Desiring Whiteness uncovers the intertwined histories of commercial sex and racial politics in France and the French Empire. Since the French Revolution of 1789, the absence of laws banning interracial marriages has served to reinforce two myths about modern France—first, that it is a sexual democracy and second, it is a color-blind nation where all French citizens can freely marry whomever they wish regardless of their race. Caroline Séquin challenges the narrative of French exceptionalism by revealing the role of prostitution regulation in policing intimate relationships across racial and colonial boundaries in the century following the abolition of slavery. Desiring Whiteness traces the rise and fall of the "French model" of prostitution policing in the "contact zones" of port cities and garrison towns across France and in Dakar, Senegal, the main maritime entry point of French West Africa. Séquin describes how the regulation of prostitution covertly policed racial relations and contributed to the making of white French identity in an imperial nation-state that claimed to be race-blind. She also examines how sex industry workers exploited, reinforced, or transgressed the racial boundaries of colonial rule. Brothels served as "gatekeepers of whiteness" in two arenas. In colonial Senegal, white-only brothels helped deter French colonists from entering unions with African women and producing mixed-race children, thus consolidating white minority rule. In the metropole, brothels condoned interracial sex with white sex workers while dissuading colonial men from forming long-term attachments with white French women. Ultimately, brothels followed a similar racial logic that contributed to upholding white supremacy.

The issue of ethnicity in France, and how ethnicities are represented there visually, remain one of the most important and polemical aspects of French post-colonial politics and society. Troubling visions is the first book to analyse how a range of different ethnicities have been represented across contemporary French visual culture. Via a wide series of case studies - ranging from the worldwide hit film Amélie to France's popular TV series Plus belle la vie - it explores how ethnicities have been represented in contemporary France across a wide variety of different media. Its innovative, interdisciplinary approach and novel subject matter will complement university courses that focus on contemporary French society and visual culture. It will interest those researching and studying French and European film and photography, ethnicity in post-colonial France and visual culture generally.

At least since the French Revolution, France has the peculair distinction of simultaneously fascinating, charming and exasperating its neighbours and foreign observers. Contemporary France provides an essential introduction for students of French politics and society, exploring contemporary developments while placing them in a deeper historical, intellectual, cultural and social context that makes for insightful analysis. Thus, chapters on France's economic policy and welfare state, its foreign and European policies and its political movements and recent institutional developments are informed by an analysis of the country's unique political and institutional traditions, distinct forms of nationalism and citizenship, dynamic intellectual life and recent social trends. Summaries of key political, economic and social movements and events are displayed as exhibits.

Archival research into policing and surveillance of migrant women illuminates pressing contemporary issues. Examining little-known policing archives in France, Senegal, and Cambodia, Jennifer Anne Boittin unearths the stories of hundreds of women labeled “undesirable” by the French colonial police and society in the early twentieth century. These “undesirables” were often women traveling alone, women who were poor or ill, women of color, or women whose intimate lives were deemed unruly. To refute the label and be able to move freely, they spoke out or wrote impassioned letters: some emphasized their “undesirable” qualities to suggest that they needed the care and protection of the state to support their movements, while others used the empire’s own laws around Frenchness and mobility to challenge state or societal interference. Tacking between advocacy and supplication, these women summoned intimate details to move beyond, contest, or confound surveillance efforts, bringing to life a practice that Boittin terms “passionate mobility.” In considering how ordinary women pursued autonomy, security, companionship, or simply a better existence in the face of surveillance and control, Undesirable illuminates pressing contemporary issues of migration and violence.

Black women living in the French empire played a key role in the decolonial movements of the mid-twentieth century. Thinkers and activists, these women lived lives of commitment and risk that landed them in war zones and concentration camps and saw them declared enemies of the state. Annette K. Joseph-Gabriel mines published writings and untapped archives to reveal the anticolonialist endeavors of seven women. Though often overlooked today, Suzanne Césaire, Paulette Nardal, Eugénie Éboué-Tell, Jane Vialle, Andrée Blouin, Aoua Kéita, and Eslanda Robeson took part in a forceful transnational movement. Their activism and thought challenged France's imperial system by shaping forms of citizenship that encouraged multiple cultural and racial identities. Expanding the possibilities of belonging beyond national and even Francophone borders, these women imagined new pan-African and pan-Caribbean identities informed by black feminist intellectual frameworks and practices. The visions they articulated also shifted the idea of citizenship itself, replacing a single form of collective identity and political participation with an expansive plurality of forms of belonging.

Contemporary French writers have embarked on various quests for new sources of thematic and formal inspiration which are increasingly tied to issues of postcolonial legacies. However, French literature has never been consistently examined through the lens of race, ethnicity, and its relation to (post)coloniality. Fictions of Race in Contemporary French Literature is the first scholarly study to engage with the figure of the White writer and explore the White literary gaze in contemporary France. The book highlights the inherent postcoloniality of White Hexagonal literature in a context marked by institutionalized colour-blindness, and offers a reflection on responsible writing in and about postcolonial France. The book identifies a set of formal features, functions, and aesthetic dispositions which reveal the ways in which White writers grapple with postcolonial subjects. It focuses on seven case studies featuring texts by Marie Darrieussecq, Virginie Despentes, Annie Ernaux, Nicolas Fargues, Pierre Lemaitre, ?douard Louis, and Nicolas Mathieu. Achille and Pana?t? argue that it is imperative to recast the enduring boundedness of race and empire as a matter of equal concern to White and non-White writers.

Unveiling Whiteness in the Twenty-First Century: Global Manifestations, Transdisciplinary Interventions is a tightly interconnected and richly collaborative book that will advance our understanding of why it is so difficult to re-form and reimagine whiteness in the twenty-first century. Composed after the election of the first black U.S. president, post-global financial crisis, more than a decade after 9/11, and concomitant with a rash of xenophobic incidents across the globe, the book distills several key themes associated with a post-millennial global whiteness: the individual and collective emotions of whiteness, the recentering of whiteness through governing and legal strategies, and the retreats from social equity and justice that have characterized the late twentieth and twenty-first century nation state. It also attempts the difficult work of reimagining white identities and cultures for a new era. Chapters in Unveiling Whiteness in the Twenty-First Century draw from the fields of African-American studies, English studies, media studies, philosophy, political science, psychology, sociology, education, and women’s studies. Using transdisciplinarity as a mode of inquiry for the project and responding to the changing phenomenon of whiteness across several continents (Australia, Canada, France, Romania, South Africa, Sweden, and the United States), the collection brings together established and emerging scholars and a range of critical approaches to unveil and intervene in the ideologies of whiteness in our contemporary moment. Unveiling Whiteness in the Twenty-First Century demonstrates that complex inquiry and activism are needed to challenge new iterations of whiteness in twenty-first-century political and social spaces.