Charles Dickens wrote a number of supernatural and horror stories, some of which were included in his longer works, while others were published in magazines. This collection gathers them together in one volume, providing an invaluable insight into the author’s storytelling apprenticeship and his steady growth towards excellence. As well as offering a further dimension to the world of his better-known masterpieces, these tales—from "A Madman’s Manuscript" to "The Story of the Goblins Who Stole a Sexton" to the celebrated "The Signalman"—illustrate Dickens’s well-known love of a spooky story told around a blazing fire, the pastime of a bygone age to be rediscovered for our own delight.

Everyone begins life's journey as a child. From one of the world's most beloved writers comes this memorable parable of life's transitions. Originally published by Charles Dickens in the mid-1800s, The Child's Story is a timeless account of the journey we all take, from carefree childhood and spontaneous youth, through adulthood and marriage, and into our golden years. Now, almost 150 years after its original publication, acclaimed artist Harvey Chan adds his stirring images to Dickens's classic words, creating a unique and powerful reading experience that's ideal for children of all ages.

At the height of his career, writing short stories provided Dickens with a release from the formal constraints of his novels and gave free reign to his creative imagination. Ranging from "flights of fancy" to literary masterpieces, Dickens's short stories contained artistic experiments that inspired fuller developments in his novels. Yet the short stories have been all but overlooked in critical discussions. Deborah A. Thomas focuses directly on this body of work, tracing three stages of development. In the early stage until 1840, Dickens produced numerous short stories, culminating in his experience with the abortive Master Humphrey's Clock. In the following ten years, he restricted his writing of short stories to the five Christmas Books but refined his theories about the value of the genre in the context of his work. In the third stage, 1850-1868, Dickens again turned actively to the writing of short stories, many of them the "Christmas Stories" appearing in the weeklies Household Words and All the Year Round, which Dickens edited successively from 1850 to 1869 and from 1859 until his death in 1870. The author concentrates primarily upon the more notable stories, drawing for a perspective upon Dickens' own concept of "fancy." In an increasingly factual age, Dickens—attracted to the unusual and the unknown—found the short story a form in which he could indulge his high degree of fantasy and explore the hidden corners of the mind. Dickens' fascination with psychological abnormality and the supernatural—reflected in his novels—reveals itself even more intriguingly in his short stories. In Thomas's analysis, Dickens' short stories appear as an important key to understanding the novels, while proving worthy in themselves of critical attention. Essential to a thorough study of Dickens, her book sheds light upon previously obscure facets of his developing artistry.

A Tale of Two Cities (1859) is the second historical novel by Charles Dickens, set in London and Paris before and during the French Revolution. It depicts the plight of the French proletariat under the brutal oppression of t+E3he French aristocracy in the years leading up to the revolution, and the corresponding savage brutality demonstrated by the revolutionaries toward the former aristocrats in the early years of the revolution. It follows the lives of several protagonists through these events, most notably Charles Darnay, a French once-aristocrat who falls victim to the indiscriminate wrath of the revolution despite his virtuous nature, and Sydney Carton, a dissipated English barrister who endeavours to redeem his ill-spent life out of love for Darnay's wife, Lucie Manette.