Azad's debut YA fantasy is set in a city along the Silk Road that is a refuge for those of all faiths, where a young woman is threatened by the war between two clans of powerful djinn. Fatima lives in the city of Noor, a thriving stop along the Silk Road. There the music of myriad languages fills the air, and people of all faiths weave their lives together. However, the city bears scars of its recent past, when the chaotic tribe of Shayateen djinn slaughtered its entire population -- except for Fatima and two other humans. Now ruled by a new maharajah, Noor is protected from the Shayateen by the Ifrit, djinn of order and reason, and by their commander, Zulfikar.But when one of the most potent of the Ifrit dies, Fatima is changed in ways she cannot fathom, ways that scare even those who love her. Oud in hand, Fatima is drawn into the intrigues of the maharajah and his sister, the affairs of Zulfikar and the djinn, and the dangers of a magical battlefield.In this William C. Morris YA Debut Award finalist novel, Nafiza Azad weaves an immersive tale of magic and the importance of names; fiercely independent women; and, perhaps most importantly, the work for harmony within a city of a thousand cultures and cadences.

The complete retelling of favorite Disney movies in a true read-aloud style.

The woman rushed forward and seized the ape-man's hands in hers. "Do not leave me!" she cried. "Stay, and you shall be High Priest. La loves you. All Opar shall be yours. Slaves shall wait upon you. Stay, Tarzan of the Apes, and let love reward you." The ape-man pushed the kneeling woman aside. "Tarzan does not desire you," he said, simply, and stepping to Werper's side he cut the Belgian's bonds and motioned him to follow. Panting--her face convulsed with rage, La sprang to her feet. "Stay, you shall!" she screamed. "La will have you--if she cannot have you alive, she will have you dead.,." ~~~ Edgar Rice Burroughs created one of the most iconic figures in American pop culture, Tarzan of the Apes, and it is impossible to overstate his influence on entire genres of popular literature in the decades after his enormously winning pulp novels stormed the public's imagination. Tarzan the Jewels of Opar, first published in 1918, is the fifth installment in Burroughs' tales of the ape-man, and is considered by devotees to be one of the best. Here, Tarzan journeys to the gold-mining city of Opar, steeped in myth and legend, to contend with greedy villains and the amorous attentions of La, the High Priestess of the Flaming God. American novelist EDGAR RICE BURROUGHS (1875-1950) wrote dozens of adventure, crime, and science fiction novels that are still beloved today, including Tarzan of the Apes (1912), At the Earth's Core (1914), A Princess of Mars (1917), The Land That Time Forgot (1924), and Pirates of Venus (1934). He is reputed to have been reading a comic book when he died.

Advance-solicited - On sale April 14 - 336 pg, 7.0625" x 10.875" FC, $39.99 US Written by Alan Moore, Leah Moore & Peter Hogan - Art by Chris Sprouse, Shawn McManus & others - Cover by Chris Sprouse & Karl Story In these tales from issues #13-24, Tom faces off against the ruthless Paul Saveen, the Nazi super-woman Ingrid Weiss and more!

Tarzan of the Apes is a novel by American writer Edgar Rice Burroughs, the first in a series of books about the title character Tarzan. It was first published in the pulp magazine The All-Story in October 1912.[1] The story follows Tarzan's adventures, from his childhood being raised by apes in the jungle, to his eventual encounters with other humans and Western society. So popular was the character that Burroughs continued the series into the 1940s with two dozen sequels.[2] For the novel's centennial anniversary, Library of America published a hardcover edition based on the original book with an introduction by Thomas Mallon in April 2012 (ISBN 978-1-59853-164-0). Scholars have noted several important themes in the novel: the impact of heredity on behavior; racial superiority; civilization, especially as Tarzan struggles with his identity as a human; sexuality; and escapism.