THE DISILLUSIONED is a ruthlessly honest memoir of a young man who writes both searingly and disarmingly about the highs and lows, the perils and promise of our times. THE DISILLUSIONED documents the struggle all too common for recent generations: yearning to find a sense of worth and a purpose to their lives against the backdrop of abuses rife in modern society and the duplicity of political systems which favour the rich and powerful despite the hollow rhetoric that promises something else. THE DISILLUSIONED encompasses three decades, beginning with the impressionable child indoctrinated with the propaganda of Thatcher's Britain and suffering sexual abuse, a lack of role models and any sense of belonging. It is a gripping story of obsessive ambition, discrimination, sex, scams, suicidal impulses, alcoholism, the search for love, loss and the quest for redemption in New Zealand. It is the author's story, but also the story of a disillusioned silent majority; the story of young people bogged down with debt and disillusionment; the story, too, of the increasing dangers facing our children in a materialistic world where family bonds and values are sacrificed for high incomes and status. "THE DISILLUSIONED is a surprisingly compulsive read about what I call the Misfit Generation - the one beguiled at first by the challenge of rational economics and then bewildered by its effects. David Scott's odyssey is to find self-worth, to discover basic human values among the detritus of modern life. At the end you can't be sure he's made it. But his story matters and he tells it with the pace and directness of a pro." - Gordon McLauchlan, writer and book critic.

"Astonishingly important.” —Alex Kotlowitz, The Atlantic Through the stories of five American families, a masterful and timely exploration of how hope, history, and racial denial collide in the suburbs and their schools Outside Atlanta, a middle-class Black family faces off with a school system seemingly bent on punishing their teenage son. North of Dallas, a conservative white family relocates to an affluent suburban enclave, but can’t escape the changes sweeping the country. On Chicago’s North Shore, a multiracial mom joins an ultraprogressive challenge to the town’s liberal status quo. In Compton, California, whose suburban roots are now barely recognizable, undocumented Hispanic parents place their gifted son’s future in the hands of educators at a remarkable elementary school. And outside Pittsburgh, a Black mother moves to the same street where author Benjamin Herold grew up, then confronts the destructive legacy left behind by white families like his. Disillusioned braids these human stories together with penetrating local and national history to reveal a vicious cycle undermining the dreams upon which American suburbia was built. For generations, upwardly mobile white families have extracted opportunity from the nation’s heavily subsidized suburbs, then moved on before the bills for maintenance and repair came due, leaving the mostly Black and Brown families who followed to clean up the ensuing mess. But now, sweeping demographic shifts and the dawning realization that endless expansion is no longer feasible are disrupting this pattern, forcing everyday families to confront a truth their communities were designed to avoid: The suburban lifestyle dream is a Ponzi scheme whose unraveling threatens us all. How do we come to terms with this troubled history? How do we build a future in which all children can thrive? Drawing upon his decorated career as an education journalist, Herold explores these pressing debates with expertise and perspective. Then, alongside Bethany Smith—the mother from his old neighborhood, who contributes a powerful epilogue to the book—he offers a hopeful path toward renewal. The result is nothing short of a journalistic masterpiece.

How do photographs compel belief and endow knowledge? To understand the impact of photography in a given era, we must study the adjacent forms of visual persuasion with which photographs compete and collaborate. In photography’s early days, magic shows, scientific demonstrations, and philosophical games repeatedly put the visual credulity of the modern public to the test in ways that shaped, and were shaped by, the reality claims of photography. These venues invited viewers to judge the reliability of their own visual experiences. Photography resided at the center of a constellation of places and practices in which the task of visual discernment—of telling the real from the constructed—became an increasingly crucial element of one’s location in cultural, political, and social relations. In Disillusioned: Victorian Photography and the Discerning Subject, Jordan Bear tells the story of how photographic trickery in the 1850s and 1860s participated in the fashioning of the modern subject. By locating specific mechanisms of photographic deception employed by the leading mid-century photographers within this capacious culture of discernment, Disillusioned integrates some of the most striking—and puzzling—images of the Victorian period into a new and expansive interpretive framework.

Disillusioned, my 5th poetry book, is a collection of words and thoughts from 2011-2018. The book contains playful rhymes, song lyrics, political rants, and other random musings from the past 8 years.

When a pair of washed-up silhouettes abandon the optical illusion business to make a graphic novel, they desperately hope the book will rocket them to fame and fortune. They’ll do just about anything to finish their project — anything, that is, except put forth any kind of effort whatsoever. Instead, they enlist a Juilliard-trained actor named Rodney to bear the burden of the work while they bicker, smoke, and relax in the break room. But their ingenious attempts at evading the hard labors of proper storytelling backfire when the three become entangled in a labyrinthine narrative of deception, adoption, and betrayal. Alliances and identities are forged and discarded with the turn of a page as the trio hurtles towards a thrilling courtroom conclusion that threatens to pull back the curtain on closely-guarded secrets and conspiracies. Both a touching tale of persistence and a scathing send-up of bibliolatry, Disillusioned Illusions is a powerful exploration of what happens when ambition collides with indolence in this debut graphic novel from cartoonist Greg Stump.

This humorous tale of the na?ve and curious African student-cum-philosopher wandering between North and South, the rural and the urban, has been in gestation for a period of nearly two decades. With allusion to traditions of the philosophical novel and the picaresque, Nyamnjoh's protagonist travels from his African village to the sharply divided and socially cruel world of 1980s Britain. By casting aside his disillusion and the traps of servitude and victimhood, The Disillusioned African reveals his creative potential for curiosity and adventure. He brings a bird's eye view, always affectionate, gently mocking, to the cultural idiosyncrasies of the new world he encounters, which throws his own African culture, politics and socio-economic realities into light relief. Praise for The Disillusioned African 'Whatever the imagined future for Africa, this courageous book will certainly provide, for both its foreign readers and the young generation of Cameroonians, a provocative insight into the complex web of despair, frustration, paradox and hope . on the eve of the 21st century.' - Louise Cuming, Catholic University of Central Africa 'In his characteristically humorous style, Nyamnjoh portrays the various social ills in society and castigates the political elite he holds largely responsible.' - Piet Konings, African Studies Centre, Leiden, The Netherlands. 'Francis Nyamnjoh . has a particular way of saying very serious things in the most unserious manner. He entertains, and in the process he moralises, he teaches, he gives you lessons. learning experience and philosophy to give you a view of the dilemma of the African.' - Sammy Beban Chumbow, Professor of Linguistics, University of Yaounde I

Born in poverty in a staunch nationalistic apartheid era in South Africa and sourrounded by religious fanaticism, this autobiography traces his growth from humble beginnings to owning one of America's 500 Fastest Growing private companies.