Wales Book of the Year 2018 Winner of the 2018 Roland Mathias Poetry Award Shortlisted for the 2017 T.S. Eliot Prize The opening poem sequence, 'Diary of the Last Man', sets the tone for Robert Minhinnick's book, a celebration of the dwindling Earth, an elegy, a caution. His Wales is a touchstone; other landscapes and cityscapes are tried against it, with its erratic weather, its sudden changes of mood, 'a black tonic'. The sequence remembers all the geographies of his earlier work, old and new world, but now unpeopled and the lonely spirit free to go anywhere, do anything, but meaning with mankind has drained away. Yet still alive, and still with language, registering. The rest of the book is filled with voices: of children, of rivers, terrorists, magicians; and voices translated from the Welsh, and from Turkish and Arabic, shared, enriching with their difference, their other worlds. History washes over and washes up on the strand of this Welsh book. It is seen and recognised, it begins to be transformed. In the long concluding poem, 'The Sand Orchestra', the poet returns to his own voice, and to the voice of a Bechstein piano abandoned in the open air, played now by nature, its winds and sand. The last man, who has been looking for Ulysses, is the very man he has been looking for.

David, the narrator of "Diary: Alone on Earth," is a loner, but he is yet to discover what true loneliness feels like. David suffered a great tragedy in life, so he has decided to cut himself completely loose from all those who love him. This man now feels safe inside his comfort shell, having abandoned friends, family for a hermit lifestyle in a tiny Alabama town. But his world is turned upside down on one particular day: November 16, 2016. An intermittent humming noise is emitted throughout the entire world. No one seems to understand from where it is originating. Russia suspects the United States is up to something, and is threatening war. India has suddenly invaded Pakistan due to their age-old hatred. Droves of people are committing suicide throughout the world. President Obama has put the U.S. Military at Defcon 3. Animals, particularly birds, are very hard hit by this humming noise. All the talking heads on the news channels are describing the day's bizarre events. That night, David goes to sleep with his beloved beagle, Ralph, at the foot of his bed. They both feel a little sick, both hope the humming noise is past them. David thinks tomorrow it will all have blown over. He is wrong.

Our fear of the world ending, like our fear of the dark, is ancient, deep-seated and perennial. It crosses boundaries of space and time, recurs in all human communities and finds expression in every aspect of cultural production - from pre-historic cave paintings to high-tech computer games. This volume examines historical and imaginary scenarios of apocalypse, the depiction of its likely triggers, and imagined landscapes in the aftermath of global destruction. Its discussion moves effortlessly from classic novels including Aldous Huxley's Brave New World, George Orwell's Nineteen Eighty-Four and Margaret Atwood's Oryx and Crake, to blockbuster films such as Blade Runner, Armageddon and Invasion of the Body Snatchers. Lisboa also takes into account religious doctrine, scientific research and the visual arts to create a penetrating, multi-disciplinary study that provides profound insight into one of Western culture's most fascinating and enduring preoccupations.

This volume collects all poems published on the Clementine Poetry Journal website from July through December of 2015. Visit clementinepoetryjournal.com and our new site, https: //clementineunbound.wordpress.com/

Meet Gabriel--last of a genetically engineered breed of supersoldiers known as the Paladin. After winning an interstellar war, he is celebrated back home and given the title of Protector of Amerika. As Gabriel is distracted by his duties, a terrorist organization known as Pandemonium frames the hero. Stripped of his title and prestige, Gabriel is sentenced to the notorious Level-9 facility, where he endures nine years of torture. But as the clock ticks down to Gabriel's eventual demise, he is introduced to Agent O, who offers the Paladin a chance at redemption. Learn his story--and that of his allies and enemies--as he begins to orchestrate his revenge.

Diane Wilson is an activist, shrimper, and all around hell-raiser whose first book, An Unreasonable Woman, told of her battle to save her bay in Seadrift, Texas. Back then, she was an accidental activist who worked with whistleblowers, organized protests, and eventually sunk her own boat to stop the plastic-manufacturing giant Formosa from releasing dangerous chemicals into water she shrimped in, grew up on, and loved. But, it turns out, the fight against Formosa was just the beginning. In Diary of an Eco-Outlaw, Diane writes about what happened as she began to fight injustice not just in Seadrift, but around the world-taking on Union Carbide for its failure to compensate those injured in the Bhopal disaster, cofounding the women's antiwar group Code Pink to protest the wars in Iraq and Afghanistan, attempting a citizens arrest of Dick Cheney, famously covering herself with fake oil and demanding the arrest of then BP CEO Tony Hayward as he testified before Congress, and otherwise becoming a world-class activist against corporate injustice, war, and environmental crimes. As George Bernard Shaw once said, "all progress depends on unreasonable women." And in the Diary of an Eco-Outlaw, the eminently unreasonable Wilson delivers a no-holds-barred account of how she-a fourth-generation shrimper, former boat captain, and mother of five-took a turn at midlife, unable to stand by quietly as she witnessed abuses of people and the environment. Since then, she has launched legislative campaigns, demonstrations, and hunger strikes-and generally gotten herself in all manner of trouble. All worth it, says Wilson. Jailed more than 50 times for civil disobedience, Wilson has stood up for environmental justice, and peace, around the world-a fact that has earned her many kudos from environmentalists and peace activists alike, and that has forced progress where progress was hard to come by.