One of the most influential thinkers of her generation draws us into the lives of three women, all past their first youth, all facing unexpected crises in these three “immensely intelligent stories about the decay of passion” (The Sunday Herald Times). Suffused with de Beauvoir’s remarkable insights into women, The Woman Destroyed gives us a legendary writer at her best. Includes "The Age of Discretion," "The Monologue," and "The Woman Destroyed." "Witty, immensely adroit...These three women are believable individuals presented with a wry mixture of sympathy and exasperation." —The Atlantic

She has a secret. I’m complicated. Not broken or ruined or running from a past I can’t face. Just complicated. I thought my life couldn’t get any more tangled in deceit and confusion. But I hadn’t met him. I hadn't realized how far I could fall or what I'd have do to get free. He has a secret. I’ve never pretended to be good or deserving. I chase who I want, do what I want, act how I want. I didn’t have time to lust after a woman I had no right to lust after. I told myself to shut up and stay hidden. But then she tried to run. I’d tasted what she could offer me and damned if I would let her go. Secrets destroy them. **Pepper Winters is known for her Dark Erotica. This book is more a Grey Romance. It isn't fluffy, and still deals with darker subjects, but it isn't brutal.** Destroyed is a complicated love story between a man with a terrible past and a woman who holds his cure. A man who finds redemption in love and a woman who loses her heart and reason for living. Death brings life, and destruction brings new beginnings. Complete at 144,000 words. No cliffhanger. Stand alone. HEA

In this first critical account of Matta-Clark's work, Pamela M. Lee considers it in the context of the art of the 1970s—particularly site-specific, conceptual, and minimalist practices—and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs. Although highly regarded during his short life—and honored by artists and architects today—the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. Have art historians written so little about Matta-Clark's work because of its ephemerality, or, as Pamela M. Lee argues, because of its historiographic, political, and social dimensions? What did the activity of carving up a building-in anticipation of its destruction—suggest about the conditions of art making, architecture, and urbanism in the 1970s? What was one to make of the paradox attendant on its making—that the production of the object was contingent upon its ruination? How do these projects address the very writing of history, a history that imagines itself building toward an ideal work in the service of progress? In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s—particularly site-specific, conceptual, and minimalist practices—and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.

“This book is a MUST READ of 2020. A perfect ending to this beautifully broken and timeless couple that will live with me long after I’m done.” @aundi_living_that_book_life Our love broke the rules.⁠ From the first stolen kiss to the last, destiny put us at odds.⁠ Now four hearts are crossed, our happily ever afters tangled in heartache.⁠ The bed I’m in doesn’t belong to my thorny prince, but the one holding his crown hostage.⁠ If my destiny with Grayson Crowne is divided, then we’ll spend a lifetime finding our happily ever after.⁠ But if a house divided never stands, then my destiny with Grayson never stood a chance….maybe we don’t need to find our destiny.⁠ We need to destroy it.⁠ As we fight to write happily ever after, the ugliest truth holds it captive.⁠ The princess has a destiny with the villain too.⁠ Even if she hates it.⁠ Even when it’s wrong.⁠ Destroyed Destiny is the fourth book in the Crowne Point universe. You need to have read Stolen Soulmate and Forbidden Fate to read Destroyed Destiny.

"Japan’s “Christian Century” began in 1549 with the arrival of Jesuit missionaries led by Saint Francis Xavier, and ended in 1639 when the Tokugawa regime issued the final Sakoku Edict prohibiting all traffic with Catholic lands. “Sakoku”—national isolation—would for more than two centuries be the sum total of the regime’s approach to foreign affairs. This policy was accompanied by the persecution of Christians inside Japan, a course of action for which the missionaries and their zealots were in part responsible because of their dogmatic orthodoxy. The Christians insisted that “Deus” was owed supreme loyalty, while the Tokugawa critics insisted on the prior importance of performing one’s role within the secular order, and denounced the subversive doctrine whose First Commandment seemed to permit rebellion against the state. In discussing the collision of ideas and historical processes, George Elison explores the attitudes and procedures of the missionaries, describes the entanglements in politics that contributed heavily to their doom, and shows the many levels of the Japanese response to Christianity. Central to his book are translations of four seventeenth-century, anti-Christian polemical tracts."

The first full-scale history of Hannibal's Carthage in decades and "a convincing and enthralling narrative." (The Economist ) Drawing on a wealth of new research, archaeologist, historian, and master storyteller Richard Miles resurrects the civilization that ancient Rome struggled so mightily to expunge. This monumental work charts the entirety of Carthage's history, from its origins among the Phoenician settlements of Lebanon to its apotheosis as a Mediterranean empire whose epic land-and-sea clash with Rome made a legend of Hannibal and shaped the course of Western history. Carthage Must Be Destroyed reintroduces readers to the ancient glory of a lost people and their generations-long struggle against an implacable enemy.

"Situated within the area stretching from Georgian Bay in the north to Lake Simcoe in the east (also known as Wendake), the Wendat Confederacy flourished for two hundred years. By the mid-seventeenth century, however, Wendat society was under attack. Disease and warfare plagued the community, culminating in a series of Iroquois assaults that led to the dispersal of the Wendat people in 1649. Yet the Wendat did not disappear, as many historians have maintained. In Dispersed but Not Destroyed, Kathryn Magee Labelle examines the creation of a Wendat diaspora in the wake of the Iroquois attacks. By focusing the historical lens on the dispersal and its aftermath, she extends the seventeenth-century Wendat narrative. In the latter half of the century, Wendat leaders continued to appear at councils, trade negotiations, and diplomatic ventures -- including the Great Peace of Montreal in 1701 -- relying on established customs of accountability and consensus. Women also continued to assert their authority during this time, guiding their communities toward paths of cultural continuity and accommodation. Through tactics such as this, the power of the Wendat Confederacy and their unique identity was maintained. Turning the story of Wendat conquest on its head, this book demonstrates the resiliency of the Wendat people and writes a new chapter in North American history."--Publisher's website.