This volume presents essays written in honour of Stratis Kyriakidis, Emeritus Professor of Latin Literature at the Aristotle University of Thessaloniki. Greece. It offers a rich assortment of scholarship on classical literature, ranging from Homeric epic, and the tradition of ecphrasis it spawned in a number of genres, to 17th-century English translations of Virgil’s Aeneid. The collection is divided into two sections, the first on Greek literature, and the second on Latin literature. The sixteen chapters within offer fresh insights and thoughtful readings of a variety of works of classical literature, as well-known as the Iliad and the Aeneid and as exotic as the epigrams of Geminus.

The bilingual English poet Phineas Fletcher (1582-1650) is the author of a short Latin epic on the Gunpowder Plot (1605). Estelle Haan has provided the first critical edition based on all three manuscripts known and the original printed edition (Cambridge, 1627). After the introduction with an essay on the Gunpowder Plot literature in Latin (including poets, such as John Milton) follows the critical edition of Locustae vel Pietas Iesuitica with an English translation and an extensive commentary.

Virgil's Eclogues are a fundamental text of Western literature that served as a model for the nascent poetry of the Augustan and later of the Imperial Age. Inspired by the bucolic poetry of Theocritus, the work uses the apparent simplicity of rural settings to explore complex elements of poetic, literary, philosophical, and even figurative culture, and to express the drama of civil war and expropriations. In this commentary, accompanied by a detailed introduction, Andrea Cucchiarelli analyses the Eclogues in depth, establishing comparisons with both Greek and Roman poetic models, with philosophical texts, and with significant later texts from the Roman poetic tradition. The commentary is the first to offer a systematic account of the poem in its historical context, between the end of the Republic and the Age of Augustus: particular attention is also paid to the language of the figurative arts, which for Roman readers constituted an important complement to literary knowledge of myths and stories. The volume offers the reader a reliable and concise interpretation of the text, which is systematically lemmatized and annotated throughout; each eclogue is additionally accompanied by an introductory overview and a detailed bibliography to direct further reading.

This volume is an in-depth study of the short poetic cycle of Lygdamus, one of the authors included in Book III of the Corpus Tibullianum. The Introduction analyzes the controversial quaestio Lygdamea (identity and dating of the poet), the relationship between Lygdamus and his beloved, Neaera, the incorporation of his poems into the Corpus Tibullianum, and the manuscript tradition. This is followed by a rigorous critical edition (taking fully into account the earliest editions and conjectures). Finally, there is a detailed and exhaustive line-by-line and word-by-word commentary on each poem, paying particular attention to elegiac terms and motifs. This is the first comprehensive study of the work of Lygdamus, considered as a poet with his own literary identity.

The canon of classical Greek and Latin poetry is built around big names, with Homer and Virgil at the center, but many ancient poems survive without a firm ascription to a known author. This negative category, anonymity, ties together texts as different as, for instance, the orally derived Homeric Hymns and the learned interpolation that is the Helen episode in Aeneid 2, but they all have in common that they have been maltreated in various ways, consciously or through neglect, by generations of readers and scholars, ancient as well as modern. These accumulated layers of obliteration, which can manifest, for instance, in textual distortions or aesthetic condemnation, make it all but impossible to access anonymous poems in their pristine shape and context. The essays collected in this volume attempt, each in its own way, to disentangle the bundles of historically accreted uncertainties and misconceptions that affect individual anonymous texts, including pseudepigrapha ascribed to Homer, Manetho, Virgil, and Tibullus, literary and inscribed epigrams, and unattributed fragments. Poems without Poets will be of interest to students and scholars working on any anonymous ancient texts, but also to readers seeking an introduction to classical poetry beyond the limits of the established canon.

Faced with losing his Erfurt lectorships, Eobanus Hessus coped by imagining himself a Proteus, transforming into a lawyer, a physician, and finally a teacher at the evangelical academy in Nuremberg. Volume 5 traces this story via Hessus’s poems of 1524-1528