Collection of photographs taken in the Atacama desert of Chile and the Bolivian Altiplano.

The California desert as you've never seen it beforeand never will. This is Desert Realty, a stunning collection of surreal photographs. Glorifying ordinary structures and subverting the conventions of traditional landscape photography through digital manipulation, Freeman gleefully guides us through a dreamscape of palm trees and lurid skies, bringing the desert and its humble architecture into focus. In the vanguard of acclaimed photographers using digital techniques to express their artistic vision, Freeman also includes concise explanations of how the photos were createdmaking Desert Realty a veritable primer on digital image manipulation and an inimitable addition to the history of Western landscape photography.

Desert River Sea: Portraits of the Kimberley is the highly anticipated culmination of the Art Gallery of WA's six-year Kimberley visual arts project, Desert River Sea: Kimberley Art Then and Now. This landmark exhibition showcasing the vibrant and contemporary creative talent of Kimberley artists opens with a cultural celebration on 9 February 2019. New works from six Kimberley art centres and three independent artists will be presented alongside a selection of legacy works from art centre collections. Together with works from AGWA's collection, the exhibition offers a rare experience of the land, artists and art of the Kimberley. To accompany the exhibition, UWA Publishing has produced a breathtaking book outlining and tracking the development of the project and using extraordinary artworks to close the circle of the six years of Kimberley work.

In Southern California, settlers have long ventured into the Mojave Desert, seduced by its capacious horizons and fragile beauty, only to be abased by the intense heat, bone-dry terrain and maddening isolation. Industry, intent on extracting the land of its essence, set up operations, then walked away when there was nothing left worth taking. Civilization has always pushed into the frontier, and quite often the frontier pushes back. Areas like the forsaken homesteads of Wonder Valley and the abandoned mining operations of Joshua Tree seem simultaneously depleted yet majestically audacious in their quiet desolation, juxtaposed against the breathtaking landscapes of the desert. Abandoned California: The Mojave Desert is a collection of photographs and writings by Andy Willinger that capture the majesty of these forsaken buildings, vehicles and artifacts of the Mojave's once vibrant past. These sites have become meaningful, unintended statements - not only as vibrant, ephemeral artworks of minimal beauty, but as testament to the impact on nature by humanity. Undaunted, the Mojave Desert continues to brashly flaunt its skill in overcoming man's attempts to conquer it.

Aller captures the infinitely shifting colors and textures of water, sand and sky This new project by German-born photographer Renate Aller is an extension of the ongoing series and book Oceanscapes (2010). Aller has continued to make images of the ocean from a single vantage point--for which she is internationally known--but for the last several years, she has also photographed sand dunes in New Mexico and Colorado. She has now paired the resulting images in a fascinating new series that continues her investigation into the relationship between romanticism, memory and landscape in the context of our current sociopolitical awareness. There is both a visual and visceral relationship between the two bodies of work. The desert images also capture visitors to the dunes, who engage in beach activities far away from any large body of water. And while these parallel realities are from completely different locations, the simultaneous, multiple activities on the sloping sand hills appears as if layers of different people and activities were choreographed next to rolling waves of the sea. Aller's first combination of these images was in book form, for a mammoth handmade book that was 36 inches wide. The overwhelming success of that publication has inspired this new trade edition, which features the largest binding that can be mechanically bound, and includes an expanded selection of the work. Born in Germany, Renate Aller lives and works in New York. Ocean and Desert is her third monograph published with Radius Books, following Dicotyledon and the long-term project Oceanscapes-One View-Ten Years. Pieces from that series and other site-specific artworks are in the collections of corporate institutions, private collectors and museums, including the Lannan Foundation, Santa Fe; the Corcoran Gallery of Art, Washington, D.C.; Yale University Art Gallery, Conneticut; the George Eastman House, Rochester; New Britain Museum of American Art; Hamburger Kunsthalle; and the Chazen Museum of Art, Madison.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book chronicles 5th and 6th grade writers - children of gang members, drug users, poor people, and non-documented and documented immigrants - in a rural school in the southwest US coming into their voices, cultivating those voices, and using those voices in a variety of venues, beginning with the classroom community and spreading outward. At the heart of this book is the cultivation of tension between official and unofficial portraits of these students. Official portraits are composed of demographic data, socioeconomic data, and test results. Unofficial counterportraits offer different views of children, schools, and communities. The big ideas of official and unofficial portraits are presented, then each chapter offers data (the children’s and teachers’ processes and products) and facets of the theoretical construct of counterportraits, as a response to official portraits. The counterportraits are built slowly in order to base them in evidence and to articulate their complexity. Many teachers and soon-to-be teachers facing the dilemmas and complexities of teaching in diverse classrooms have serious questions about how to honor students’ lives outside of school, making school more relevant. This book offers evidence to present to the public, legislators, and the press as a way of talking back to official portraits, demonstrating that officially failing schools are not really failing - evidence that is crucial for the survival of public schools.