A fresh reading of Dante's major literary works - the Divine Comedy and the Vita nuova - that combines central tenets of incarnational theology and dialectical thought to challenge a dominant paradigm in Dante criticism.

Despite the voluminous and ever-growing scholarly literature on Karl Barth, penetrating accounts of his theological method are lacking. In an attempt to fill this lacuna, Todd Pokrifka provides an analysis of Barth's theological method as it appears in his treatment of three divine perfections--unity, constancy, and eternity--in Church Dogmatics, II/1, chapter VI. In order to discern the method by which Barth reaches his doctrinal conclusions, Pokrifka examines the respective roles of Scripture, tradition, and reason--the "threefold cord"--in this portion of the Church Dogmatics. In doing so he finds that for Barth Scripture functions as the authoritative source and basis for theological critique and construction, and tradition and reason are functionally subordinate to Scripture. Yet Barth employs a predominantly indirect way of relating Scripture and theological proposals, a way in which tradition and reason play important "mediatory" roles. Barth's approach to theology involves the humble yet serious attempt to "redescribe God," that is, to say again on a human level what God has already said in the divine self-revelation attested in Scripture. Redescribing God features an original conceptual framework for the analysis of Barth's method and an extensive application of that framework in the context of close readings of portions of the Church Dogmatics. Through this process it draws from, critiques, and complements a wide variety of Barth scholarship on topics such as the role of Scripture and theological exegesis in Barth, the role of tradition in Barth, the meaning and role of "reason" in Barth, and the nature of Barth's doctrine of divine perfections. The book also provides a fruitful basis for those who wish to learn from Barth's distinctive way of constructing the Christian doctrine of God as an attempt to obey God's self-revelation.

One of the most pressing issues in the doctrine of the atonement today is the question of the unity and diversity of the work of Christ. What are we to make of the diversity within the biblical witness and the history of doctrine when it comes to explanations of the meaning and significance of Jesus' death and resurrection? Without a grasp of the unity of his work, our understanding and use of the diversity runs the risk of becoming haphazard and disordered. Proposals regarding the unity of Christ's work today tend to focus on the metaphorical nature of language, the role of culture, and various possible conceptual schemes, rarely reflecting on unity and diversity proper to the being God. To fill this gap, Johnson draws on Karl Barth's integrated account of the doctrines of God and reconciliation, harnessing the resources contained within the doctrines of the Trinity and divine perfections to energize a properly theological account of the unity and diversity of the atonement.

This book presents a heuristic and critical study of comparative theology in engagement with phenomenological methodology and sociological inquiry. It elucidates a postcolonial study of religion in the context of multiple modernities.

Invoking the biblical motif of Jacob's struggle with the Face of God (Genesis 32), Simon D. Podmore undertakes a constructive theological account of 'spiritual trial' (tentatio; known in German mystical and Lutheran tradition as Anfechtung) in relation to enduring questions of the otherness and hiddenness of God and the self, the problem of suffering and evil, the freedom of Spirit, and the anxious relationship between temptation and ordeal, fear and desire. This book traces a genealogy of spiritual trial from medieval German mystical theology, through Lutheran and Pietistic thought (Tauler; Luther; Arndt; Boehme), and reconstructs Kierkegaard's innovative yet under-examined recovery of the category (AnfAegtelse: a Danish cognate for Anfechtung) within the modern context of the 'spiritless' decline of Christendom. Developing the relationship between struggle (Anfechtung) and release (Gelassenheit), Podmore proposes a Kierkegaardian theology of spiritual trial which elaborates the kenosis of the self before God in terms of Spirit's restless longing to rest transparently in God. Offering an original rehabilitation of the temptation of spiritual trial, this book strives for a renewed theological hermeneutic which speaks to the enduring human struggle to realise the unchanging love of God in the face of spiritual darkness.