A series of critical essays and insights about graphic design and typography.

For a one-semester freshman or sophomore level course on the fundamentals of proof writing or transition to advanced mathematics course. Rather than teach mathematics and the structure of proofs simultaneously, this text first introduces logic as the foundation of proofs and then demonstrates how logic applies to mathematical topics. This method ensures that the students gain a firm understanding of how logic interacts with mathematics and empowers them to solve more complex problems in future math courses.

The series is devoted to the publication of high-level monographs on all areas of mathematical logic and its applications. It is addressed to advanced students and research mathematicians, and may also serve as a guide for lectures and for seminars at the graduate level.

New technology has dramatically upgraded the appearance and encouraged the proliferation of many contemporary versions of the great classic typefaces. This volume, from the publishers of Print magazine, explores the phenomenon creating a surge of interest in these revivals. Illustrated with digital versions of Bodoni, Caslon, Baskerville and others, these faces are contrasted with their mechanical originals in settings for magazines, books, ads and Web sites. Also included are interviews with leading typeface revivalists such as Jonathan Hoefler, Tobias Frere-Jones and Matthew Carter who comment on the appeal of their versions of these faces, as well as type designers such as Johnathan Barnbrook who have been influenced by the classics in developing exciting original creations. With innovative applications of the featured faces, the book seeks to demonstrate that classic means cutting edge in the digital age.