'Unfinished Gestures' presents the social and cultural history of courtesans in South India, focusing on their encounters with colonial modernity in the 19th and early 20th centuries.

In this book the author has first investigated the concept of the devadasi as found in the cultural history of South India, especialy in Tamil Nadu. Hereafter the function and form of the devadasi tradition are examined within the Temple Ritual of Tamil Nadu. This is not the study of the fact of the devadasi tradition, but of its meaning and the mode of production of that meaning.

Who and what are marriage and sex for? Whose practices and which ways of talking to god can count as religion? Lucinda Ramberg considers these questions based upon two years of ethnographic research on an ongoing South Indian practice of dedication in which girls, and sometimes boys, are married to a goddess. Called devadasis, or jogatis, those dedicated become female and male women who conduct the rites of the goddess outside the walls of her main temple and transact in sex outside the bounds of conjugal matrimony. Marriage to the goddess, as well as the rites that the dedication ceremony authorizes jogatis to perform, have long been seen as illegitimate and criminalized. Kinship with the goddess is productive for the families who dedicate their children, Ramberg argues, and yet it cannot conform to modern conceptions of gender, family, or religion. This nonconformity, she suggests, speaks to the limitations of modern categories, as well as to the possibilities of relations—between and among humans and deities—that exceed such categories.

The Title 'Devdasis in South India: A Journey from sacred to a Profane Spaces written by S. Jeevanandam, Rekha Pande' was published in the year 2017. The ISBN number 9789351282105 is assigned to the Hardcover version of this title. This book has total of pp. 322 (Pages). The publisher of this title is Kalpaz Publications. This Book is in English. The subject of this book is Women Studies, ABOUT THE BOOK: - This book traces the gradual transition of the devadasi system from the early medieval to

Passionate and forbidden love clashes with tradition and caste in a changing India. Kamala Kumari is more than a Gemini Studio starlet: she's a classical dancer trained in the age-old line of Devadasis, a caste set in place a thousand years ago when girls were first dedicated in south Indian temples to serve the gods and men. From the promise of art and devotion, the sacred dancers fell into the hands of priests who both exalted and betrayed them. Beautiful, brilliant and proud, Kamala struggles to escape the old ways, entangling her Indian assistant, Dutch lover, and his young American wife. With its turbulent passions amid social upheavals, The Last Devadasi takes readers on a sensual feast in the 1970s palm-shaded trading city of Madras.

Servants of the Goddess weaves together the heartbreaking, yet paradoxically life-affirming stories of five devadasis—women, in the clutches of an ancient fertility cult, forced to serve the gods. Catherine Rubin Kermorgant sets out attempting to make a documentary film about the lives of present-day devadasis. Through her, we meet and get to know the devadasi women of Kalyana, a remote village in Karnataka. As they grow to trust Kermorgant and welcome her as an honorary sister, we hear their stories in their own words: stories of oppression, discrimination, violence and, most importantly, resilience. Kermorgant becomes a part of these stories and finds herself unwittingly enmeshed in a world of gender and caste bias which extends far beyond Kalyana—all the way to Paris, where the documentary is to be edited and produced. Servants of the Goddess is a testament to women’s strength and spirit, and a remarkably astute analysis of gender and caste relations in today’s rural India.

Through the use of epigraphical evidence, Leslie C. Orr brings into focus the activities and identities of the temple women (devadasis) of medieval South India. This book shows how temple women's initiative and economic autonomy involved them in medieval temple politics and allowed them to establish themselves in roles with particular social and religious meanings. This study suggests new ways of understanding the character of the temple woman and, more generally, of the roles of women in Indian religion and society.