"Contributing to the debate about D. H. Lawrence's relationship with and fictional portrayal of women, this book discusses how the dynamic tensions of his art dramatically reenact the competing forces of psychic and relational life. In her examination of Sons and Lovers, The Rainbow, Women in Love, and various short stories, Schapiro discusses how Lawrence's best works reveal a continual struggle to recognize and be recognized by the other as an independent subject. Drawing on Jessica Benjamin's psychoanalytic theory of intersubjectivity, she also demonstrates how a breakdown of balanced subject-subject relations in his texts gives rise to defensive polarities of gender and of domination and submission."--BOOK JACKET.

Though we all face a tug of war between dependency and autonomy while growing up, British author D.H. Lawrence (1885–1930) experienced the struggle with particular intensity. Later in life, his acute observational skills, high emotional intelligence, and expressive abilities would allow him to articulate this conflict in his works as few other writers have. Applying concepts from attachment theory, D.H. Lawrence and Attachment presents innovative readings of a broad swath of Lawrence’s fiction. Ronald Granofsky teases out hidden patterns in Lawrence’s work, deepening our understanding of his fictional characters and revealing new significance to key thematic concerns like gender identification, marriage, and class. Lawrence’s too-close relationship with his own mother, in particular, was the foundation for his lifelong interest in attachment, as well as the impetus for his literary exploration of the delicate balance between the desire for closeness and the need for separation. While the theories of Margaret S. Mahler, D.W. Winnicott, John Bowlby, and others were developed after Lawrence’s death, his writing about relationships - and how they are influenced by early childhood experiences - bears a striking resemblance to the concepts of attachment theory. The Lawrence who emerges from D.H. Lawrence and Attachment is a psychological writer of great power whose intuitive insights into the vagaries of attachment resulted in rich, complex fiction.

Complete with fresh perspectives, and drawing on the latest scholarship and biographical sources, The Life of D. H. Lawrence spans the full range of his intellectual interests and creative output to offer new insights into Lawrence’s life, work, and legacy. Addresses his major works, but also lesser-known writings in different genres and his late paintings, in order to reassess the innovative, challenging, and subversive aspects of Lawrence’s personality and writing Incorporates newly-discovered sources, including correspondence, a manuscript written in 1923-4, new evidence for important influences on his major novels and two previously unpublished images of the author Emphasizes Lawrence’s gregarious nature, his desire to collaborate with others, and his adaptability to different social situations Pays particular attention to the many interactions with literary advisors, editors, agents, publishers, and printers that were required for him to work as a professional writer Combines new material with astute commentary to provide a nuanced understanding of one of the most prolific and controversial authors of the twentieth century

THE LIFE OF THE AUTHOR D. H. LAWRENCE Addresses the whole of D. H. Lawrence’s life and writing career—integrating biography, critical analysis, and recent scholarship in a single volume The Life of the Author: D. H. Lawrence is a focused exploration of the whole of the author’s life and writing career. Combining biographical detail and close readings of works in different genres, the book illuminates the complexities of Lawrence’s writing through a careful, questioning approach to biographical sources and recent scholarship. Andrew Harrison provides original insights into Lawrence’s relationship to working-class experience, his anti-suffragist feminist views, his reaction to the Great War, his responses to racial and cultural difference, his attitudes towards sex, sexuality, and sexual identity, and much more. Nine accessible chapters address important subjects in the author’s life and writing, including his treatment of taboo topics, his conflicted relationship with the literary marketplace, and the ways in which his writing challenged English middle-class values. Each chapter draws upon the biographical record to provide an interpretive context while highlighting aspects of Lawrence’s work that relate to present-day concerns, such as his critical responses to wartime propaganda and censorship, his critique of heteronormativity, and his lifelong concern with issues around mental health and wholeness of being. Designed to help readers develop a fresh understanding of Lawrence’s writing, The Life of the Author: D. H. Lawrence: Investigates Lawrence’s wartime experiences, tracing his transformation from an author who wished to change the attitudes of his readers into a radical anti-establishment figure Addresses Lawrence’s explorations of gender fluidity and non-normative sexual identities in his fiction Discusses Lawrence’s concern with post-war social reconstruction and his risk-taking exploration of revolutionary political and religious movements in his novels of the 1920s Engages with psychoanalytic criticism on the attachment issues that shaped Lawrence’s life and writing, showing how he attempted to confront the psychic wounds of his childhood Based on materials and approaches the author has developed teaching Lawrence for more than two decades, The Life of the Author: D. H. Lawrence is an excellent textbook for undergraduate students taking English and English Literature courses, as well as graduate students discussing Lawrence in the contexts of early twentieth-century literature, literary modernism, and sexualities in modern literature.

While travel literature, particularly the Italian travel literature of D. H. Lawrence - Twilight in Italy (1916), Sea and Sardinia (1921), and Etruscan Places (1927; 1932) - has received a great deal of attention in recent years, nobody has examined this work from a Bakhtinian viewpoint. This approach allows us a unique perspective as well as a new appreciation of both Lawrence and Mikhail Bakhtin. This is also true with respect to translation studies where the reader will find Lawrence's work on Giovanni Verga presented in a new and suggestive fashion. In short, this book provides new insights into D. H. Lawrence's relationship to the Italian Other (as well as charts the permutations within himself). This book makes a valuable contribution to our understanding of two of the greatest literary figures of the twentieth century, D. H. Lawrence and Mikhail Bakhtin.

This book demonstrates how D.H. Lawrence's prophetic ambitions impelled him to create novels that would radically transform the consciousness of his readers. Charles Burack argues that Lawrence's major novels, beginning with The Rainbow , are structured as religious initiation rites that attempt to break down the reader's normative mindset and to evoke new, numinous experiences of self and world. Through careful analysis of narrative structure, literary technique, and sacred discourses, Burack shows that Lawrence tries to initiate the reader into his own version of religious vitalism. Unlike most initiations that conclude with powerful affirmations, Lawrence's novels generally end with an attempt to subvert the formation of new religious dogmas and to encourage sacred-erotic exploration.

This book opens out a wholly new field of enquiry within a familiar subject: it offers a detailed – yet eminently readable – historical investigation, of a kind never yet undertaken, of the impact of psychoanalysis (at a crucial moment of its history) on the thinking and writing of D.H. Lawrence. It considers the impact on his writing, through his relationship with Frieda Weekley, of the maverick Austrian analyst Otto Gross; it situates the great works of 1911-20 in relation to the controversial issues at stake in the Freud-Jung quarrel, about which his good friend, the English psychoanalyst David Eder, kept him informed; and it explores his sympathy with the maverick American analyst Trigant Burrow. It is a study to interest a literary audience by its close reading of Lawrence’s texts, and a psychoanalytic audience by its detailed consideration of the contribution made to contemporary debate by three comparatively neglected analytic thinkers.