A collection of photos of contemporary fasion bloggers in the clothe that makes them into trendsetters.

Can the new Fashion Club be the icing on the cupcake for Mia, or is she in over her headshot? When fashionista Mia hears someone is starting a Fashion Club at school, how can she resist? But can she manage to take part in two clubs at the same time? And what will her Cupcake Club friends think about this? Worst of all, Mia’s frenemy Olivia Allen wants to be in charge of the Fashion Club. Can Mia and Olivia make peace long enough to survive a fashion show?

An illustrated diary full of fashion assignments for young fashionistas.

Fashion stylist Kim Maxwell chronicles thirty days in her busy career, describing the day-to-day responsibilities and challenges of her profession.

Vivienne Westwood began Get A Life, her online diary, in 2010 with an impassioned post about Native American activist Leonard Peltier. Since then, she has written two or three entries each month, discussing her life in fashion and her involvement with art, politics and the environment. Reading Vivienne's thoughts, in her own words, is as fascinating and provocative as you would expect from Britain's punk dame - a woman who always says exactly what she believes. And what a life! One week, you might find Vivienne up the Amazon, highlighting tribal communities' struggles to maintain the rainforest; another might see her visiting Julian Assange in the Ecuadorian Embassy, or driving up to David Cameron's house in the Cotswolds in a full-on tank. Then again, Vivienne might be hanging out with her friend Pamela Anderson, or in India for Naomi Campbell's birthday party, or watching Black Sabbath in Hyde Park with Sharon Osbourne. The beauty of Vivienne Westwood's diary is that it is so fresh and unpredictable. In book form, generously illustrated with her own selection of images, it is irresistible.

In Big Apple Diaries, a heartfelt diary-style graphic memoir by Alyssa Bermudez, a young New Yorker doodles her way through middle school—until the September 11, 2001, terrorist attack leaves her wondering if she can ever be a kid again. It’s the year 2000 in New York City. For 12-year old Alyssa, a biracial Puerto Rican girl, this means all kinds of new challenges: splitting time between her dad's apartment in Manhattan and her mom's new place in Queens, navigating the ups and downs of middle school, harboring an epic crush on a new classmate, and figuring out how to be a "real" Puerto Rican. The only way to make sense of it all is to write and draw her thoughts and worries into her diary. Then life abruptly changes on September 11, 2001. After the Twin Towers fall and so many lives are lost, her concerns about gossip, crushes, and fashion feel distant and insignificant. Alyssa must find a new sense of self and purpose amidst all of the chaos, and find strength to move forward with hope. This moving graphic memoir is based on Alyssa Bermudez's own middle school diaries.

This captivating book reproduces arguably the most extraordinary primary source documents in fashion history. Providing a revealing window onto the Renaissance, they chronicle how style-conscious accountant Matthäus Schwarz and his son Veit Konrad experienced life through clothes, and climbed the social ladder through fastidious management of self-image. These bourgeois dandies' agenda resonates as powerfully today as it did in the sixteenth century: one has to dress to impress, and dress to impress they did. The Schwarzes recorded their sartorial triumphs as well as failures in life in a series of portraits by illuminists over 60 years, which have been comprehensively reproduced in full color for the first time. These exquisite illustrations are accompanied by the Schwarzes' fashion-focussed yet at times deeply personal captions, which render the pair the world's first fashion bloggers and pioneers of everyday portraiture. The First Book of Fashion demonstrates how dress – seemingly both ephemeral and trivial – is a potent tool in the right hands. Beyond this, it colorfully recaptures the experience of Renaissance life and reveals the importance of clothing to the aesthetics and every day culture of the period. Historians Ulinka Rublack's and Maria Hayward's insightful commentaries create an unparalleled portrait of sixteenth-century dress that is both strikingly modern and thorough in its description of a true Renaissance fashionista's wardrobe. This first English translation also includes a bespoke pattern by TONY award-winning costume designer and dress historian Jenny Tiramani, from which readers can recreate one of Schwarz's most elaborate and politically significant outfits.