Desert Tales of the Emirates is a very inspiring, illuminating, and exciting story which educates the reader about the history of the UAE. It is a journey through the UAE's heritage and culture revealing how the Emirates evolved over time. The story is based on the evolution of life in the UAE, recognizing the importance of peace, love, diversity, and excellence accomplished at each stage.

Winner of the Restless Books Prize for New Immigrant Writing "Guest workers of the United Arab Emirates embody multiple worlds and identities and long for home in a fantastical debut work of fiction, winner of the inaugural Restless Books Prize for New Immigrant Writing.… The author's crisp, imaginative prose packs a punch, and his whimsical depiction of characters who oscillate between two lands on either side of the Arabian Sea unspools the kind of immigrant narratives that are rarely told. An enchanting, unparalleled anthem of displacement and repatriation." —Kirkus Reviews, starred review In the United Arab Emirates, foreign nationals constitute over 80 percent of the population. Brought in to construct and serve the towering monuments to wealth that punctuate the skylines of Abu Dhabi and Dubai, this labor force is not given the option of citizenship. Some ride their luck to good fortune. Others suffer different fates. Until now, the humanitarian crisis of the so-called “guest workers” of the Gulf has barely been addressed in fiction. With his stunning, mind-altering debut novel Temporary People, Deepak Unnikrishnan delves into their histories, myths, struggles, and triumphs. Combining the linguistic invention of Salman Rushdie and the satirical vision of George Saunders, Unnikrishnan presents twenty-eight linked stories that careen from construction workers who shapeshift into luggage and escape a labor camp, to a woman who stitches back together the bodies of those who’ve fallen from buildings in progress, to a man who grows ideal workers designed to live twelve years and then perish—until they don’t, and found a rebel community in the desert. With this polyphony of voices, Unnikrishnan maps a new, unruly global English and gives personhood back to the anonymous workers of the Gulf. "Guest workers of the United Arab Emirates embody multiple worlds and identities and long for home in a fantastical debut work of fiction, winner of the inaugural Restless Books Prize for New Immigrant Writing.… The author's crisp, imaginative prose packs a punch, and his whimsical depiction of characters who oscillate between two lands on either side of the Arabian Sea unspools the kind of immigrant narratives that are rarely told. An enchanting, unparalleled anthem of displacement and repatriation." —Kirkus Reviews, Starred Review "Inventive, vigorously empathetic, and brimming with a sparkling, mordant humor, Deepak Unnikrishnan has written a book of Ovidian metamorphoses for our precarious time. These absurdist fables, fluent in the language of exile, immigration, and bureaucracy, will remind you of the raw pleasure of storytelling and the unsettling nearness of the future." —Alexandra Kleeman, author of You Too Can Have a Body Like Mine “Inaugural winner of the Restless Books Prize for New Immigrant Writing, this debut novel employs its own brand of magical realism to propel readers into an understanding and appreciation of the experience of foreign workers in the Arab Gulf States (and beyond). Through a series of almost 30 loosely linked sections, grouped into three parts, we are thrust into a narrative alternating between visceral realism and fantastic satire.... The alternation between satirical fantasy, depicting such things as intelligent cockroaches and evil elevators, and poignant realism, with regards to necessarily illicit sexuality, forms a contrast that gives rise to a broad critique of the plight of those known euphemistically as ‘guest workers.’ VERDICT: This first novel challenges readers with a singular inventiveness expressed through a lyrical use of language and a laserlike focus that is at once charming and terrifying. Highly recommended.” —Henry Bankhead, Library Journal, Starred Review “Unnikrishnan’s debut novel shines a light on a little known world with compassion and keen insight. The Temporary People are invisible people—but Unnikrishnan brings them to us with compassion, intelligence, and heart. This is why novels matter.” —Susan Hans O’Connor, Penguin Bookshop (Sewickley, PA) “Deepak Unnikrishnan uses linguistic pyrotechnics to tell the story of forced transience in the Arabian Peninsula, where citizenship can never be earned no matter the commitment of blood, sweat, years of life, or brains. The accoutrements of migration—languages, body parts, passports, losses, wounds, communities of strangers—are packed and carried along with ordinary luggage, blurring the real and the unreal with exquisite skill. Unnikrishnan sets before us a feast of absurdity that captures the cruel realities around the borders we cross either by choice or by force. In doing so he has found what most writers miss: the sweet spot between simmering rage at a set of circumstances, and the circumstances themselves.” —Ru Freeman, author of On Sal Mal Lane “Deepak writes brilliant stories with a fresh, passionate energy. Every page feels as if it must have been written, as if the author had no choice. He writes about exile, immigration, deportation, security checks, rage, patience, about the homelessness of living in a foreign land, about historical events so strange that, under his hand, the events become tales, and he writes tales so precisely that they read like history. Important work. Work of the future. This man will not be stopped.” —Deb Olin Unferth, author of Revolution “From the strange Kafka-esque scenarios to the wholly original language, this book is amazing on so many different levels. Unlike anything I've ever read, Temporary People is a powerful work of short stories about foreign nationals who populate the new economy in the United Arab Emirates. With inventive language and darkly satirical plot lines, Unnikrishnan provides an important view of relentless nature of a global economy and its brutal consequences for human lives. Prepare to be wowed by the immensely talented new voice.” —Hilary Gustafson, Literati Bookstore (Ann Arbor, MI) “Absolutely preposterous! As a debut, author Unnikrishnan shares stories of laborers, brought to the United Arab Emirates to do menial and everyday jobs. These people have no rights, no fallback if they have problems or health issues in that land. The laborers in Temporary People are sewn back together when they fall, are abandoned in the desert if they become inconvenient, and are even grown from seeds. As a collection of short stories, this is fantastical, imaginative, funny, and even more so, scary, powerful, and ferocious.” —Becky Milner, Vintage Books (Vancouver WA)

