Este libro te ayudará a: * Conocer y vivir mejor la Palabra de Dios que leemos los domingos * Conversar con Jesús sobre aspectos importantes de tu vida * Enriquecer tu Eucaristía dominical al comprender mejor la liturgia * Fortalecer tu espiritualidad, vocación y misión cristianas 34 Sesiones para jóvenes: * Centradas en las lecturas dominicales * Organizadas en momentos de oración, reflexión y acción * Animadas con el mismo espíritu que La Biblia Católica para Jóvenes * Diseñadas con un proceso de Lectio Divina apropiado para jóvenes Contienen: * Oraciones y pautas para orar personal y comunitariamente * Comentarios bíblicos y litúrgicos * Actividades comunitarias y celebraciones de fe * Reflexiones sobre la vida diaria y situaciones especiales Útiles para: * Planear retiros y sesiones de pastoral juvenil * Preparar homilías y sesiones catequéticas * Enriquecer la espiritualidad de la juventud

The marriage of philosophy and fiction in the first third of Spain's twentieth century was a fertile one. It produced some truly notable offspring—novels that cross genre boundaries to find innovative forms, and treatises that fuse literature and philosophy in new ways. In her illuminating interdisciplinary study of Spanish fiction of the "Silver Age," Roberta Johnson places this important body of Spanish literature in context through a synthesis of social, literary, and philosophical history. Her examination of the work of Miguel de Unamuno, Pio Baroja, Azorin, Ramon Perez de Ayala, Juan Ramon Jimenez, Gabriel Miro, Pedro Salinas, Rosa Chacel, and Benjamin Jarnes brings to light philosophical frictions and debates and opens new interpersonal and intertextual perspectives on many of the period's most canonical novels. Johnson reformulates the traditional discussion of generations and "isms" by viewing the period as an intergenerational complex in which writers with similar philosophical and personal interests constituted dynamic groupings that interacted and constantly defined and redefined one another. Current narratological theories, including those of Todorov, Genette, Bakhtin, and Martinez Bonati, assist in teasing out the intertextual maneuvers and philosophical conflicts embedded in the novels of the period, while the sociological and biographical material bridges the philosophical and literary analyses. The result, solidly grounded in original archival research, is a convincingly complete picture of Spain's intellectual world in the first thirty years of this century. Crossfire should revolutionize thinking about the Generation of '98 and the Generation of '14 by identifying the heterogeneous philosophical sources of each and the writers' reactions to them in fiction.

La raccolta di poesie Haikai da Olgiate Olona di Angel Aguirre è la sequenza di storie che ricalcano “tratti” o squarci di meditazioni. È la poetica dei piccoli segnali, delle evocatrici memorazioni sonoro-visive, delle frustrazioni cerebrali che catalizzano emozioni, nostalgie per un qualcosa di irrimediabilmente perduto. La frontiera, tra realtà e creazione, tra esperienza e invenzione è l’essenza stessa della scrittura poetica: una frontiera mobile, incerta, mai defi nitiva. Profondamente romantico, Aguirre crea spazi che vivono di se stesso, dei propri umori e torpori, delle proprie luci e, nei propri ristagni d’ombra, delle prospettive date e negate, dei crolli, delle impennate improvvise, dei vertiginosi slanci rifi utati. Legato appassionatamente alle figure umane, ai loro effimeri e struggenti destini, al loro transito eccitato e confuso, Aguirre identifi ca il tempo vero della poesia, ovvero, il tempo dell’aggrovigliato fl usso dell’esistenza.

Spain's Golden Age, the seventeenth century, left the world one great legacy, the flower of its dramatic genius—the comedia. The work of the Golden Age playwrights represents the largest combined body of dramatic literature from a single historical period, comparable in magnitude to classical tragedy and comedy, to Elizabethan drama, and to French neoclassical theater. A History of Spanish Golden Age Drama is the first up-to-date survey of the history of the comedia, with special emphasis on critical approaches developed during the past ten years. A history of the comedia necessarily focuses on the work of Lope de Vega and Calderon de la Barca, but Ziomek also gives full credit to the host of lesser dramatists who followed in the paths blazed by Lope and Calderon, and whose individual contributions to particular genres added to the richness of Spanish theater. He also examines the profound influence of the comedia on the literature of other cultures.

A priced and annotated annual record of London, New York and Edinburgh book-auctions.