The 1994 Oslo accords between Israel and the Palestinians were hailed as the start of a process that would bring about resolution of the Israeli-Arab conflict. Five years later, Oslo must be judged a failure. For the Arab and Islamic world, Israel remains what it was at the outset of Oslo — a pariah state illegally occupying Arab lands.Gaza-based journalist Graham Usher witnessed many of the pivotal events of the peace process, and his insightful new book gives voice to the people of Palestine. In addition to presenting the views of ordinary individuals on the street, the book includes interviews with many of the leading commentators and figures from Palestinian Hamas and Fatah, Lebanese Hezballah, and Shas (the Sephardic Jews within Israel). Among the key figures interviewed are Azmi Bishara (Arab activist/Israeli citizen running for President), Yossi Beilin (former Israeli Labour Cabinet member) Aryeh Deri (Shas), Marwan Barghouti (Fatah), and Ibrahim Ghoshah (Hamas). The collection also contains longer, analytical pieces that describe the rise of Hamas in the occupied territories; the growing authoritarianism of Yassar Arafat's Palestinian Authority; the politics of Hezballah in Lebanon; and the causes behind the nihilistic violence of the Gamaa Islamiyya in Egypt. Dispatches from Palestine offers the contemporary history of a process that has irreversibly changed the nature of the Israeli/Palestinian conflict — and one whose failure is bound to leave its mark on the region and the world in the future.

From the War on Terror to resistance in Ramallah and traumatic dislocation in the Middle East, Berger explores the uses of art as an instrument of political resistance. Visceral and passionate, Hold Everything Dear is a profound meditation on the far extremes of human behaviour, and the underlying despair. Looking at Afghanistan, Palestine, and Iraq, he makes an impassioned attack on the poverty and loss of freedom at the heart of such unnecessary suffering. These essays offer reflections on the political at the core of artistic expression and even at the center of human existence itself.

Operation Protective Edge, launched in early July 2014, was the third major Israeli assault on the Gaza Strip in six years. It was also the most deadly. By the conclusion of hostilities some seven weeks later, 2,200 of Gaza’s population had been killed, and more than 10,000 injured. In these pages, journalist Mohammed Omer, a resident of Gaza who lived through the terror of those days with his wife and then three-month-old son, provides a first-hand account of life on-the-ground during Israel’s assault. The images he records in this extraordinary chronicle are a literary equivalent of Goya’s “Disasters of War”: children’s corpses stuffed into vegetable refrigerators, pointlessly because the electricity is off; a family rushing out of their home after a phone call from the Israeli military informs them that the building will be obliterated by an F-16 missile in three minutes; donkeys machine-gunned by Israeli soldiers under instructions to shoot anything that moves; graveyards targeted with shells so that mourners can no longer tell where their relatives are buried; fishing boats ablaze in the harbor. Throughout this carnage, Omer maintains the cool detachment of the professional journalist, determined to create a precise record of what is occurring in front of him. But between his lines the outrage boils, and we are left to wonder how a society such as Israel, widely-praised in the West as democratic and civilized, can visit such monstrosities on a trapped and helpless population.

The U.S. occupation of Japan transformed a brutal war charged with overt racism into an amicable peace in which the issue of race seemed to have disappeared. During the Occupation, the problem of racial relations between Americans and Japanese was suppressed and the mutual racism transformed into something of a taboo so that the two former enemies could collaborate in creating democracy in postwar Japan. In the 1980s, however, when Japan increased its investment in the American market, the world witnessed a revival of the rhetoric of U.S.-Japanese racial confrontation. Koshiro argues that this perceived economic aggression awoke the dormant racism that lay beneath the deceptively smooth cooperation between the two cultures. This pathbreaking study is the first to explore the issue of racism in U.S.-Japanese relations. With access to unexplored sources in both Japanese and English, Koshiro is able to create a truly international and cross-cultural study of history and international relations.

