Looks back at the author's past, when she lived on an Iowa communal farm and was called Snowbird, detailing her life as a hippie and her mother's more recent bout with skin cancer

"A formidable achievement. . . . Mitter spans almost the entire spectrum of the 'woman's question' providing both information and insight into the complex patterns that determine the image, self-image, and status of women in contemporary India." -- Manini Chatterjee, The Hindu (India). -- Book cover.

""You have to come to my wedding," Kavita told me, turning to face me where I sat next to her on the couch. "You can come with the other people from the street. You will get everything you need for your *research* there." "I will come, I will come!" I replied enthusiastically. I had only met Kavita and her two younger sisters, Arthi and Deepti (see Figure 2.1), mere minutes before this invitation was extended. I had initially come to Pulan that day in October 2012 to meet another woman, Heena, whose family rents a room on the third story of Kavita's family's home. Heena and I had been sitting in the furniture refurbishing store she operates with her husband on the main street of Pulan when Deepti, Kavita's youngest sister, passed by. Heena introduced us and told me to go with Deepti to meet her family. When we reached the family's three-story house-the largest in the gali-Deepti led me past the empty rooms on the ground floor, which I would eventually begin renting, to the second-story living room. There, we found Kavita and Arthi organizing clothing and jewelry they had purchased earlier in the day for the upcoming wedding festivities. Kavita made room for me to sit next to her on the couch and began asking me about myself. I immediately warmed to her because of her open, friendly smile and sharp, staccato Hindi, which I delighted in being able to understand. I explained that I had come to India to study how women's lives are different in rural and urban areas, and Kavita assured me that she and her family could help. She noted that her parents had come to Udaipur from Ram Nagar, a large village thirty-five kilometers north of the city, and that the family would be returning for her and her older brother Krishna's weddings the following month. Their weddings would be held five days apart to help reduce the difficulties of family members traveling from outside Udaipur. Prompted by the description of my research, Kavita commented on differences that she recognized between the village and the city. The biggest difference, she suggested, was the experience of caste, namely that in the village, people from different jatis live separately, whereas in the city, people are "mixed." As I would come to learn when visiting Ram Nagar for various functions, there is a fair amount of caste and religious diversity in the village. Although spatial and ritual segregation was rather strictly maintained during religious observances, it is likely more flexible in everyday life. The segregation during ritual functions-the occasions for which Kavita also traveled to the village-likely informed her sense of a lack of "mixing" in the village as. The majority of residents in the area of Ram Nagar where the family maintains a home were also from the Mali (lit: gardener) jati, although Mali was not a majority jati in Pulan"--

As Buddhism is assimilated into the West, it is imperative that women reshape its patriarchal structures and carve out a fully legitimate, empowering position for themselves. Marianne Dresser brings together the likes of Pema Chodron, Tsultrim Allione, and bell hooks, 30 women in all, who are doing just that. Writers, nuns, scholars, priests--even a martial arts master and a private investigator--discuss women in Buddhism in a range of essays. Several pieces question the suppression of emotion required for selflessness, appealing to the undeniable reality of day-to-day living. Others discuss their experiences as women in Buddhism, whether as nuns or as lay practitioners. Still others address the history of women in Buddhism, racial questions, meditation, poetry, compassion, social activism, and sexual orientation. Most of these writers have been in Buddhism for two or three decades and offer a wealth of experience and insights, targeted at women readers but no less valuable to men.

Most of the early literature concerning women’s religious experience is about exceptional women; those who diverged from the traditional female role to become nuns, mystics or charismatic leaders. While women were permitted to be prophets and visionaries they rarely played an important part in church organisation. This paradox is explored in this book and a number of themes emerge: in particular, the dominance of male symbolism within the great religions. The question of whether men and women apprehend religious systems and signs in the same way is also explored. In considering the contemporary scene, the book is able to look at the ways in which religion affects the lives of women in different societies and in different historical periods; this gives us a larger view of the ways in which our own perceptions of ‘femaleness’ have been constructed out of the religious world views of both the past and the present. First Published in 1983.

Suggests ideas for trips for women who love to drive, including unusual festivals and museums, things to do in a small town, and the best songs to listen to in the car.

This is the first collection of creative writing-related interviews originally posted on Mourning Goats, a website founded by the mysterious Mr Goat. Over a year of mostly anonymous work, the Goat managed to interview some of the most exciting English-language authors around. Edited by Phil Jourdan and the Goat himself, and featuring expanded interviews not available online, Chewing the Page offers a series of weird and hilarious glimpses at the world of writing. Includes interviews with Stephen Graham Jones, Craig Clevenger, Paul Tremblay, Donald Ray Pollock, Stephen Elliott, Chad Kultgen, Chelsea Cain, Rick Moody, Christopher Moore and Nick Hornby, and others. ,