This impressive compilation offers a nearly complete listing of sound recordings made by American minority artists prior to mid-1942. Organized by national group or language, the seven-volume set cites primary and secondary titles, composers, participating artists, instrumentation, date and place of recording, master and release numbers, and reissues in all formats. Because of its clear arrangements and indexes, it will be a unique and valuable tool for music and ethnic historians, folklorists, and others.

Many Faces, One Church: Cultural Diversity and the American Catholic Experience both captures and facilitates a seismic shift in the who, what, where, when, why, and how of Catholic theology today. Along with a diverse group of theologians who represent the many faces of the church, editors Peter C. Phan and Diana Hayes recast the story of the church in America by including immigrant groups either forgotten or ignored and, in light of these new and not-so-new voices, retooling the theological framework of Catholicism itself. That the American Catholic Church is an "immigrant church" is not news. What is news, however, is how diverse the immigrant church really is and how much work there is to be done to include their voices in theological discourse and training. Beyond the German and Irish immigrants, what of other European immigrant groups such as the Italians, Poles, Lithuanians, Czechs, Slovaks, and Eastern-rite Catholics? Where are the stories of the older presence of native Mexican, Native American, and African-American Catholics in this country? And more recently, of Asian-American Catholics, especially the Chinese, the Japanese, and the Filipinos, of the nineteenth and early twentieth century? And more recently still, Catholic immigrants have come from El Salvador, Guatemala, Vietnam, Cambodia, Korea, India, and the Pacific Islands. What impact are these immigrants having on American society and religious groups? Many Faces, One Church is a profound attempt to address these key questions and their implications for the Catholic way of being church, worshipping, and practicing theology. The result of three years of conferences sponsored by Elms College exploring the "new faces" of the American Catholic Church, this thoughtful collection highlights opportunities and challenges lying ahead as the American Church tries to respond to the continuing presence of new immigrants in its midst. Many Faces, One Church is a beginning of a long but exciting journey in which the strangers welc

What is the relationship between history and fiction in a place with a contentious past? And of what concern is gender in the telling of stories about the past? This study explores these questions as it considers key Central American texts.

Dissonances of Modernity illuminates the ways in which music, as an artifact, a practice, and a discourse redefines established political, social, gender, and cultural conventions in Modern Spain. Using the notion of dissonance as a point of departure, the volume builds on the insightful approaches to the study of music and society offered by previous analyses in regards to the central position they give to identity as a socially and historically constructed concept, and continues their investigation on the interdependence of music and society in the Iberian Peninsula. While other serious studies of the intersections of music and literature in Spain have focused on contemporary usage, Dissonances of Modernity looks back across the centuries, seeking the role of music in the very formation of identity in the peninsula. The volume's historical horizon reaches from the nineteenth-century War of Africa to the Catalan working class revolutions and Enric Granados' central role in Catalan identity; from Francisco Barbieri's Madrid to the Wagnerian's influence in Benito Perez Galdos' prose; and from the predicaments surrounding national anthems to the use of the figure of Carmen in Francoist' cinema. This volume is a timely scholarly addition that contemplates not only a broad corpus that innovatively comprises popular and high culture--zarzuelas, choruses of industrial workers, opera, national anthems--but also their inter-dependence in the artists' creativity.

biográfico ficticio irónico cómico trágico

A veces se siente como si la vida sólo estuviera ahí para patearnos al suelo, y luego patearnos más para mantenernos en el suelo, ¿no? John se pregunta por qué no puede simplemente hacer todo lo que quiera, como su mejor amigo Henry lo hace. ¿Es acaso solamente el hecho de que Henry es asquerosamente rico? ¿O hay algo más en ello? Cansado de lo que él percibe como un sin fin de pérdida de tiempo, John decide salirse de la escuela, y perseguir sus sueños. Cómo muchos antes que él, John quizás se hubiera rendido después de no ver resultados. ¿Honestamente? Lo más seguro es que se hubiera rendido. No obstante, un búho curioso, notable, y raro lo encuentra. Y es este encuentro el que lanza a John a una aventura increíble para averiguar por qué la vida apesta tanto.