This examination of republicanism in an Anglo-American and European context gives weight not only to the thought of the theorists of republicanism but also to the practical experience of republican governments in England, Geneva, the Netherlands, and Venice.

Originally published in 1974. In her study of primary materials in England and the United States, Schwoerer traces the origin, development, and articulation in both Parliament and in the popular press of the attitude opposing standing armies in seventeenth-century England and the American colonies. Central to the criticism of armies at that time was the conviction that ultimate military power should be vested in Parliament, not the Crown. Schwoerer shows how the many diverse elements of England's antimilitarism, including political principle, propaganda, parliamentary tactics, parochialism, and partisanship, hardened with every confrontation between the Crown or Protector and Parliament. The author finds a general predisposition to distrust professional soldiers early in the century, and from the 1620s onward she notes opposition to a standing army in times of peace. Highlighting the growth of the antimilitary tradition, Schwoerer traces the development of this attitude from the Petition of Right in 1628 to the 1641–1642 crisis over the Militia Bill/Ordinance, the military settlements of 1660 and 1689, and the climactic events of 1667–1699. Schwoerer shows how the anti-standing-army ideology affected the constitutional thinking of the American colonists and manifested itself in the Constitution and the Bill of Rights. She addresses timeless questions of how to provide for a nation's defense while preserving individual liberty, citizen responsibility for military service, and the relationship of executive and legislative authority over the army.

Christopher Durston's full-scale study ambitiously documents the history behind what remains today, a powerful symbol of military rule. He explores the motivations behind the decisions to appoint the major-generals, looking at their careers and personalities. Durston pays particular attention to the collection of the decimation tax, the attempt to improve the security of the regime, and the struggle to build a godly nation. He concludes with an investigation of the 1656 election and the major-generals' subsequent fall from power.

The irresistible, candid diaries of Richard Burton, published in their entirety “Just great fun, and written out of an engaging, often comical bewilderment: How did a poor Welshman become not only a star, but a player on the world stage that was Elizabeth Taylor’s fame?”—Hilton Als, NewYorker.com “Of real interest is that Burton was almost as good a writer as an actor, read as many as three books a day, haunted bookstores in every city he set foot in, bought countless books on every conceivable subject and evaluated them rather shrewdly. . . . Apt writing abounds.”—John Simon, New York Times Book Review Irresistibly magnetic on stage, mesmerizing in movies, seven times an Academy Award nominee, Richard Burton rose from humble beginnings in Wales to become Hollywood's most highly paid actor and one of England's most admired Shakespearean performers. His epic romance with Elizabeth Taylor, his legendary drinking and story-telling, his dazzling purchases (enormous diamonds, a jet, homes on several continents), and his enormous talent kept him constantly in the public eye. Yet the man behind the celebrity façade carried a surprising burden of insecurity and struggled with the peculiar challenges of a life lived largely in the spotlight. This volume publishes Burton's extensive personal diaries in their entirety for the first time. His writings encompass many years—from 1939, when he was still a teenager, to 1983, the year before his death—and they reveal him in his most private moments, pondering his triumphs and demons, his loves and his heartbreaks. The diary entries appear in their original sequence, with annotations to clarify people, places, books, and events Burton mentions. From these hand-written pages emerges a multi-dimensional man, no mere flashy celebrity. While Burton touched shoulders with shining lights—among them Olivia de Havilland, John Gielgud, Claire Bloom, Laurence Olivier, John Huston, Dylan Thomas, and Edward Albee—he also played the real-life roles of supportive family man, father, husband, and highly intelligent observer. His diaries offer a rare and fresh perspective on his own life and career, and on the glamorous decades of the mid-twentieth century.

The latter half of the seventeenth century saw the Puritan families of England struggle to preserve the old values in an era of tremendous political and religious upheaval. Even non-conformist ministers were inclined to be pessimistic about the endurance of `godliness' - Puritan attitudes and practices - among the upper classes. Based on a study of family papers and other primary resources, Trevor Cliffe's study reveals that in many cases, Puritan county families were playing a double game: outwardly in communion with the Church, they often employed non-conformist chaplains, and attended nonconformist meetings.

Violence and Emotions in Early Modern Europe examines the purposes for which specific forms of violence and particular emotional states functioned, how they operated in relation to each other, or indeed how one provoked, sustained or diminished the other. These twelve original essays demonstrate the complexities of violence and emotions and the myriad possibilities of their inter-relationships. They emphasize the great efforts that were made by early modern societies to control modes of violence and emotional regimes to achieve positive as well as negative effects, such as creating order, healing, and bringing individuals and communities together around productive identities. Authors consider legal documents, news reports, memoirs, letters, confraternity statutes, and medical consultations to investigate the bodily and textual practices in which violent and emotional acts were created, supported and disseminated to investigate the power, aims, effect and outcomes of relationships between violence and emotions. The chapters look at a range of topics and countries including Renaissance Italy and sixteenth-century Germany, France in the grip of the religious wars, and England’s Civil Wars as well as a wide range of topics including murder, punishment, community healing, insults, threats, prophecy and medical and devotional practices. This collection will be essential reading for students and scholars of the history of emotions or violence.