2016 VOYA Top Shelf Fiction Selection Anna has always been so level-headed, so easy-going, so talented and funny. How could anyone have guessed she wanted to die? Anna is not like other people. She’s always felt like she didn’t belong: not with other kids, not with her family, not in her body. It isn’t until her grandparents are killed in a tragic accident, however, that Anna starts to feel untethered. She begins to wonder what it would be like if she didn’t exist, and the thought of escaping the aimless drifting is the only thing that brings her comfort. When Anna overdoses on prescription painkillers, doctors realize she has been suffering from depression and start looking for a way to help her out of the desperate black hole she never thought she would escape. It’s then that rock bottom comes into sight and the journey back to normal begins.

This is my story a young boy's journey, and the many hurdles I had to get through in order to overcome Reactive Attachment Disorder. It is a story of sadness, anger, frustration, courage and finally hope! The courage to fight through and continue to defy the odds that were set in place. You will travel back in time to see a young child's life, a child who experienced first hand abuse, neglect, feeling alone, and ending up in a residential treatment facility. Then, against all odds, I witnessed miracles that I never thought possible. You will see how hope, determination and making tough choices proved in the end to be the ultimate healing tools.

A woman's inspirational story of triumph over dysfunctional family life and how she learned to forgive her mother.

During the quarter century between 1945 and 1970, Americans crafted a new manner of living that shaped and reshaped how residential builders designed and marketed millions of detached single-family suburban houses. The modest two- and three-bedroom houses built immediately following the war gave way to larger and more sophisticated houses shaped by casual living, which stressed a family's easy sociability and material comfort and were a major element in the cohesion of a greatly expanded middle class. These dwellings became the basic building blocks of explosive suburban growth during the postwar period, luring families to the metropolitan periphery from both crowded urban centers and the rural hinterlands. Detached America is the first book with a national scope to explore the design and marketing of postwar houses. James A. Jacobs shows how these houses physically document national trends in domestic space and record a remarkably uniform spatial evolution that can be traced throughout the country. Favorable government policies, along with such widely available print media as trade journals, home design magazines, and newspapers, permitted builders to establish a strong national presence and to make a more standardized product available to prospective buyers everywhere. This vast and long-lived collaboration between government and business—fueled by millions of homeowners—established the financial mechanisms, consumer framework, domestic ideologies, and architectural precedents that permanently altered the geographic and demographic landscape of the nation.

In this book Corrie ten Boom relates some of her experiences with people and the lessons the Lord taught her in her travels around the world. The illustrations of the vine bearing fruit and the railway ticket stamped "not good if detached" aptly portray the necessity of abiding in Him if our lives are to bear fruit and have meaning.

The issue isn't technology itself. The issue is the attachment we have to technology. Former tech addict T.J. Burdick shows you how, in just 21 days, you can find a happier and holier life when you learn to control your phone, rather than letting it control you. This is not a 12-step program or a three-week detox in the woods with no WiFi. Detached is an easy-to-follow spiritual retreat, inviting you to read, reflect, and take actions to strengthen your personal and spiritual life, while decreasing the time you feel you "need" to spend on your phone.

Whiteread's sculpture is predicated on casting procedures, and the traces left on the sacrificial objects and spaces from which the final inverse form is derived. She casts from everyday objects as well as from the space beneath or around furniture and architecture, using single materials such as rubber, dental plaster, and resin to record every nuance. 'Detached 1', 'Detached 2', and 'Detached 3' (2012) render the empty interior of a garden shed in concrete and steel. Cast from generic wooden sheds, the large-scale sculptures render negative space into solid form, and the prosaic into something fantastically disquieting. The sheds recall the monolithic architectural and site-specific works for which Whiteread first became renowned, such as 'Ghost' (1990) and 'House' (1993) and, most recently, the imposing concrete sculpture 'Boathouse' (2010), installed on the water's edge in the remote Nordic landscape of Røykenviken.0Exhibition: Gagosian Gallery, London, UK (11.4.-25.5.2013).