'Tales from the Desert' is the compelling, true story of a British expatriate who journeyed to Saudi Arabia as a young man to seek his fortune for a couple of years and ended up staying for twenty-five. The collection of real-life tales are amusing, mystifying, captivating and at times downright terrifying.Journeying to the mystical deserts of Arabia in the 1970s, when the world economy revolved around the price of oil and the concept of Islamic fundamentalism was barely known, the author takes the reader through a joyride of experiences including the unfolding drama of the first Gulf War and a 'too close for comfort' view of the uprising during the Arab Spring.

A collection of 23 stories, providing an insight into Dubai - a city that has undergone one of the most dramatic metamorphoses in modern history - accompanied by images by Paul Thuysbaert.

Get a closer look at this glittering, oil-rich city in a “revealing travelogue through the capital of the United Arab Emirates” (Publishers Weekly). Jo Tatchell first arrived in the city of Abu Dhabi as a child in 1974, when the discovery of oil was quickly turning a small fishing town into a growing international community. Decades later, this Middle Eastern capital is a dizzying metropolis of ten-lane highways and overlapping languages, and its riches and emphasis on cultural development have thrust it into the international spotlight. Here, Tatchell returns to Abu Dhabi and explores the city and its contradictions: It is a tolerant melting-pot of cultures and faiths, but only a tiny percentage of its native residents are deemed eligible to vote by the ruling class, and the nation’s president holds absolute veto power over his advisory boards and councils. The Emirates boast one of the world’s highest GDP per capita, but the wealth inequality in its cities is staggering. Abu Dhabi’s royal family, worth an estimated $500 billion, lives off the sweat of the city’s migrant workers, who subject themselves to danger and poverty under barely observed labor laws. But now, the city is making an international splash with a showy investment in tourism, arts, and culture—perhaps signaling a change to a more open, tolerant state. As this sparkling city surges into the future, it devotes just as much energy to concealing its past. Tatchell looks not only at history and social issues—the ancient system of tribal organization, the condition of the city’s million foreign workers, the emergence of women in Emirati society, but also her own experiences as both a child and adult in this fascinating city that has radically changed—and in other ways, stayed the same.

Keats departs from his traditional style for his one and only wordless picture book, Clementina's Cactus. Clementina and her father are out for a walk in the desert when Clementina discovers a lone cactus, all shriveled and prickly. But Clementina discovers there is something beautiful hiding inside that thick skin.