Unpromisingly - for a walking book - Desire Paths begins on a hospital gurney as the author prepares for open heart surgery. Thereafter, it dances back and forth in place and time between an array of obscurely connected walks that Roy has undertaken over the years. Among the book's many characters and diversions are Wetherspoons, Capt. Picard, the Navy Cut sailor, the buried 'Spirit of Brighton', Wendy Craig, Harrods, Buddhism's Six Realms of Desire, 'Things to Do...' tourist brochures, Argleton redux, the abyss, strip-lynchets, punk residues, Milton Keynes, multiple identities and an inkling of what the future may hold for thoughtful walkers.Each chapter starts with a quote from Phil Smith's Mythogeography, specifically from the 'Legend' given in that book - 'legend' as in a set of definitions of symbols used on maps to define landscape features. Roy uses these symbols to organise the book. The main body of each chapter is an account of a walking journey he has done. These are not chronological: structuring the book around the mythogeography Legend has (dis)organised the walks into a sequence that wanders in and out of time. Towards the end of each chapter, Roy reflects on a Landscape Feature that corresponds to the Legend - exploring the workability (or playability) of mythogeographical concepts and illustrating how they have manifested in his own walking. Finally, the Jump Over the Back Fence notes in each chapter suggest further actual walks which readers could make.

This ground breaking new work draws together a cross-section of South African scholars to provide a lively and comprehensive review of the under-researched area of heritage practice following the introduction of the National Heritage Resources Act. Looking at the daily heritage debates, from naming streets to projects such as the Gateway to Robben Island, Desire Lines addresses the innovative strategies that have emerged in the practice of defining, identifying and developing heritage sites. In a unique multi-disciplinary approach, contributions are featured from a broad spectrum of fields, including the built environment and public culture and education. Showcasing work from tour operators and museum curators alongside that of university-based scholars, this book is a comprehensive and singularly authoritative volume that charts the development of new and emergent public cultures in post-apartheid South Africa through the making and unmaking of its urban spaces. This pioneering collection of essays and case studies is an indispensable guide for those working within or studying heritage practice.

Traces the author's endeavors to restore and recreate her suburban garden, an effort during which she combated pests, neighborhood ecological limitations, and other elements while discovering the joys of organic gardening.

With Pathways of Desire, Héctor Carrillo brings us into the lives of Mexican gay men who have left their home country to pursue greater sexual autonomy and sexual freedom in the United States. The groundbreaking ethnographic study brings our attention to the full arc of these men’s migration experiences, from their upbringing in Mexican cities and towns, to their cross-border journeys, to their incorporation into urban gay communities in American cities, and their sexual and romantic relationships with American men. These men’s diverse and fascinating stories demonstrate the intertwining of sexual, economic, and familial motivations for migration. Further, Carrillo shows that sexual globalization must be regarded as a bidirectional, albeit uneven, process of exchange between countries in the global north and the global south. With this approach, Carrillo challenges the view that gay men from countries like Mexico would logically want to migrate to a “more sexually enlightened” country like the United States—a partial and limited understanding, given the dynamic character of sexuality in countries such as Mexico, which are becoming more accepting of sexual diversity. Pathways of Desire also provides a helpful analytical framework for the simultaneous consideration of structural and cultural factors in social scientific studies of sexuality. Carrillo explains the patterns of cross-cultural interaction that sexual migration generates and—at the most practical level—shows how the intricacies of cross-cultural sexual and romantic relations may affect the sexual health and HIV risk of transnational immigrant populations.

Desire lines are the paths that people create through regular usage. They appear where people repeatedly choose to walk and usually signify a route from A to B that’s quicker than the formal path provided. In most cases they indicate the mismatch between what local people want and what designers think people want. By employing some social research basics in the design development process, placemakers can work more meaningfully with local communities to meet their needs and aspirations. This is a practical guide to running public consultations, co-design and community engagement to help practitioners make the most of local knowledge and insight for the benefit of design. It offers guidance on managing community participation, and unapologetically aims to encourage designers to start thinking like social researchers when they undertake these programmes. It’s intended for placemakers - architects, urban designers, landscape architects, and other built environment professionals involved in the planning and design of public realm - who want to develop more people-centred, community-led design approaches.

Whether engaged in same-sex desire or gender nonconformity, black queer individuals live with being perceived as a threat while simultaneously being subjected to the threat of physical, psychological, and socioeconomical injury. Attending to and challenging threats has become a defining element in queer black artists’ work throughout the black diaspora. GerShun Avilez analyzes the work of diasporic artists who, denied government protections, have used art to create spaces for justice. He first focuses on how the state seeks to inhibit the movement of black queer bodies through public spaces, whether on the street or across borders. From there, he pivots to institutional spaces—specifically prisons and hospitals—and the ways such places seek to expose queer bodies in order to control them. Throughout, he reveals how desire and art open routes to black queer freedom when policy, the law, racism, and homophobia threaten physical safety, civil rights, and social mobility.

Using both poetry and prose, author Joachim Matschoss exposes truths that turn tiny moments into revelations. He finds appreciation as he uncovers profound insights in common life experiences. Meet the variety of people that he encounters as he treks through Europe and Australia, and the discoveries he makes as a result. This literary journal is no ordinary account of the author's travels. Poetry and snippets of prose stand next to short stories about the everyday moments, the little idiosyncrasies, the people you meet on the road. Matschoss writes with the meditative attention that is needed when visiting places that seem foreign, but were once home, and in a way still are. - Lukas Drihy, poet/writer The most distinctive feature in Matschoss' new poems are their beautiful clarity and the sense of stillness. - Campbell Connors, poet/writer Joachim Matschoss is an accomplished teacher of theatre, and also writes plays and poetry.