrity, authorship, violence, religion, and coming of age in post-Katrina Mississippi. Written in a voice that’s alternately humorous, lacerating, and wise, Long Division features two interwoven stories. In the first, it’s 2013: after an on-stage meltdown during a nationally televised quiz contest, fourteen-year-old Citoyen “City” Coldson becomes an overnight YouTube celebrity. The next day, he’s sent to stay with his grandmother in the small coastal community of Melahatchie, where a young girl named Baize Shephard has recently disappeared. Before leaving, City is given a strange book without an author called Long Division. He learns that one of the book’s main characters is also named City Coldson—but Long Division is set in 1985. This 1985-version of City, along with his friend and love interest, Shalaya Crump, discovers a way to travel into the future, and steals a laptop and cellphone from an orphaned teenage rapper called...Baize Shephard. They ultimately take these items with them all the way back to 1964, to help another time-traveler they meet to protect his family from the Ku Klux Klan. City’s two stories ultimately converge in the work shed behind his grandmother’s house, where he discovers the key to Baize’s disappearance. Brilliantly “skewering the disingenuous masquerade of institutional racism” (Publishers Weekly), this dreamlike “smart, funny, and sharp” (Jesmyn Ward), novel shows the work that young Black Americans must do, while living under the shadow of a history “that they only gropingly understand and must try to fill in for themselves” (The Wall Street Journal).