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This lavishly illustrated reading of the structure and meaning of portraiture asks what happens when portraits are interpreted as imitations or likenesses not only of individuals but also of their acts of posing. Includes 84 illustrations, 40 in color.

Essay by Elizabeth Ferrer. Foreword by Douglas R. Nickel.

Though often portrayed as a "spontaneous" artist, Frida Kahlo worked in a deliberate manner, basing her paintings on cultural and philosophical sourses. This study uncovers the unexplored visual and textual foundations of Kahlo's imagery, illustrating the meanings of the many selves she comprised.