Israeli journalist Amira Hass chronicles the experiences she had while living in Ramallah.

Judith Butler follows Edward Said's late suggestion that through a consideration of Palestinian dispossession in relation to Jewish diasporic traditions a new ethos can be forged for a one-state solution. Butler engages Jewish philosophical positions to articulate a critique of political Zionism and its practices of illegitimate state violence, nationalism, and state-sponsored racism. At the same time, she moves beyond communitarian frameworks, including Jewish ones, that fail to arrive at a radical democratic notion of political cohabitation. Butler engages thinkers such as Edward Said, Emmanuel Levinas, Hannah Arendt, Primo Levi, Martin Buber, Walter Benjamin, and Mahmoud Darwish as she articulates a new political ethic. In her view, it is as important to dispute Israel's claim to represent the Jewish people as it is to show that a narrowly Jewish framework cannot suffice as a basis for an ultimate critique of Zionism. She promotes an ethical position in which the obligations of cohabitation do not derive from cultural sameness but from the unchosen character of social plurality. Recovering the arguments of Jewish thinkers who offered criticisms of Zionism or whose work could be used for such a purpose, Butler disputes the specific charge of anti-Semitic self-hatred often leveled against Jewish critiques of Israel. Her political ethic relies on a vision of cohabitation that thinks anew about binationalism and exposes the limits of a communitarian framework to overcome the colonial legacy of Zionism. Her own engagements with Edward Said and Mahmoud Darwish form an important point of departure and conclusion for her engagement with some key forms of thought derived in part from Jewish resources, but always in relation to the non-Jew. Butler considers the rights of the dispossessed, the necessity of plural cohabitation, and the dangers of arbitrary state violence, showing how they can be extended to a critique of Zionism, even when that is not their explicit aim. She revisits and affirms Edward Said's late proposals for a one-state solution within the ethos of binationalism. Butler's startling suggestion: Jewish ethics not only demand a critique of Zionism, but must transcend its exclusive Jewishness in order to realize the ethical and political ideals of living together in radical democracy.

The Arab Spring unleashed forces of liberation and social justice that swept across North Africa and the Middle East with unprecedented speed, ferocity, and excitement. Although the future of the democratic uprisings against oppressive authoritarian regimes remains uncertain in many places, the revolutionary wave that started in Tunisia in December 2010 has transformed how the world sees Arab peoples and politics. Bringing together the knowledge of activists, scholars, journalists, and policy experts uniquely attuned to the pulse of the region, Dispatches from the Arab Spring offers an urgent and engaged analysis of a remarkable ongoing world-historical event that is widely misinterpreted in the West. Tracing the flows of protest, resistance, and counterrevolution in every one of the countries affected by this epochal change—from Morocco to Iraq and Syria to Sudan—the contributors provide ground-level reports and new ways of teaching about and understanding the Middle East in general, and contextualizing the social upheavals and political transitions that defined the Arab Spring in particular. Rejecting outdated and invalid (yet highly influential) paradigms to analyze the region—from depictions of the “Arab street” as a mindless, reactive mob to the belief that Arab culture was “unfit” for democratic politics—this book offers fresh insights into the region’s dynamics, drawing from social history, political geography, cultural creativity, and global power politics. Dispatches from the Arab Spring is an unparalleled introduction to the changing Middle East and offers the most comprehensive and accurate account to date of the uprisings that profoundly reshaped North Africa and the Middle East. Contributors: Sheila Carapico, U of Richmond; Nouri Gana, UCLA; Toufic Haddad; Adam Hanieh, SOAS/U of London; Toby C. Jones, Rutgers U; Anjali Kamat; Khalid Medani, McGill U; Merouan Mekouar; Maya Mikdashi, NYU; Paulo Gabriel Hilu Pinto, U Federal Fluminense, Brazil; Jillian Schwedler, Hunter College, CUNY; Ahmad Shokr; Susan Slyomovics, UCLA; Haifa Zangana.