Dinner at Aunt Connie's is even more special than usual when Melody meets not only her new adopted cousin but twelve inspiring African-American women, who step out of their portraits and join the family for dinner.

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We Have Always Lived in the Castle is a deliciously unsettling novel about a perverse, isolated, and possibly murderous family and the struggle that ensues when a cousin arrives at their estate.

It is 1939 and although Australia is about to go to war, it doesn’t quite realise yet that the situation is serious. Deep in the working-class Melbourne suburb of Richmond it is business—your own and everyone else’s—as usual. And young Kip Westaway, failed scholar and stablehand, is living the most important day of his life.

She built the Sweet Island Inn. But can Toni Benson build a life of happiness for herself? Toni Benson’s life has been a roller coaster. Years ago, the heartbreak caused by a cheating ex-husband left her in tatters. Then she discovered the run-down fixer-upper that would become the Sweet Island Inn. For a while, things were good. But when her brother Henry’s tragic death sends her reeling all over again, she’s back to square one. So she sets off on an overseas journey, in hopes of learning from scratch what kind of woman she is meant to be. She wasn’t looking for love. But it found her anyways. Follow Toni’s journey as the Nantucket native navigates an explosive romance, an unbearable tragedy, and the prospect of starting life anew in her late fifties. In the end, only one thing is certain: there is no love like her love for Nantucket. Travel back to the very beginnings of the Sweet Island Inn and follow along with the soaring highs and heartbreaking lows of Aunt Toni’s story in NO LOVE LIKE NANTUCKET, the fourth installment of author Grace Palmer’s beloved Sweet Island Inn series.

From the bestselling author of The Man Who Mistook His Wife for a Hat • Fascinating portraits of neurological disorder in which men, women, and one extraordinary child emerge as brilliantly adaptive personalities, whose conditions have not so much debilitated them as ushered them into another reality. Here are seven detailed narratives of neurological patients, including a surgeon consumed by the compulsive tics of Tourette's syndrome unless he is operating; an artist who loses all sense of color in a car accident, but finds a new sensibility and creative power in black and white; and an autistic professor who cannot decipher the simplest social exchange between humans, but has built a career out of her intuitive understanding of animal behavior. Sacks combines the well honed mind of an academician with the verve of a true storyteller.

"Memory opens for me through my body. I slip back because I catch a smell, hear a sound, or hold an evocative flavour on my tongue. But these single-sense glimpses of or gusts from the past are often fleeting. More compelling for me, more total, is when my whole body, the entire surface of my skin, and my muscles' movements connect me to my old self. Especially it is the movements of summer, when more of me meets the elements, while I am swimming, or feeling my bramble-scratched legs against hot rocks. Or when I am experiencing the lovely lassitude that fills me at the end of a long afternoon of sun and water as I stand slicing tomatoes for my supper, while corn boils, and sun falls in the window on a pile of raspberries in a bowl. All my senses, all, are alive." fromI'll Tell You a Secret A delightful, beautifully written and thoroughly engaging story of coming-of-age in the 1950s that focuses on Anne Coleman between the ages of fourteen and twenty-one, and her relationship with "Mr. MacLennan" (Canadian literary figure Hugh MacLennan), which played out in the summers in the village of North Hatley, Quebec, a picturesque resort that has been known to attract artists and writers and the upper-classes. In prose that is intimate, visual, and resonant with immediacy, Anne Coleman brings us back to summers in the 1950s, revealing the eccentricities of North Hatley and its residents, but most of all focusing on her special friendship with a man many years her senior. Independent, individualistic, sensually alert, as a young girl Anne Coleman did not fit the mould. Later, when Anne is eighteen, she leads a double life, one which follows the course of a romance with Frank, the dark, brooding European young man who has a strange hold over her, and the enigmatic Mr. MacLennan, whose own feelings for Anne suggest themselves to her in ways that are at once confusing, tantalizing, and deeply important. Along the way, the story also offers a wonderfully evocative portrayal of the 1950s, its sexual repressiveness and mores. The beautiful village of North Hatley comes alive in vivid ways. This is a unique coming-of-age story by a writer who writes sentences that cut to the bone. From the Hardcover edition.