A witch/detective and her young associate try to track a serial killer known as the Baron of the Mists in a city where crime should be impossible.

As much personal journal as investigative journalism, this account traces the worsening developments at Fukushima Daiichi during the first year following the nuclear disaster. Often poetic in tone and philosophic in scope, this day-to-day reportage is peppered with the author's reflections and dramatic monologues as she investigates the public's willing blindness toward the nuclear power industry's disregard for public safety in the pursuit of profit. The book offers a unique perspective and attempts to come to terms with Fukushima's catastrophic consequences on the planet.

A sorceress and a police detective track a reborn Jack the Ripper through historically recreated cities, from Victorian London to Montezuma's Mexico City.

New York Times bestselling author Steven Kotler's follow up to Last Tango in Cyberspace, a near-future thriller about the evolution of empathy in the tradition of William Gibson and Neal Stephenson. Hard to say exactly when the human species fractured. Harder to say when this new talent arrived. But Lion Zorn, protagonist of Last Tango in Cyberspace, is the first of his kind—an empathy tracker, an emotional forecaster, with a felt sense for how culture evolves and the future arrives. It’s also a useful skill in today’s competitive business market. In The Devil’s Dictionary, when a routine em-tracking job goes sideways and em-trackers themselves start disappearing, Lion finds himself not knowing who to trust in a life and death race to uncover the truth. And when the trail leads to the world’s first mega-linkage, a continent-wide national park advertised as the best way to stave off environmental collapse, and exotic animals unlike any on Earth start showing up—Lion’s quest for truth becomes a fight for the survival of the species. Packed with intrigue and heart-pounding action, marked by unforgettable characters and vivid storytelling, filled with science-based brilliance and cult comic touches, The Devil’s Dictionary is Steven Kotler at his thrilling science fiction best.

It was a new skill... One that might change the world. What could a person do who could track empathy? His friends call him Lion, he is the first of his kind. Some describe it as emotional foresight, but really, he can see cultural trends before they emerge. What he didn’t expect was for Big Pharma to come calling. In 2025, technology has made massive leaps forward. Not every group wants to use it for good. Artic Pharmaceuticals has a new drug and a bad idea. They call on Lion, because he is the key to getting the formula they need. But when he starts to sense their hidden agenda, will they take drastic action? Then Lion discovers a decapitated human head... Is he being hunted? Can he stop a global disaster? You’ll love this edge-of-your seat cyberpunk thriller, because it will keep you turning the pages late into the night. Get it now.

"A triumphantly moving book." —Kirkus Reviews, starred review Hannah dreads going to her family's Passover Seder—she's tired of hearing her relatives talk about the past. But when she opens the front door to symbolically welcome the prophet Elijah, she's transported to a Polish village in the year 1942. Why is she there, and who is this "Chaya" that everyone seems to think she is? Just as she begins to unravel the mystery, Nazi soldiers come to take everyone in the village away. And only Hannah knows the unspeakable horrors that await. A critically acclaimed novel from multi-award-winning author Jane Yolen. "[Yolen] adds much to understanding the effects of the Holocaust, which will reverberate throughout history, today and tomorrow." —SLJ, starred review "Readers will come away with a sense of tragic history that both disturbs and compels." —Booklist Winner of the National Jewish Book Award An American Bookseller "Pick of the Lists"

Undoubtedly the most notorious title in director Ken Russell’s controversial filmography, The Devils (1973) caused a real furor on its initial theatrical release, only to largely disappear for many years. This Devil’s Advocate considers the film’s historical context, as the timing of the first appearance of The Devils is of particular importance, its authorship and adaptation (Russell’s auteur reputation aside, the screenplay is based on John Whiting’s 1961 play of the same name, which was in turn based on Aldous Huxley’s 1952 book The Devils of Loudun), and its generic hybridity. Darren Arnold goes on to examine the themes prevalent in the film—this is the only film of Russell’s which the director considered to be political—and considers the representation of gender and sexuality, gender fluidity, and how sex and religion clash to interesting and controversial effect. He concludes by revisiting the film’s censorship travails and the various versions of The Devils that have appeared on both big and small screens, and the film’s legacy and influence.