In January 1839, photography was announced to the world. Two years prior, a young Queen Victoria ascended to the throne of Great Britain and Ireland. These two events, while seemingly unrelated, marked the beginnings of a relationship that continued throughout the nineteenth century and helped construct the image of an entire age. A Royal Passion explores the connections between photography and the monarchy through Victoria’s embrace of the new medium and her portrayal through the lens. Together with Prince Albert, her beloved husband, the Queen amassed one of the earliest collections of photographs, including works by renowned photographers such as Roger Fenton, Gustave Le Gray, and Julia Margaret Cameron. Victoria was also the first British monarch to have her life recorded by the camera: images of her as wife, mother, widow, and empress proliferated around the world at a time when the British Empire spanned the globe. The featured essays consider Victoria’s role in shaping the history of photography as well as photography’s role in shaping the image of the Queen. Including more than 150 color images—several rarely seen before—drawn from the Royal Collection and the J. Paul Getty Museum, this volume accompanies an exhibition of the same name, on view at the J. Paul Getty Museum from February 4 to June 20, 2014.

Winner, Manitoba Day Award, Association of Manitoba Archives (2008)

Great statesmen and gentlemen, men of honor and rank, seem to be phenomena of a bygone Aristocratic era. Aristocracies, which emphasize rank, and value difference, quality, beauty, rootedness, continuity, stand in direct contrast to democracies, which value equality, autonomy, novelty, standardization, quantity, utility and mobility. Is there any place for aristocratic values and virtues in the modern democratic social and political order? This volume consists of essays by political theorists, historians, and literary theorists that explore this question in the works of aristocratic thinkers, both ancient and modern. The volume includes analyses of aristocratic virtues, interpretations of aristocratic assemblies and constitutions, both historic and contemporary, as well as critiques of liberal virtues and institutions. Essays on Tacitus, Hobbes, Burke, Tocqueville, Nietzsche, as well as some lesser known figures, such as Henri de Boulainvilliers, John Randolph of Roanoke, Louis de Bonald, Konstantin Leontiev, Jose Ortega y Gasset, Richard Weaver, and the Eighth Duke of Northumberland, explore ways of preserving and adapting the salutary aspects of the aristocratic ethos to the needs of modern liberal societies.

Vols. 1-4 include material to June 1, 1929.