Dharma and Puṇya explores the centrality of ritual practices and the agency of people in creating and amplifying the efficacy of Buddhist art. It presents paintings, illuminated texts, statues, and ritual implements from the Newar tradition in the Kathmandu Valley.

To walk in the footsteps of the Buddha we need a clear and thorough guide to the essential principles of Buddhism. Whether we have just begun our journey or are a practitioner with more experience, What is the Dharma? is an indispensable exploration of the Buddha's teachings as found in the main Buddhist traditions.

Christian Missionaries worked hard to convert immigrants. Their first order of business was to denigrate Hinduism, designate Hindus as heathen, and disparage their culture, food and even attire. Immigrants stubbornly resisted, led by the tiny educated elite, including Brhmaas whom we call Brahmins. Conversion was a failure at least up to the end of the 19th century but picked up a self-generating momentum thereafter. The result is that the share of Hindus in Guyana’s Indian population declined from 83.5 percent in 1880 to 62.8 percent in 2012. The largest portion of the contraction was lost to Christianity. The loss notwithstanding, even a casual observer would conclude that Guyanese Hindus, at home and in the Diaspora, are a very religious people. Many of us do a jhandi or havan once annually; others do the more elaborate and costlier yajña, where everyone is welcome, once or twice in their lifetime. Most of us do a short daily puja – prayers, offerings, reading the stras and listening to bhajan – in our homes. An important, but perhaps unintended, way immigrants countered conversion to Christianity was an unplanned movement towards a “synthesis” that brought Hindus, regardless of caste or sect, under a “unitary form of Hinduism.” The “synthesis” began around the 1870s and was completed by the 1930s to the 1950s. Guyanese Hindus call the unified corpus of religious beliefs and practices that emerged from the “synthesis” Sanatana Dharma. Ramesh Gampat labels it Plantation Hinduism in this path-breaking book. The book argues that the brand of Hinduism practiced is inconsistent with Sanatana Dharma, called Vednta by the more philosophically inclined. Plantation Hinduism features an extraordinary dependence upon purohits (pandits), which has anaesthetized the Hindu mind and render him unable to think, question and inquire when it comes to Dharma. Rituals and bhakti have been degraded and turned into desire-motivated worship; devats have been misconstrued as Brahman rather than as limited manifestation of the one non-dual pure Consciousness; belief in the multiplicity of gods encourages image worship; and superstitions anchor Guyanese Hindus to tradition and mere belief. Plantation Hinduism is little more than desire-motivated actions, dogmas and superstitions. Absent is the idea that Sanatana Dharma is a spiritual science no less scientific than hard sciences, such as physics and astronomy. The central message of Vednta is the innate divinity of every person and the freedom to realize that divinity through anubhava, direct personal experience of Supreme Reality.

Camille Gardner is trapped in the middle when a unique Southern town collides with the 'outside world' and big oil.A talented negotiator, Camille Gardner agrees to take on one last field assignment for her uncle before she settles down to pursue her real passion---working at an art gallery. But she'd rather be anywhere than Samford, Louisiana, the small southern town where she once spent the worst weeks of her life.To fulfill the obligation she feels to her uncle, Camille needs to entice a group of rural landowners to sell their mineral rights---and allow use of their precious water for the drilling of natural gas. Instead, she finds herself drawn to the local folk art created by those same landowners and attracted to Marsh Cameron, the attorney representing the landowners.The charming residents and the traditions of this small community leave Camille conflicted about her family obligations---and her own plans for the future. Perhaps she needs to give Samford a second chance.'Christie populates her story with a varied cast of Southern small-town characters. Her tendency for unresolved suspense is occasionally unsettling, but, overall, her stories have enough warmth and humor to keep her readers coming back for more.' --- CBA Retailers + Resources

As our soul travels through the four stations of hell, tiryancha, human and heaven, it is accompanied by the two messengers of goodness and badness. The messenger of good thoughts and actions brings happiness; and the messenger of bad thoughts and actions brings sadness, thus Good=Happiness and Bad=Sadness. Hence, we continue to sway constantly from a state of happiness to the other state of sadness. This book brings to light the reasons that lead to happiness and the ones that lead to sadness, thus helping a being in making a conscious choice of correcting one's deeds to attain perennial happiness.

Retellings of the Buddha's life story have animated and sustained Buddhist thought and practice through some 2,500 years of history. To this day, Buddhist holidays and rituals are pinned to the arc of his biography, celebrating his birth, awakening, teaching, and final nirvana. His story is the model that exemplary Buddhists follow. Often, there is a moment of insight akin to the Buddha's experience with the Four Sights, followed by a great departure from home, and a period of searching that it is hoped will lead to final awakening. The Buddha's story is not just the Buddha's story; it is the story of Buddhism. In this book, twelve leading scholars of South Asian texts and traditions articulate the Buddha-life blueprint--the underlying and foundational pattern that holds the life story of a buddha together. They retell the episodes of Buddha Gautama's extended life story, while keeping in mind the cosmic, paradigmatic arc of his narrative. The contributors have dedicated their careers to exploring hagiographical materials, each applying their own methodological and theoretical interests to shed new light on the enduring story of Buddhism. Using multiple perspectives, voices, and sources, this volume underscores the multivalent centrality of this story. The book will be an invaluable resource to practicing Buddhists and students of Buddhist Studies to help them engage in the most foundational story of the tradition.

Śaiva Dharma Sastras is a potent edict, an irrevocable commission to my Acharya successors, detailing their future duties and responsibilities. Further, it is a Dossier describing for Church members and the public our international headquarters, monasteries, missions and extended families, our Himalayan Academy, ministry and initiations, our family and monastic paths, articles of faith and conduct. It explains our World Outreach Mission: to protect, preserve and promote the Saivite Hindu religion, to foster the growth of all sects of Hinduism through Hindu solidarity and to teach monistic Saiva Siddhanta for the spiritual unfoldment of the individual and the family through temple worship and daily sadhana. How members live, conduct themselves, raise their families and perform their dharma is all elucidated here. This shastra portrays a fellowship that is a one body of belief, worship and allegiance. Each member has studied and upholds the same scriptures and creed. Each worships God Siva through the traditional ceremonies and sacred observances. Each is well versed in the teachings of our sampradaya, a tradition that values practice above learning. Each finds authority in our religious hierarchical lineage, or parampara. Each performs the potent sadhanas of the Saiva Neri, regular disciplines which yield spiritual transformation through self-effort. Each looks to the spiritual preceptor, or satguru, as the supreme guiding force.