The author argues that mimesis not only denotes the representation of reality, but is also a crucial concept for understanding the production of social meaning within specific historical concepts.

María-Amelia Viteri explores the multiple unfixed meanings that the term "Latino" takes on as this category is reappropriated and translated by LGBT "Latinos" in Washington, DC, San Salvador, and Quito. Using an anthropology-based, interdisciplinary approach, she exposes the creative ways in which migrants—including herself—subvert traditional readings based on country of origin, skin color, language, and immigrant status. A critical look at the multiple ways migrants view what it means to be American, Latino, and/or queer provides fertile ground for theoretical, methodological, and political debates on the importance of a queer transnational and immigration framework when analyzing citizenship and belonging. Desbordes (un/doing, overflowing borders) ethnographically addresses the limits and constraints of current paradigms within which sexuality and gender have been commonly analyzed as they intersect with race, class, ethnicity, immigration status, and citizenship. This book uses the concept of "queerness" as an analytical tool to problematize the notion of a seamless relationship between identity and practice.

In Edmond, The Moonlit Party, Edmond the squirrel is shy and a bit lonely, but he nevertheless believes that his life is just as it should be. He's happy making his colorful pompoms, stirring his nut jam, and going to sleep early. But one evening, when there's once again a party in his apartment house tree, the fragrance of his jam brings an unexpected visitor to his door. With the entrance of Owl, an aficionado of disguises and fun, into his life, everything begins to change for Edmond. Not only does he agree to attend Owl's party. He goes and has the best evening ever, and the world seems deeper and more wonderful than ever before, and just right, too! Awash with rich color and the funniest, liveliest details ever, Edmond, The Moonlit Party is thoughtful and thought provoking as well as just plain fun! Each page deepens the story while providing a rich serving of visual pleasure! Astrid Desbordes received her degree in philosophy and has written a number of books on philosophy and religion for adults. Currently, she divides her time between writing and editing. Her first book and her first to be published in the United States was Daydreams of A Solitary Hamster. This is her second book to be published by Enchanted Lion Books. Marc Boutavant has created picture books in English, French, and Japanese. He also does editorial illustration and comics. Several of his books, including Around the World With Mouk, Ariol, and Ghosts, have been published in the United States. Marc lives in Paris and is nothing short of a genius. Take a close look at Edmond. You'll see!

In English here is presented for the first time an examination of the text and context of five nineteenth-century French women poets: Elisa Mercoeur (1808-1835), Marceline Desbordes-Valmore (1786-1859), Louisa Siefert (1845-1877), Louise Ackermann (1813-1890) and Louise Michel (1830-1905) will demonstrate that in spite of mentoring by various literary, historic or even family figures, these writers found their own voices. A striking example is Louisa Siefert, who in spite of bold intertextuality, displays an unmistakably feminine persona, whose originality poignantly draws the reader's attention. These poets had many obstacles of overcome as woman-identified poets. For example, Louise Ackermann's own husband did not want her to write, and for this reason, she remained silent during her who years of marriage. Louise Michel is a different case as an analysis of the short poem Bouche close (Le Livre du Bagne, 1873-1880) will demonstrate. In short, Uncanonical Women, explores a crescendo of poetic voice, from the initial timid solicitations of Elisa Mercoeur, to the bold, self-sufficient defiance of Louise Michel. The implication of my original findings that uncanonical poets can surpass cultural marginalization is that the book will target both a traditional and modern readership. Major these and clear language and tools that delineate identifiably personal style of true writers and the poetic persona of each is unique: Mercoeur in ambition, Desbordes-Valmore in domesticity, Siefert, in anguish, Ackermann in pessimism and Michel in leadership.

A stunning and hilarious full-color early chapter book in graphic novel form. Hamster, self-centered and sarcastic, is determined to visit his cousins on the moon. His friends have a different idea.

The Gendered Lyric portrays gender as being central to the full appreciation of nineteenth-century French poetry. Schultz contends that both male and female poets of the major movements relied on sexual difference to define their poetic.