A thrilling true crime narrative and groundbreaking historical account, Dime Novel Desperadoes recovers the long-forgotten story of Ed and Lon Maxwell, the outlaw brothers from Illinois who once rivaled Jesse and Frank James in national notoriety. Growing up hard as the sons of a struggling tenant farmer, the Maxwell brothers started their lawbreaking as robbers and horse thieves in the 1870s, embarking on a life of crime that quickly captured the public eye. Already made famous locally by newspapers that wanted to dramatize crimes and danger for an eager reading audience, the brothers achieved national prominence in 1881 when they shot and killed Charles and Milton Coleman, Wisconsin lawmen who were trying to apprehend them. Public outrage sparked the largest manhunt for outlaws in American history, involving some twenty posses who pursued the desperadoes in Wisconsin, Minnesota, Iowa, Illinois, Missouri, and Nebraska. Some of the pursuers were intent on a lynching, but the outlaws escaped against incredible odds. When a mob finally succeeded in killing Ed, in broad daylight on a courthouse lawn, that event generated widespread commentary on law and order. Nevertheless, the daring desperadoes were eventually portrayed as heroes in sensationalistic dime novels. A stunning saga of robbery and horse stealing, gunfights and manhunts, murder and mob violence, Dime Novel Desperadoes also delves into the cultural and psychological factors that produced lawbreakers and created a crime wave in the post-Civil War era. By pointing to social inequities, media distortions, and justice system failures, John E. Hallwas reveals the complicity of nineteenth-century culture in the creation of violent criminals. Further, by featuring astute, thought-provoking analysis of the lawbreaker's mindset, this book explores the issue at the heart of humanity's quest for justice: the perpetrator's responsibility for his criminal acts. Every overview and encyclopedia of American outlaws will need to be revised, and the fabled "Wild West" will have to be extended east of the Mississippi River, in response to this riveting chronicle of major American desperadoes who once thrilled the nation but have since escaped historical attention for well over a century. With more than forty illustrations and several maps that bring to life the exciting world of the Maxwell brothers, Dime Novel Desperadoes is a new classic in the annals of American outlawry.

The exhilarating true tale of two major American desperadoes who once captivated the nation

Inspired by August Derleth’s seminal book The Wisconsin, Richard D. Cornell traveled the Chippewa River from its two sources south of Ashland to where it joins the Mississippi. Over several decades he returned time and again in his red canoe to immerse himself in the stories of the Chippewa River and document its valley, from the Ojibwe and early fur traders and lumbermen to the varied and hopeful communities of today. Cornell shares tales of such historical figures as legendary Ojibwe leader Chief Buffalo, world famous wrestler Charlie Fisher, and supercomputer innovator Seymour Cray, along with the lesser-known stories of local luminaries such as Dr. John "Little Bird" Anderson. Cornell gathered firsthand stories from diners and dives, local museums and landmarks, quaint small-town newspaper offices, and the homes of old-timers and local historians. Through his conversations with ordinary people, he gets at the heart of the Chippewa and shares a history of the river that is both one of a kind and deeply personal.

When Horace Greeley published his famous imperative, “Go West, young man, and grow up with the country,” the frontier was already synonymous with a distinctive type of idealized American masculinity. But Greeley’s exhortation also captured popular sentiment surrounding changing ideas of American boyhood; for many educators, politicians, and parents, raising boys right seemed a pivotal step in securing the growing nation’s future. This book revisits these narratives of American boyhood and frontier mythology to show how they worked against and through one another—and how this interaction shaped ideas about national character, identity, and progress. The intersection of ideas about boyhood and the frontier, while complex and multifaceted, was dominated by one arresting notion: in the space of the West, boys would grow into men and the fledgling nation would expand to fulfill its promise. Frontiers of Boyhood explores this myth and its implications and ramifications through western history, childhood studies, and a rich cultural archive. Detailing surprising intersections between American frontier mythology and historical notions of child development, the book offers a new perspective on William “Buffalo Bill” Cody’s influence on children and childhood; on the phenomenon of “American Boy Books”; the agency of child performers, differentiated by race and gender, in Wild West exhibitions; and the cultural work of boys’ play, as witnessed in scouting organizations and the deployment of mass-produced toys. These mutually reinforcing and complicating strands, traced through a wide range of cultural modes, from social and scientific theorizing to mass entertainment, lead to a new understanding of how changing American ideas about boyhood and the western frontier have worked together to produce compelling stories about the nation’s past and its imagined future.

In the final volume in her prairie trilogy, Willa Cather fully transforms memory into art to create her most autobiographical novel. Set in the Nebraska landscape in a community evocative of Cather’s own (Red Cloud), My Ántonia tells the story of Ántonia Shimerda, a Bohemian immigrant, and Jim Burden, who like Cather was uprooted from Virginia to the Nebraska prairie. Ántonia and Jim, like many of the other characters in this 1918 novel, are based on Cather’s childhood friends. This Norton Critical Edition is based on the first published edition of the novel. It is accompanied by explanatory footnotes, key illustrations, an introduction that gives readers a historical overview of both author and novel, and a note on the text. “Contexts and Backgrounds” is a rich collection of materials organized around the novel’s central themes: “Autobiographical and Biographical Writings,” “Letters,” and “Americanization and Immigration.” Willa Cather, Edith Lewis, Latrobe Carroll, Rose C. Feld, Guy Reynolds, Woodrow Wilson, Peter Roberts, Horace M. Kallen, Sarka B. Hrbkova, and Rose Rosicky, among others, are included. “Criticism” spans a century of scholarship on Willa Cather and My Ántonia, from contemporary reviews by Henry Walcott Boynton, H. L. Mencken, and Elia W. Peattie, among others, to recent critical assessments by Terence Martin, Blanche Gelfant, Jean Schwind, Richard H. Millington, Susan Rosowski, Mike Fischer, Janis Stout, Marilee Lindemann, and Linda Joyce Brown. A Chronology of Cather’s life and work and a Selected Bibliography are also included.

In this comprehensive and insightful study, Christian K. Messenger contends that American writers have always created characters at play in the sure knowledge that to be active in sport in America is to be in touch with its people, their traditions, and their fantasy lives. This is the first inclusive critical study of sport in American fiction with chapters on individual authors such as Hawthorne, Lardner, Fitzgerald, Hemingway, and Faulkner, as well as studies of sport in the literature of the frontier and in boys' formula fiction. A work of literary criticism, Sport and the Spirit of Play in American Fiction also draws on the cultural history of American sport and leisure and on a century of American literature.

Established in 1826, McDonough County, Illinois, has experienced fascinating changes since pioneer days, including the gradual disappearance of some small communities and rural neighborhoods. Remembering McDonough County focuses on the local tradition of notable storytellers and historians as it reflects the countys strange and colorful, poignant and meaningful earlier daysin Macomb, outlying communities, ghost towns, and wild areas. Award-winning author John Hallwas sketches memorable figures like pioneer storyteller Quintus Walker, Macomb newspaper editor W.H. Hainline, and Bushnell poet Marian Stearns Curry, and he depicts beloved, legendary, and sometimes mysterious places like Vishnu Springs, Gin Ridge, Ragtown, and Scotts neighborhood. Along the way, he portrays the racehorse and Civil War hero Chickamauga, the frightening Gooseneck Ghost, and the long-forgotten Crooked Creek Terror.