A compelling memoir of social life in the queer underground of San Francisco, New York, and Los Angeles at a time when the manic frivolity of gay rights and youth collided with the deadly reality of plague.

When 14-year-old Leonard decides to quit being a Dweeb and instead joins the Burnouts, his “good boy” persona is abandoned as he embarks on a comically painful journey of self-discovery through an unconventional friendship with Rick, an older Jesus-freak barefoot hippie. Growing up in the 1970s has never before been portrayed with such delightful ludicrousness and heartrending tenderness.

Gutter Boys is a twisted tale of steamy gay sex and unrequited love in Lower Manhattan in the early 80s. Filled with scenes of humorous debauchery and explicitly depicted anonymous sex, this wanton outing portrays a carnal world of orgiastic delights that may never exist again. Jeremy, a shy 19 year old falls madly in love with Colin, a disturbed, yet brilliant, older hustler. Though he rejects Jeremy as a lover, Colin takes him on as his protege, and introduces him to the hilariously depraved world of new wave nightclubs and gay bars in the days before AIDS.

Now a major motion picture! The “deliciously intense” (USA TODAY) New York Times bestselling phenomenon follows a good girl drawn to a very bad boy... The new Abby Abernathy is a good girl. She doesn’t drink or swear and has the appropriate number of cardigans in her wardrobe. With the darkness of her past behind her, she believes her freshman year at college is the start of a new beginning. But then she meets Travis Maddox. Lean, cut, and covered in tattoos, Eastern University’s Walking One-Night Stand is exactly what Abby needs to avoid. Intrigued by her resistance to his appeal, Travis tricks her with a simple bet. If he loses, he must remain abstinent for a month. If Abby loses, she must live in his apartment for the same amount of time. Either way, Travis has no idea that he has met his match in this “beautifully sexy, beautifully intense, and beautifully perfect” (Jessica Park, New York Times bestselling author).

The 170-year history of the San Francisco Bay Area told through its crimes and how they intertwine with the city’s art, music, and politics In The Murders That Made Us, the story of the San Francisco Bay Area unfolds through its most violent and depraved acts. From its earliest days when vigilantes hung perps from downtown buildings to the Zodiac Killer and the kidnapping of Patty Hearst, murder and mayhem have shaped the city into the political and economic force that she is today. The Great 1906 Earthquake shook a city that was already teetering on the brink of a massive prostitution scandal. The Summer of Love ended with a pair of ghastly drug dealer slayings that sent Charles Manson packing for Los Angeles. The 1970s come crashing down with the double tragedy of Jonestown and the assassination of Gay icon Harvey Milk by an ex-cop. And the 21st Century rise of California Governor Gavin Newsom, Trump insider Kimberly Guilfoyle, and Vice President Kamala Harris is told through a brutal dog-mauling case and the absurdity called Fajitagate. It’s a 170-year saga of madness, corruption, and death revealed here one crime at a time.

Rob Grant's new novel is a revelation. After INCOMPETENCE we would all have expected a killingly funny satire. And in its satire of our obsession with body image, of how the media makes us what we are FAT is certainly that. But in its depiction of Grenville, a fat man at his wits end with the need to be thin; of Hayleigh, a teenage girl obsessed with her terror of being fat and of Jeremy, the self-absorbed, self-adoring 'conceptualist' employed to promote the government's new 'Fat Farms' Rob Grant has given us, yes a very, very funny book, but also an immensely moving and personal novel about how we all feel about our bodies. As Grenville deals with the humilation and daily indignity of being fat, as Hayleigh struggles to deal with her anorexia and as Jeremy comes to terms with the dangerous lies at the centre of the government's new health regime FAT takes us on a hilarious and thought-provoking journey through our all-consuming obession with fat. This is a hilariously moving, movingly hilarious novel and marks a massive step-change in Rob Grant's growth as a writer. Here is a hugely commerical new voice in mainstream, high concept, high in poly-saturates, commercial fiction. It's also safe to say that with this new novel, he's writing about what he knows ...

Gay bars have operated as the most visible institutions of the LGBTQ+ community in the United States for the better part of a century, from before gay liberation until after their assumed obsolescence. In The Bars Are Ours Lucas Hilderbrand offers a panoramic history of gay bars, showing how they served as the medium for queer communities, politics, and cultures. Hilderbrand cruises from leather in Chicago and drag in Kansas City to activism against gentrification in Boston and racial discrimination in Atlanta; from New York City’s bathhouses, sex clubs, and discos and Houston’s legendary bar Mary’s to the alternative scenes that reimagined queer nightlife in San Francisco and Latinx venues in Los Angeles. The Bars Are Ours explores these local sites (with additional stops in Denver, Detroit, Seattle, Philadelphia, Minneapolis, and Orlando as well as Wisconsin, Pennsylvania, and Texas) to demonstrate the intoxicating---even world-making---roles that bars have played in queer public life across the country.