Tracing the impacts of militarism on the American landscape, through the lens of art, environmental studies, and politics Devour the Land considers how contemporary photographers have responded to the US military's impact on the domestic environment since the 1970s, a dynamic period for environmental activism as well as for photography. This catalogue presents a lively range of voices at the intersection of art, environmentalism, militarism, photography, and politics. Alongside interviews with prominent contemporary artists working in the landscape photography tradition, the images speak to photographers' varied motivations, personal experiences, and artistic approaches. The result is a surprising picture of the ways violence and warfare surround us. Although most modern combat has taken place abroad, the US domestic landscape bears the footprint of armed conflict--much of the environmental damage we live with today was caused by our own military and the expansive network of industries supporting its work. Designed to evoke a field book and to nod toward ephemera produced by earlier artists and activists, the catalogue features works by dozens of photographers, including Ansel Adams, Robert Adams, Dorothy Marder, Alex Webb, Terry Evans, and many more.

First published in 1974, Strangers Devour the Land is recognized as the magnum opus among the numerous books, articles, and films produced by Boyce Richardson over two decades on the subject of indigenous people. Its subject, the long struggle of the Crees of James Bay in northern Quebec--a hunting and trapping people--to defend the territories they have occupied since time immemorial, came to international attention in 1972 when they tried by legal action to stop the immense hydro-electric project the provincial government was proposing to build around them. The Crees argued that the integrity of their vast wilderness was essential to their way of life, but the authorities dismissed such claims out of hand. Richardson, who sat through many months of the trial, mingles the scientific and Cree testimony given in court with his own interviews of Cree hunters, and experiences in gathering information and shooting films, to produce a classic tale of cultures in collision. In a new preface, he reveals that the Crees--now receiving immense sums of money as compensation for the loss of their lands--appear to be doing well, and to be in the process of joining modern, technological culture, while retaining the spiritual base of their traditional lives. Meanwhile, Hydro-Quebec continues to eye additional rivers on the Cree's lands for new dams.

Includes testimony to the courts and agreement.

Takahiro O’Leary has a very special job… …working for the Axon Corporation as an explorer of parallel timelines—as many and as varied as anyone could imagine. A great gig—until information he brought back gave Axon the means to maximize profits by changing the past, present, and future of this world. If Axon succeeds, Tak will lose Samira Moheb, the woman he has loved since high school—because her future will cease to exist. A veteran of the Iraq War suffering from post-traumatic stress disorder, Samira can barely function in her everyday life, much less deal with Tak’s ravings of multiple realities. The only way to save her is for Tak to use the time travel device he “borrowed” to transport them both to an alternate timeline. But what neither Tak nor Axon knows is that the actual inventor of the device is searching for a timeline called the Beautiful Land—and he intends to destroy every other possible present and future to find it. The switch is thrown, and reality begins to warp—horribly. And Tak realizes that to save Sam, he must save the entire world…

"I tell you, God could care less about the poor. Tell me, why must we live here like this? What have we done to deserve this? You're so good and yet you suffer so much," a young boy tells his mother in Tomas Rivera's classic novel about the migrant worker experience. Outside the chicken coop that is their home, his father wails in pain from the unbearable cramps brought on by sunstroke after working in the hot fields. The young boy can't understand his parents' faith in a god that would impose such horrible suffering, poverty and injustice on innocent people. Adapted into the award-winning film ]€]and the earth did not swallow him and recipient of the first award for Chicano literature, the Premio Quinto Sol, in 1970, Rivera's masterpiece recounts the experiences of a Mexican-American community through the eyes of a young boy. Forced to leave their home in search of work, the migrants are exploited by farmers, shopkeepers, even other Mexican Americans, and the boy must forge his identity in the face of exploitation, death and disease, constant moving and conflicts with school officials. In this new edition of a powerful novel comprised of short vignettes, Rivera writes hauntingly about alienation, love and betrayal, man and nature, death and resurrection and the search for community.

In 1942 America fell in love with Bambi. But now, that love-affair has turned sour. Behind the unassuming grace and majesty of America’s whitetail deer is the laundry list of human health, social, and ecological problems that they cause. They destroy crops, threaten motorists, and spread Lyme disease all across the United States. In Deerland, Al Cambronne travels across the country, speaking to everybody from frustrated farmers, to camo-clad hunters, to humble deer-enthusiasts in order to get a better grasp of the whitetail situation. He discovers that the politics surrounding deer run surprisingly deep, with a burgeoning hunting infrastructure supported by state government and community businesses. Cambronne examines our history with the whitetail, pinpoints where our ecological problems began, and outlines the environmental disasters we can expect if our deer population continues to go unchecked. With over 30 million whitetail in the US, Deerland is a timely and insightful look at the ecological destruction being wrecked by this innocent and adored species. Cambronne asks tough questions about our enviroment’s future and makes the impact this invasion has on our own backyards.