A journey which resonates with millions of aspiring actors and artists. Vijay Kumar meets and shares the screen with his childhood hero The Legend Of Indian Cinema Dev Anand. Taking you on an adventure from his humble beginnings in New Delhi, India, later immigrating to London, England, before returning to Mumbai, India to pursue a career in the largest film industry on the planet. Vijay takes us on a passionate, personal & enthralling journey of perseverance. Through persistence & sheer ambition, Vijay ultimately established a trusting relationship and close personal bond with the legend Dev Anand. An insight into the life in front of & behind the camera, their friendship spans over 30 years and has endured the test of time & continues today with the Anand family. Vijay closely tell us of his accounts through an emotional journey as he documents the sacrifices it takes to make it in an unforgiving and fast paced film industry. Highlighting the ups and downs of his own journey while giving an insight into the film and media industry that claims the dreams of many each year. Profoundly moving, insightful and ultimately full of hope, Dev Saab gets to the very heart of what it means to visualize, believe and receive. A phenomenal memoir - the first of its kind. It is both a heart-rending tribute to the man Dev Anand once was, and a brave account of the passions and determinations that can take you from continent to continent to follow your dreams.

A must-read for Dev Anand fans and students of film history “A broken nose sometimes makes a great boxer,” said the evergreen Bollywood star Dev Anand after his movie Ishq Ishq Ishq did not work at the box office. In his sixty-five years of unchallenged dominance as the most-loved Hindi film star, Dev Anand gave us several memorable hits like Guide, Taxi Driver, Hum Dono, Johny Mera Naam, and Hare Rama Hare Krishna. He was not only an exceptionally handsome and stylish hero. His ‘man of the future’ philosophy is worth emulating by persons of all generations. He neither celebrated his successes nor lamented over his failures. A Karma Yogi, in the true sense of the term, he produced, directed, and acted in a lead role in a movie at the age of eighty-eight, which is without parallel in the history of Bollywood. The book attempts to analyse why his philosophy of life is a source of inspiration for all. It also gives a detailed filmography from Hum Ek Hain to Charge Sheet, with a separate chapter on Guide, and a special write-up on his genius brother Vijay Anand.

Why do some people choose the untrodden path? Whats with the ones who choose to live on their own terms? What goes on in the minds and lives of non conformists? These are some questions The Placebo Effect attempts to address through various characters. Their existential dilemmas, their struggles with life, their own versions of truth - form the crux of the story that is characterised by a lingering staccato. When their lives intertwine, the consequence is an unpredictable roller coaster. Feisty Menakas surreal misadventures and haunting nightmares compel her to lead a chaotic life. In search of herself, she embarks on a journey of self discovery that reveals shocking truths about her persona. Vaidehi begins her life by toeing the line drawn by her family and society until she begins to feel claustrophobic. Her life seems perfect from the outside but within the facade is the age- old patriarchal formula of an Indian family. Prabhat is caring, sensitive and a sensible man whose understanding of life is very different from most Indian men. The reason could be his sexual orientation which is also different from most men. Yadagiri is much more refined than most educated men even though he is illiterate and a gardener by vocation. His sensitivity and respect for women are way ahead of the highly educated men. Rishi is a passive bystander who lets life happen to him. Very rarely does he take action to change his circumstances or rectify his mistakes until life throws one of it curves. Dev is the quintessential Indian man who `allows his wife to do what she wants. He believes aggression is the only route to command respect but what he gets in return is DEATH.

In this highly acclaimed book of conversations with Nasreen Munni Kabir, Waheeda Rehman speaks about her life and work with refreshing honesty, humour and insight: from detailing her personal triumphs and tribulations to giving enthralling accounts of working with cinematic personalities like Guru Dutt, Satyajit Ray, Raj Kapoor and Dev Anand. Against all odds, she successfully made a life in cinema on her own terms. Filled with compelling anecdotes and astute observations, this is a riveting slice of film history that provides a rare view of a much-adored and award-winning screen legend.

The Hindi film song has held millions spellbound for nearly eight decades. In this unputdownable ‘labour of love’, India’s leading film song historian, Raju Bharatan, delves deep into his treasure trove to tell us how singing is all about romancing, how composing is all about feelings, how the twain, stardom and songdom, do meet to make the vintage film number a part of the nation’s psyche. He reconstructs song happenings over the last sixty years or so to condense the emotion and passion going into legendary star hook-ups, showing us how with the pairing comes the vibe, with the vibe comes the tune, and with the tune unfolds cinema that is a ‘Madhuballad’ all the way. This volume also describes the creative inputs of music directors, lyricists and singers that go into the making of a Hindi film song. It is a compendium that no one can afford to miss! Raju Bharatan is popularly recognized as the last word on film music in India – as the only one physically there ‘on the scene’ through the decades. His knowledge of Hindustani cinesangeet is matched only by his grip on Indian cricket. He now packs fifty years of musical lore into a work sure to command a niche on your bookshelf.

This Day That Year as a title came from a TV program of the 90s called “This Week That Year”, that I used to watch on TV. I could relate to it very well as I remembered the release dates of most of the movies of the late 60s and early 70s and when the host spoke about it, I went down my memory lane and loved the experience. Once I became part of Facebook in 2009, I found a great forum to share my experiences of movie releases in Bombay then and now Mumbai. I found a lot of like-minded people who could relate to my post and shared their experiences and thoughts as comments. Quite a few of them encouraged me to share it with a larger audience and hence suggested publishing it. I never thought of doing it but when people kept telling me regularly to do it, I decided to give it a try, and here comes my experiences and thoughts of the movies released in the late 60s and early 70s. Hope you like what you read, though many of the statements would look repetitive. But do accept the experiences of a teenager who turns into a man in 1973.