Dhvani and Epiphany examines the work of major Indian poets like Nissim Ezekiel and Arun Kolatkar; the struggle of young poets to find an audience; and the art of fiction. But its main focus is on the nature of creativity. How does an artist communicate his meaning? What makes a work genuinely creative? Through a sensitive exploration of poetry – ranging from the simple poems of a child, Poorna Prajna, to the complex “Byzantium Poems” of Yeats – the first seven essays try to show how a poem comes to life when it speaks to us and we listen to its dhvani and respond. Even in fiction, it is not all realism. There is irony in exploring the paradoxical nature of reality; events taking on symbolic overtones; and epiphany, moments of illumination and insights – when surprising correspondences are seen. Writers cannot surprise and delight their audience if they themselves are not surprised and delighted by such insights.

A Major Activity Of The Sahitya Akademi Is The Preparation Of An Encyclopaedia Of Indian Literature. The Venture, Covering Twenty-Two Languages Of India, Is The First Of Its Kind. Written In English, The Encyclopaedia Gives A Comprehensive Idea Of The Growth And Development Of Indian Literature. The Entries On Authors, Books And General Topics Have Been Tabulated By The Concerned Advisory Boards And Finalised By A Steering Committee. Hundreds Of Writers All Over The Country Contributed Articles On Various Topics. The Encyclopaedia, Planned As A Six-Volume Project, Has Been Brought Out. The Sahitya Akademi Embarked Upon This Project In Right Earnest In 1984. The Efforts Of The Highly Skilled And Professional Editorial Staff Started Showing Results And The First Volume Was Brought Out In 1987. The Second Volume Was Brought Out In 1988, The Third In 1989, The Fourth In 1991, The Fifth In 1992, And The Sixth Volume In 1994. All The Six Volumes Together Include Approximately 7500 Entries On Various Topics, Literary Trends And Movements, Eminent Authors And Significant Works. The First Three Volume Were Edited By Prof. Amaresh Datta, Fourth And Fifth Volume By Mohan Lal And Sixth Volume By Shri K.C.Dutt.

Being and Meaning is a comparative study of the concepts of Being and Language in Bhartrhari and Martin Heidegger, emphasising the universality of their thinking. Language in Bhartrhari's vision is the medium of the self-expression for the Ultimate Reality (Sabdatattva). In Heidegger's thinking language is the Original Utterance (Sage) which Being speaks to man. Being expresses itself in language, and phenomena in the world occur simultaneously with the occurrence of language. Bhartrhari and Heidegger lead one to the belonging togetherness of Being and being beyond all conceptualizing, transcending the bounds of Orient and Occident.

For nearly a thousand years the brilliant analysis of aesthetic experience set forth in the Locana of Abhinavagupta, India's founding literary critic, has dominated traditional Indian theory on poetics and aesthetics. The Locana, presented here in English translation for the first time, is a commentary on the ninth-century Dhvanyaloka of Anandavardhana, which is itself the pivotal work in the history of Indian poetics. The Dhvanyaloka revolutionized Sanskrit literary theory by proposing that the main goal of good poetry is the evocation of a mood or "flavor" (rasa) and that this process can be explained only by recognizing a semantic power beyond denotation and metaphor, namely, the power of suggestion. On the basis of this analysis the Locana develops a theory of the psychology of aesthetic response. This edition is the first to make the two most influential works of traditional Sanskrit literary and aesthetic theory fully accessible to readers who want to know more about Sanskrit literature. The editorial annotations furnish the most complete exposition available of the history and content of these works. In addition, the verses presented as examples by both authors (offered here in verse translation) form an anthology of some of the finest Sanskrit and Prakrit poetry.

The Present Book Contains Some Fact-Finding Critical Essays Devoted To Some Of The Literary Stalwarts Of Indian English Literature, Such As, Sri Aurobindo, Raja Rao, Mulk Raj Anand, Kamala Markandaya, Arundhati Roy And Manoj Das. A Modest Attempt Has Been Made To Go Deep Into The Problem And Offer Text-Based Criticism. These Articles Have Been Written To Stimulate A Genuine Desire In The Readers For Deeper Studies In Indian English Literature.This Book Is Expected To Be Of Considerable Interest And Use To The Students As Well As The Teachers As The Critical Articles Throw More Light On Some Of The Unexplored Areas Of Studies.

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