Vir die eerste keer in Afrikaans (die jongste Westerse taal wat in die afgelope eeu reeds sy eie unieke letterkunde geskep het) word die verhaal van Grieks vertel, die oudste Westerse taal waarin feitlik al die bekende literere genres hul weergalose vorm en gestalte gekry het. Hoewel hierdie publikasie basies linguisties van aard is, poog die skrywer om die dramatis personae self ook aan die woord te stel in plaas van om net in taalkundige jargon te verval. Om 'n werk soos hierdie saam te stel, vereis kundigheid in verskeie vaksubgebiede wat begin by oer-Grieks in sy sillabiese lynskriffases A en B. Die Grieks van die Goue Era van Perikles se Athene (circa 500 v.C.) is die bekendste. Min mense besef egter dat Homeros bedrieglik pre-klassiek is. Die klassieke Griek kon sy twee groot eposse (die Ilias en die Odusseia) nie sonder meer vlot lees nie. Dit was hulle Chaucer en Shakespeare. Die Griekse NT is sekerlik die belangrikste dokument wat ooit in Grieks opgestel is, hoewel dit stilisties nie naastenby die beste is nie. Vir sy bespreking van veral die semantiek van Moderne Grieks gebruik die skrywer hier vir die eerste keer dr. Philip Nicolaides se uitvoerige Grieks-Afrikaanse Woordeboek van 843 foliogrootte bladsye. Dis teen die middel van die vorige eeu opgestel, maar is nooit gepubliseer nie. Gerrit Kruger besit vandag die enigste (oorspronklike) kopie daarvan.

Long known as the classic work on the study of Atlantis, the author puts forth the idea that this was the true place where civilization began.This one book has done more than any other in promoting the idea for the lost continent of Atlantis.

The versatile painter, poet, courtier and European traveller Samuel van Hoogstraten (1627-1678), one of Rembrandt's pupils, has received much scholarly attention in the last two decades. Whereas older historians allotted him a marginal role as a minor figure in his master's studio, he is now recognized for his central position in the world of art and letters in the Dutch Golden Age. This new evaluation is mainly due to careful studies of his treatise on painting, 'Inleyding tot de Hooge Schoole der Schilderkonst' (Introduction to the Academy of Painting, 1678). His book has been mined for unique insights not only into Rembrandt's working methods but also into profounder problems relative to Dutch art and culture, such as pictorial realism, imitation and illusion, the rise of landscape and still life and the status of the 'learned artist'.

Jonas Greenfield was one of the foremost epigraphers and biblical scholars of this generation. This volume, dedicated to Professor Greenfield by his students, colleagues, and friends, reflects the broad spectrum of academic interests he pursued: Bible, Qumran, epigraphy, and Semitics.

Vital Democracy outlines an innovative new theory of democracy in action.

Originally planned as a fact-based book on the pre-colonial history of the Eastern Cape in the true tradition of history, this ground-breaking book focuses on epistemological and foundational questions about the writing of history and whose history counts. Whose History Counts challenges the very concept of ?pre-colonial? and explores methodologies on researching and writing history. The reason for this dramatic change of focus is attributed in the introduction of the book to the student-led rebellion that erupted following the #RhodesMustFall campaign which started at the University of Cape Town on 9 March 2015. Key to the rebellion was the students? opposition to what they dubbed ?colonial? education and a clamour for, among others, a ?decolonised curriculum?. This book is a direct response to this clarion call.