The show must go on . . . When mystery bookstore owner Annie Laurance is invited to stage a Mystery Night for the annual antebellum house tour of the Historical Preservation Society of Chastain, South Carolina, she instead finds herself the leading lady in a flesh-and-blood drama. The play's the thing wherein the curtain falls on mean-spirited grande dame Corinne Webster. While jeweled fingers point, accusing Annie of murder, the perpetrator lurks within the genteel cast of Murder-Most-Make-Believe . . . and the murder weapon is one of the props. In the tight-laced society of Chastain, Annie is guilty until proven innocent. With her fiance, Max Darling, Annie pieces together evidence to clear her name—until her chief witness is murdered. Now it will take all her sleuthing skills to discover the evil in the heart of Chastain's Beautiful People.

In this mystery in the USA Today bestselling Murder, She Wrote series, Jessica Fletcher visits New York City during fashion week, only to discover someone has rather fatal designs... Jessica is in Manhattan to attend the debut of a new designer. Formerly Sandy Black of Cabot Cove, the young man has reinvented himself as Xandr Ebon, and is introducing his evening wear collection to the public and—more important—to the industry’s powers-that-be: the stylists, the magazine editors, the buyers, and the wealthy clientele who can make or break him. At the show, the glitz and glamour are dazzling until a young model—a novice, taking her first walk down the runway—shockingly collapses and dies. Natural causes? Perhaps. But when another model is found dead, a famous cover girl and darling of the paparazzi, the fashion world gets nervous. Two models. Two deaths. Their only connection? Xandr Ebon. Jessica’s crime-solving instincts are put to the test as she sorts through the egos, the conflicts of interest, the spiteful accusations, and the secrets, all the while keeping an amorous detective at arm’s length. But she’ll have to dig deep to uncover a killer. A designer’s career is on the line. And another model could perish in a New York minute.

Arriving for work at the Design Studio in the Coach House of Haslop Hall in the Cotswolds, Tracy Yorke finds her boss murdered. The police investigation shows that many people might have had cause to kill Oliver Medway — including Tim Baxter whom Tracy has started to love. She can trust nobody, and finds her life in grave danger. British Mystery by Nancy Buckingham writing as Erica Quest; originally published by Doubleday for the Crime Club

WHO COULD PLOT A MURDER BETTER THAN A MYSTERY WRITER? At Annie Laurance’s Death On Demand bookstore on Broward’s Rock Island, South Carolina, murder most foul suddenly isn’t confined to the well-stocked shelves. Author Elliot Morgan’s abrupt demise during a weekly gathering of famous mystery writers called the Sunday Night Regulars is proof positive that a bloody sword is sometimes mightier than a brilliant pen. With Annie is the unenviable position of primary police suspect, the pretty young mystery maven and her wealthy paramour, Max Darling, embark on an investigation into a classic locked-room mystery with high stakes. For failing to unmask a brutal and ingenious killer could mean prison for Ms. Laurance. While success could mean her death. “Irresistible! [Carolyn] Hart drops big names from the mystery world like murderers drop clues and Annie and Max are the most endearing new pair of sleuths since Tommy and Tuppence!” – Nancy Pickard

"From the prize-winning biographer--the fascinating, little-known story of a Victorian-era murder that rocked literary London, leading Charles Dickens, William Thackeray, and Queen Victoria herself to wonder: can a novel kill? In May 1840, Lord William Russell, well known in London's highest social circles, was found with his throat cut. The brutal murder had the whole city talking. The police suspected Russell's valet, Courvoisier, but the evidence was weak. And the missing clue lay in the unlikeliest place: what Courvoisier had been reading. In the years just before the murder, new printing methods had made books cheap and abundant, the novel form was on the rise, and suddenly everyone was reading. The best-selling titles were the most sensational true-crime stories. Even Dickens and Thackeray, both at the beginning of their careers, fell under the spell of these tales--Dickens publicly admiring them, Thackeray rejecting them. One such phenomenon was William Harrison Ainsworth's Jack Sheppard, the story of an unrepentant criminal who escaped the gallows time and again. When Courvoisier finally confessed his guilt, he would cite this novel in his defense. Murder By the Book combines the thrilling true-crime story with a illuminating account of the rise of the novel form and the battle for its early soul between the most famous writers of the time. It is a superbly researched, vividly written, fascinating read from first to last"--

Buzz is a Yuppie Boston lawyer, whose wit is as sharp as his Mont Blanc pen. Ally is his career-savvy interior-designer wife - intelligent, gorgeous, and quick as a whip. Their worlds collide only once a year when the Boston Designers' Annual Show House competition descends upon them, and Buzz will do all he can to stay out of Ally's way until the barrage of chintz and silk has subsided. This year, though, when the Show House is opened for the designers' preview, two most unpleasant surprises are uncovered: one decorator is discovered murdered and another found comatose from a violent attack. When a seemingly innocent suspect is charged with the crimes, Buzz takes on his defense and must solve the mystery to save his client. In the process, he encounters fabric scandals, love triangles, and power struggles of the decorative kind - not to mention a colorful cast of characters and the occasional design tip that will have you reeling with laughter - and reupholstering, too!

An in-depth look at the films of Dario Argento, Italy's acknowledged master of horror and suspense, has made a career out of exploring the macabre poetry of images of violent death. He did not, however, set out to be a filmmaker. He established himself early on as a progressive voice in film criticism-lavishing praise on directors like Sergio Leone, who had yet to receive their due from the Italian critical establishment. His efforts attracted the attention of Leone himself, who invited the young critic to help develop the story for his next feature. The end result, Once Upon a Time in the West, is often cited as a masterpiece-and from there, Argento went on to enjoy success as a screenwriter before making the all-important switch to directing. His directorial debut, The Bird with the Crystal Plumage, became a major hit and helped to popularize the floundering genre of Italian thrillers, also known as gialli. In the years since, Argento has established a high profile as one of Italian cinema's most commercially successful artists, earning a level of celebrity which is almost unheard of among film directors. His filmography includes such beloved gems as Deep Red, Suspiria, Inferno, and Phenomena, as well as more hotly-debated titles like The Stendhal Syndrome, The Phantom of the Opera, Sleepless, and Mother of Tears. Murder by Design: The Unsane Cinema of Dario Argento explores the full scope of his work as a writer, a producer, and a director. Lavishly illustrated and with newly conducted interviews with Dario Argento, as well as such colleagues as actress (and daughter) Fiore Argento, actress Sally Kirkland, actress Irene Miracle, composer Claudio Simonetti, and cinematographer Luciano Tovoli, the book provides a comprehensive overview of Argento's life, career, and rich cinematic legacy.