Detecting Forgery reveals the complete arsenal of forensic techniques used to detect forged handwriting and alterations in documents and to identify the authorship of disputed writings. Joe Nickell looks at famous cases such as Clifford Irving's "autobiography" of Howard Hughes and the Mormon papers of document dealer Mark Hoffman, as well as cases involving works of art. Detecting Forgery is a fascinating introduction to the growing field of forensic document examination and forgery detection.

Discusses the art of manuscript, document, and antiquity forgery, and explains how such fakes can be detected

'The scientific techniques described encompass relevant examples of forgery detection and of authentication. The book deals, to name a few, with the Chagall, the Jackson Pollock and the Beltracchi affairs and discusses the Isleworth Mona Lisa as well as La Bella Principessa both thought to be a Leonardo creation. The authentication, amongst others, of two van Gogh paintings, of Vermeer's St Praxedis, of Leonardo's Lady with an Ermine and of Rembrandt's Old Man with a Beard are also described.'Over the last few decades there has been a disconcerting increase in the number of forged paintings. In retaliation, there has been a rise in the use, efficiency and ability of scientific techniques to detect these forgeries. The scientist has waged war on the forger.The Scientist and the Forger describes the cutting-edge and traditional weapons in this battle, showing how they have been applied to the most notorious cases. The book also provides fresh insights into the psychology of both the viewer and the forger, shedding light on why the discovery that a work of art is a forgery makes us view it so differently and providing a gripping analysis of the myriad motivations behind the most egregious incursions into deception.The book concludes by discussing the pressing problems faced by the art world today, stressing the importance of using appropriate tools for a valid verdict on authenticity. Written in an approachable and amenable style, the book will make fascinating reading for non-specialists, art historians, curators and scientists alike.

This book constitutes the refereed proceedings of the 12th International Conference on Information Hiding, IH 2010, held in Calgary, AB, Canada, in June 2010. The 18 revised full papers presented were carefully reviewed and selected from 39 submissions.

This book presents a detailed study of key points and block-based copy-move forgery detection techniques with a critical discussion about their pros and cons. It also highlights the directions for further development in image forgery detection. The book includes various publicly available standard image copy-move forgery datasets that are experimentally analyzed and presented with complete descriptions. Five different image copy-move forgery detection techniques are implemented to overcome the limitations of existing copy-move forgery detection techniques. The key focus of work is to reduce the computational time without adversely affecting the efficiency of these techniques. In addition, these techniques are also robust to geometric transformation attacks like rotation, scaling, or both.