Unpromisingly - for a walking book - Desire Paths begins on a hospital gurney as the author prepares for open heart surgery. Thereafter, it dances back and forth in place and time between an array of obscurely connected walks that Roy has undertaken over the years. Among the book's many characters and diversions are Wetherspoons, Capt. Picard, the Navy Cut sailor, the buried 'Spirit of Brighton', Wendy Craig, Harrods, Buddhism's Six Realms of Desire, 'Things to Do...' tourist brochures, Argleton redux, the abyss, strip-lynchets, punk residues, Milton Keynes, multiple identities and an inkling of what the future may hold for thoughtful walkers.Each chapter starts with a quote from Phil Smith's Mythogeography, specifically from the 'Legend' given in that book - 'legend' as in a set of definitions of symbols used on maps to define landscape features. Roy uses these symbols to organise the book. The main body of each chapter is an account of a walking journey he has done. These are not chronological: structuring the book around the mythogeography Legend has (dis)organised the walks into a sequence that wanders in and out of time. Towards the end of each chapter, Roy reflects on a Landscape Feature that corresponds to the Legend - exploring the workability (or playability) of mythogeographical concepts and illustrating how they have manifested in his own walking. Finally, the Jump Over the Back Fence notes in each chapter suggest further actual walks which readers could make.

Poems that explore the notion of home in the suburbs - in the intersections, overlaps, and gaps between urban and rural.

Traces the author's endeavors to restore and recreate her suburban garden, an effort during which she combated pests, neighborhood ecological limitations, and other elements while discovering the joys of organic gardening.

'Deftly embroidered, the narrative is perfumed, with plants and flowers, signifiers of life, of love...a vivid and sometimes harrowing tale of yearning' - The Weekend Australian 'accomplished and devastating' - The Saturday Paper 'From the outset, the novel captures the attention of the eye and the mind with its exquisite sensory observation, its breathtakingly exact expressions of feelings and sensations.' - Australian Book Review Are you still a liar? The crafting of those five words, even without dispatch, left her chilled. Arctic Circle, 2012. On a lightless day at the end of the polar winter, landscape architect Evie Waddell finds herself exhuming the past as she buries Australian seeds in a frozen mountain vault - insurance against catastrophe. Molong, 1953. Catastrophe is all seven-year-old Paddy O'Connor has known. Shipped from institutional care in London to an Australian farm school, his world is a shadowy place where lies scaffold fragile truths and painful memories. To Paddy's south in Canberra, young Evie is safe in her family's embrace, yet soon learns there are some paths from which you can't turn back; impulses and threats that she only half understands but seems to have known forever. Blue Mountains, 1962. From their first meeting as teenagers at a country market, Paddy and Evie grow a compulsive, unconventional love that spans decades, taking them in directions neither could have foreseen. Set against the uneasy relationship society has with its own truth-telling in history, war and politics, DESIRE LINES is an epic story of love and the lies we tell ourselves to survive - and a reminder that even truths which seem lost forever can find their way home. 'Felicity Volk is the real deal' - NIKKI GEMMELL 'Epic, tender, heart-rending - a story resonating in its spectacular landscapes' - INGA SIMPSON 'Genuinely tender, passionate and devastating' Books+Publishing

Desire lines are the paths that people create through regular usage. They appear where people repeatedly choose to walk and usually signify a route from A to B that’s quicker than the formal path provided. In most cases they indicate the mismatch between what local people want and what designers think people want. By employing some social research basics in the design development process, placemakers can work more meaningfully with local communities to meet their needs and aspirations. This is a practical guide to running public consultations, co-design and community engagement to help practitioners make the most of local knowledge and insight for the benefit of design. It offers guidance on managing community participation, and unapologetically aims to encourage designers to start thinking like social researchers when they undertake these programmes. It’s intended for placemakers - architects, urban designers, landscape architects, and other built environment professionals involved in the planning and design of public realm - who want to develop more people-centred, community-led design approaches.

Using both poetry and prose, author Joachim Matschoss exposes truths that turn tiny moments into revelations. He finds appreciation as he uncovers profound insights in common life experiences. Meet the variety of people that he encounters as he treks through Europe and Australia, and the discoveries he makes as a result. This literary journal is no ordinary account of the author's travels. Poetry and snippets of prose stand next to short stories about the everyday moments, the little idiosyncrasies, the people you meet on the road. Matschoss writes with the meditative attention that is needed when visiting places that seem foreign, but were once home, and in a way still are. - Lukas Drihy, poet/writer The most distinctive feature in Matschoss' new poems are their beautiful clarity and the sense of stillness. - Campbell Connors, poet/writer Joachim Matschoss is an accomplished teacher of theatre, and also writes plays and poetry.

From the #1 New York Times bestselling author of Orphan Train comes a novel about friendship and the memories that haunt us. On the night of her high school graduation, Kathryn Campbell sits around a bonfire with her four closest friends, including the beautiful but erratic Jennifer. “I’ll be fine,” Jennifer says, as she walks away from the dying embers and towards the darkness of the woods. She never came back. Ten years after Jennifer’s unexplained disappearance, Kathryn is a grad-school dropout living in Virginia, stuck in a dead-end writing job and marriage. She has few close friends; most people have learned not to depend on her. When she decides to leave her husband, she ships her boxes to her mother’s house in Bangor, Maine. She has nowhere else to go. When Kathryn returns home, her former classmates are preparing for their ten-year reunion. Old questions about graduation night surface. Jennifer begins to dominate Kathryn’s life, just as she did in high school. Enigmatic and troubled, Jennifer had always depended on Kathryn’s devotion and asked for sacrifices. A decade after Jennifer walked into the woods alone, Kathryn decides that she must follow her friend’s lead, one last time. Involving herself in the daily rhythms of small-town life, Kathryn begins an investigation into her past. She renews contacts with old friends and teachers, using her skills as a journalist to reconstruct the life that she and Jennifer shared. Kathryn knows that she must examine what she knew about her friend, and what she didn’t. She must decide what she is willing to risk to know the truth. She must decide what her own future is worth. With nothing left to lose, she is determined to answer one simple question: What ever happened to Jennifer Pelletier?