In Disturbing Remains, ten extraordinary scholars focus on the remembrance and representation of traumatic historical events in the twentieth century. The volume opens with essays by David William Cohen, Veena Das, and Philip Gourevitch. Their reflections on the narratives framing Robert Ouko's death in Kenya, Sikh-Hindu violence in India around the time of Indira Gandhi's assassination, and the 1994 genocide of Tutsis by Hutus in Rwanda offer fresh insights into the genesis and aftermath of these tragedies. The next four essays explore the expression of societal disaster in works of art and ritual. Lenin's image, Pablo Picasso's Guernica, balsa figurines of whites made by the Kuna of Panama, and Chinese fertility statuettes after Mao Zedong's Great Leap Forward are the subjects taken up by Leah Dickerman, Carlo Ginzburg, Carlo Severi, and Jun Jing. Disturbing Remains closes with three essays about the influence of the dead on the construction of shared identity. István Rév looks at how Hungarians have dealt with the 1956 revolution and its executed leader, and Jörn Rüsen and Saul Friedländer contemplate the public memory of the Holocaust in Germany and worldwide.

Highlights the importance of best practice in dealing with human remains, and discusses the key ethical and legal issues.

Grief is a black house. How far would you go? What horrors would you endure if it meant you might see the son you thought you'd lost forever? Driven to a breakdown by the brutal murder of her young son, Lucy Campbell had locked herself away, fallen deep inside herself, become a ghost haunting room 23b of the William Tuke Psychiatric Hospital. There she'd remained, until the whispering pulled her back, until she found herself once more sitting in her car, calling to the son she had lost, staring into the black panes of the now abandoned house where Alex had died. Tonight, someone is watching her back.

Six Feet Under meets Edward Scissorhands in Mortal Remains, a tight, smartly written romance with an occult twist. Though her classmates call her Morticia and Ghoul Girl, Lily actually likes her work—the dead are good listeners, and they don't judge. Lily learns their stories, shares her worries with them as she makes up their faces, and embroiders pillows for their final rest. “The way I figure it,” says Lily, “a person's arrival into this world is about as unglamorous as it gets. The least I can do is dignify their departure." Then, after a mysterious explosion burns down a neighborhood house long the source of weird stories, Lily and her friends poke around in the debris and come across the hatch to an underground vault. Inside, they find an injured teenage boy who has been trapped there for days. He has little memory of his life before the explosion and speaks in an odd, stilted manner that suggests limited interaction with the outside world. Yet the boy, Adam, feels there is something familiar about Lily—and Lily must admit that she feels a strange connection to him as well. Could Adam be the boy who, years ago, protected her from the bullying of a gang of neighborhood kids? But when she finds out that boy died shortly after their encounter, she realizes Adam couldn't be him… could he? Where did Adam come from, anyway? And, most importantly, why was he kept prisoner by his own father? Within days of the explosion, my night terrors returned with a vengeance. In them I was falling, always falling, until I heard the crack of bone and woke screaming, my hair plastered to my sweat-drenched cheeks. I knew I’d only find peace when I’d put the question of Adam’s fate to rest once and for all. It became my obsession. . . .

Archaeologists excavating burials often find that they are not the first to disturb the remains of the dead. Graves from many periods frequently show signs that others have been digging and have moved or taken away parts of the original funerary assemblage. Displaced bones and artefacts, traces of pits, and damage to tombs or coffins can all provide clues about post-burial activities. The last two decades have seen a rapid rise in interest in the study of post-depositional practices in graves, which has now developed into a new subfield within mortuary archaeology. This follows a long tradition of neglect, with disturbed graves previously regarded as interesting only to the degree they revealed evidence of the original funerary deposit. This book explores past human interactions with mortuary deposits, delving into the different ways graves and human remains were approached by people in the past and the reasons that led to such encounters. The primary focus of the volume is on cases of unexpected interference with individual graves soon after burial: re-encounters with human remains not anticipated by those who performed the funerary rites and constructed the tombs. However, a first step is always to distinguish these from natural and accidental processes, and methodological approaches are a major theme of discussion. Interactions with the remains of the dead are explored in eleven chapters ranging from the New Kingdom of Egypt to Viking Age Norway and from Bronze Age Slovakia to the ancient Maya. Each discusses cases of re-entries into graves, including desecration, tomb re-use, destruction of grave contents, as well as the removal of artefacts and human remains for reasons from material gain to commemoration, symbolic appropriation, ancestral rites, political chicanery, and retrieval of relics. The introduction presents many of the methodological issues which recur throughout the contributions, as this is a developing area with new approaches being applied to analyze post-depositional processes in graves.

E. Ann Kaplan explores the relationship between the impact of trauma on individuals and on entire cultures and nations. Arguing that humans possess a need to draw meaning from personal experience and to communicate what happens to others, she examines the forms that are used to bridge the experience.

Exploring pivotal questions of their profession, this collection of essays by 13 well-known Australian scholars presents the ethical challenges of researching and writing history. Including contributions from Alan Atkinson, Graeme Davison, Greg Dening, John Hirst, Beverley Kingston, Marilyn Lake, and Iain McCalman, this personally revealing and intellectually provocative introspection discusses such dilemmas as how to handle emotional investments in the subject, control sympathies and biases, and address the responsibilities historians have to both their subject and their audience.