The history of the Cold War is littered with what-ifs, and in Diplomacy Shot Down, E. Bruce Geelhoed explores one of the most intriguing: What if the Soviets had not shot down the American U-2 spy plane and President Dwight D. Eisenhower had visited the Soviet Union in 1960 as planned? In August 1959, with his second term nearing its end, Eisenhower made the surprise announcement that he and Soviet premier Nikita S. Khrushchev would visit each other’s countries as a means of “thawing some of the ice” of the Cold War. Khrushchev’s trip to the United States in September 1959 resulted in plans for a four-power summit involving Great Britain and France, and for Eisenhower’s visit to Russia in early summer 1960. Then, in May 1960, the Soviet Union shot down an American U-2 surveillance plane piloted by Francis Gary Powers. The downing of Powers’s plane was, in Geelhoed’s recounting of this episode in Cold War history, not just a diplomatic crisis. The ensuing collapse of the summit and the subsequent cancelation of Eisenhower’s trip to the Soviet Union amounted to a critical missed opportunity for improved US-Soviet relations at a crucial juncture in the Cold War. In a blow-by-blow description of the diplomatic overtures, the U-2 incident, and the aftermath, Diplomacy Shot Down draws upon Eisenhower’s projected itinerary and unmade speeches and statements, as well as the American and international press corps’ preparations for covering the aborted visit, to give readers a sense of what might have been. Eisenhower’s prestige within the Soviet Union was so great, Geelhoed observes, that the trip, if it had happened, could well have led to a détente in the increasingly dangerous US-Soviet relationship. Instead, the cancelation of Ike’s visit led to an escalation in hostilities that played out around the globe and nearly guaranteed that the “missile gap” would reemerge as an issue in the 1960 presidential campaign. A detailed account of an episode that defined the Cold War for a generation, Diplomacy Shot Down is, in its insights and revelations, something rarer still—a behind-the-scenes look at history in the unmaking.

The history of the Cold War is littered with what-ifs, and in Diplomacy Shot Down, E. Bruce Geelhoed explores one of the most intriguing: What if the Soviets had not shot down the American U-2 spy plane and President Dwight D. Eisenhower had visited the Soviet Union in 1960 as planned? In August 1959, with his second term nearing its end, Eisenhower made the surprise announcement that he and Soviet premier Nikita S. Khrushchev would visit each other’s countries as a means of “thawing some of the ice” of the Cold War. Khrushchev’s trip to the United States in September 1959 resulted in plans for a four-power summit involving Great Britain and France, and for Eisenhower’s visit to Russia in early summer 1960. Then, in May 1960, the Soviet Union shot down an American U-2 surveillance plane piloted by Francis Gary Powers. The downing of Powers’s plane was, in Geelhoed’s recounting of this episode in Cold War history, not just a diplomatic crisis. The ensuing collapse of the summit and the subsequent cancelation of Eisenhower’s trip to the Soviet Union amounted to a critical missed opportunity for improved US-Soviet relations at a crucial juncture in the Cold War. In a blow-by-blow description of the diplomatic overtures, the U-2 incident, and the aftermath, Diplomacy Shot Down draws upon Eisenhower’s projected itinerary and unmade speeches and statements, as well as the American and international press corps’ preparations for covering the aborted visit, to give readers a sense of what might have been. Eisenhower’s prestige within the Soviet Union was so great, Geelhoed observes, that the trip, if it had happened, could well have led to a détente in the increasingly dangerous US-Soviet relationship. Instead, the cancelation of Ike’s visit led to an escalation in hostilities that played out around the globe and nearly guaranteed that the “missile gap” would reemerge as an issue in the 1960 presidential campaign. A detailed account of an episode that defined the Cold War for a generation, Diplomacy Shot Down is, in its insights and revelations, something rarer still—a behind-the-scenes look at history in the unmaking.

George examines seven cases--from Pearl Harbor to the Persian Gulf--in which the United States has used coercive diplomacy in the past half-century.

High tech near-future mercenaries Ripple Creek Security must protect an obnoxious world government minister from the scores of enemies who want her dead¾and killed in the worst possible way. Alex Marlow and Ripple Creek Security's best personal security detail return to action. This time, they really don't like their principal, World Bureau Minister Joy Herman Highland¾a highly placed bureaucrat with aspirations to elected office. But Highland's would-be assassins are up against the best security in the business¾and Ripple Creek has no qualms about seeing their own explosions on galactic news. In fact, they kind of enjoy it. At the publisher's request, this title is sold without DRM (Digital Rights Management).

Embassy architecture and design ranges from the humble to the stately, from the practical to the grand. Building Diplomacy is the first comprehensive photographic portrait of the official face of American diplomacy around the world. Elizabeth Gill Lui traveled to fifty countries to photograph American embassies, chanceries, and ambassadors' residences. This record of her journey includes approximately five hundred artful and eloquent interior and exterior views shot by Lui with a large-format camera. Keya Keita, Lui's daughter and partner on the project, shot a live-action documentary of embassies and the cultural milieu of each nation Lui and Keita visited. The text includes an essay by Jane Loeffler detailing the history of the U.S. Department of State's building program.America's commitment to historic preservation of properties has been realized in Buenos Aires, London, Paris, Prague, and Tokyo. The modernist tradition is showcased in Argentina, Greece, India, Indonesia, Mexico, the Netherlands, and Uruguay. Vernacular buildings adapted to diplomatic use are widespread: Lui photographed examples of adapted reuse in Ghana, Iceland, Mongolia, Myanmar, and Palau. Buildings that reflect Europe's colonial legacy are also in evidence. After the 1983 bombing in Beirut, embassy construction began to reflect increased security concerns. Embassies built after 1998, although isolated within walled compounds, are well regarded by those who work in them. The author makes a case that embassy architecture is a critical aspect of American identity on the international landscape and can be formative in defining a new cultural diplomacy in the twenty-first century.Structured geographically, Building Diplomacy portrays embassies in Africa, East Asia, Europe, the Near East, the Pacific, South Asia, and the Western Hemisphere. An appendix lists the architects and designers of the featured buildings. More information about Building Diplomacy is also available.

Director and producer Tim Burton impresses audiences with stunning visuals, sinister fantasy worlds, and characters whose personalities are strange and yet familiar. Drawing inspiration from sources as varied as Lewis Carroll, Salvador Dalí, Washington Irving, and Dr. Seuss, Burton's creations frequently elicit both alarm and wonder. Whether crafting an offbeat animated feature, a box-office hit, a collection of short fiction, or an art exhibition, Burton pushes the envelope, and he has emerged as a powerful force in contemporary popular culture. In The Philosophy of Tim Burton, a distinguished group of scholars examines the philosophical underpinnings and significance of the director's oeuvre, investigating films such as Batman (1989), Edward Scissorhands (1990), The Nightmare before Christmas (1993), Sleepy Hollow (1999), Big Fish (2003), Sweeney Todd (2007), Alice in Wonderland (2010), and Dark Shadows (2012). The essays in this volume explore Burton's distinctive style, often disturbing content, and popular appeal through three thematic lenses: identity, views on authority, and aesthetic vision. Covering topics ranging from Burton's fascination with Victorian ideals, to his celebration of childhood, to his personal expression of the fantastic, the contributors highlight the filmmaker's peculiar narrative style and his use of unreal settings to prompt heightened awareness of the world we inhabit. The Philosophy of Tim Burton offers a penetrating and provocative look at one of Hollywood's most influential auteurs.

Follows the task force to the South Atlantic, through the battles of early May that saw the loss of the Belgrano and the Sheffield, and on to the landings at San Carlos and the eventual surrender of the Argentine garrison.