At a time increasingly dominated by globalization, migration, and the clash between supranational and ultranational ideologies, the relationship between language and borders has become more complicated and, in many ways, more consequential than ever. This book shows how concepts of ‘language’ and ‘multilingualism’ look different when viewed from Belize, Lagos, or London, and asks how ideas about literature and literary form must be remade in a contemporary cultural marketplace that is both linguistically diverse and interconnected, even as it remains profoundly unequal. Bringing together scholars from the fields of literary studies, applied linguistics, publishing, and translation studies, the volume investigates how multilingual realities shape not only the practice of writing but also modes of literary and cultural production. Chapters explore examples of literary multilingualism and their relationship to the institutions of publishing, translation, and canon-formation. They consider how literature can be read in relation to other multilingual and translational forms of contemporary cultural circulation and what new interpretative strategies such developments demand. In tracing the multilingual currents running across a globalized world, this book will appeal to the growing international readership at the intersections of comparative literature, world literature, postcolonial studies, literary theory and criticism, and translation studies.

In the Americas, both indigenous and postcolonial languages today bear witness of massive changes that have taken place since the colonial era. However, a unified approach to languages from different colonial areas is still missing. The present volume studies postcolonial varieties that emerged due to changing linguistic and sociolinguistic conditions in different settings across the Americas. The studies cover indigenous languages that are undergoing lexical and grammatical change due to the presence of colonial languages and the emergence of new dialects and creoles due to contact. The contributions showcase the diversity of approaches to tackle fundamental questions regarding the processes triggered by language contact as well as the wide range of outcomes contact has had in postcolonial settings. The volume adds to the documentation of the linguistic properties of postcolonial language varieties in a socio-historically informed framework. It explores the complex dynamics of extra-linguistic factors that brought about the processes of language change in them and contributes to a better understanding of the determinant factors that lead to the emergence and evolution of such codes.

Matilda of Flanders, queen to William the Conqueror was beautiful, exquisitely small, clever, with a perfect courtesy trained in the rigid school of medieval manners. But within lay a root of darkness - inheritance, perhaps, of Viking ancestors. Twice, at least, in her lifetime the Viking streak broke through, in vengeance on a faithless lover, in fury wreaked on a rival of the marriage bed. The marriage, though fruitful of so many children, was on her side no match of love. But a passionate loyalty to her husband, an equally passionate ambition, together with her own sense of justice, gave her the will and the skill to dissemble her feelings and to make her the praise of Christendom. No Queen ever wielded so much power as she in the long years she ruled Normandy; before her no woman in England was ever crowned or was known as Queen.

They had been engaged for a period, and what began as a brief romance developed into a lifetime's friendship and collaboration in poetry. Throughout the reminiscence runs H. D's conviction that her life and Pound's had been irrevocably entwined since those early days when they had walked together in the Pennsylvania woods and he wrote for her verse after William Morris, Rossetti, Swinburne, and Chaucer. Twenty-five of these poems, handbound in vellum by Pound and called "Hilda's Book," are published here for the first time as an epilogue to this important and moving document.

"What began in 1959 as a simple homage to the modernist poet H.D. (Hilda Doolittle) developed into an expansive and unique quest for a poetics that would fuel Duncan's great work into the 1960s and 1970s. A meditation on both the roots of modernism and its manifestation in the writings of H.D., Djuna Barnes, Ezra Pound, D.H. Lawrence, Gertrude Stein, William Carlos Williams, Virginia Woolf, and many others, Duncan's wide-ranging work is especially notable for illuminating the role women played in creating literary modernism"--From publisher description.