Having been involved in sorting out and studying Korean place names for 18 years, I feel regretful in my heart. The Hanja transcriptions of pure Korean place names, which were written in old maps and geography books, were organized according to how they sounded. At some point I realized that the Hanja transcriptions were distorted versions of the names that were really used. However, as I had to sort out so many names in a short period of time, I could not even think of fixing the issues and always felt regretful in a corner of my mind. Writing this book is my small struggle to relieve that regretful feeling, at least a little.

An accessible, comprehensive source of information on the Korean language--its structure and history to its cultural and sociological setting.

This book describes the structure and history of the Korean language, ranging from its cultural and sociological setting, writing system, and modern dialects, to how Koreans themselves view their language and its role in society. An accessible, comprehensive source of information on the Korean language, Lee and Ramsey's work is an important resource for all those interested in Korean history and culture, offering information not readily available elsewhere in the English-language literature.

Intended as a companion to the popular KLEAR Textbooks in Korean Language series and designed and edited by a leading Korean linguist, this is the first volume of its kind to treat specifically the critical role of language in Korean culture and society. An introductory chapter provides the framework of the volume, defining language, culture, and society and their interrelatedness and presenting an overview of the Korean language vis-à-vis its culture and society from evolutionary and dynamic perspectives. Early on, contributors examine the invention and use of the Korean alphabet, South Korea’s "standard language" vs. North Korea’s "cultured language," and Korean in contact with Chinese and Japanese. Several topics representative of Korean socio-cultural vocabulary (sound symbolic words, proverbs, calendar-related terms, kinship terms, slang expressions) are discussed, followed by a consideration of Korean honorifics and other related issues. Two chapters on Korean media, one on advertisements and the other a comparative analysis of television ads in Korea, Japan, and the U.S., follow. Finally, contributors look at salient features of the language, narrative structure, and dialectal variation. All chapters are accompanied by a set of student questions and a useful bibliography. A beginning level of proficiency in Korean is sufficient to digest the Korean examples with facility, making this volume accessible to a wide range of students. Contributors: Andrew S. Byon, Sungdai Cho, Young-A Cho, Young-mee Y. Cho, Miho Choo, Shin Ja J. Hwang, Ross King, Haejin Elizabeth Koh, Jeyseon Lee, Douglas Ling, Duk-Soo Park, Yong-Yae Park, S. Robert Ramsey, Carol Schulz, Ho-min Sohn, Susan Strauss, Hye-Sook Wang, Jaehoon Yeon.

The term Sino-Korean may refer to either the phonological system or vocabulary in Korean that is of Chinese origin. Along with the borrowing of Chinese characters, the Chinese readings of characters must also have been transmitted into Korean. A Study of Sino-Korean Phonology aims to contribute to the field of Sino-Korean phonology by re-examining the origin and layers of Sino-Korean pronunciations from a loanword phonology perspective. The central issues of this book include an ongoing discussion on the questions of which Chinese dialect Sino-Korean is based on and how the source form in Chinese was adapted into Korean. Last is an in-depth analysis of the layers of Sino-Korean.

Taking a panoramic view of KoreaÕs dynamic literary production in the final decade of Japanese rule, When the Future Disappears locates the imprint of a new temporal sense in Korean modernism: the impression of time interrupted, with no promise of a future. As colonial subjects of an empire headed toward total war, Korean writers in this global fascist moment produced some of the most sophisticated writings of twentieth-century modernism. Yi TÕaejun, ChÕoe Myongik, Im Hwa, So Insik, ChÕoe Chaeso, Pak TÕaewon, Kim NamchÕon, and O Changhwan, among other Korean writers, lived through a rare colonial history in which their vernacular language was first inducted into the modern, only to be shut out again through the violence of state power. The colonial suppression of Korean-language publications was an effort to mobilize toward war, and it forced Korean writers to face the loss of their letters and devise new, creative forms of expression. Their remarkable struggle reflects the stark foreclosure at the heart of the modern colonial experience. Straddling cultural, intellectual, and literary history, this book maps the different strategies, including abstraction, irony, paradox, and even silence, that Korean writers used to narrate life within the Japanese empire.