Imaginationen vom "Anderen": deutsche Orientbilder. Vorstellungen von Deutschland, Europa und dem Orient entstehen immer in Relation zueinander. Die Beiträger des vorliegenden Bandes untersuchen die Wechselbeziehungen zwischen Christen, Juden und Muslimen in der deutschen Kultur, wie sie sich und den anderen vorstellten – mitunter, ohne sich je begegnet zu sein. Auf eine zeitliche Eingrenzung wurde bewusst verzichtet, denn vormoderne Orientbilder überlagern sich mit den modernen. Als besonders fruchtbar für die Untersuchung der gesellschaftlichen Imaginationen des Orient erweisen sich die Themenbereiche Nationalismus, Wissenschaften und Identität.

In recent years more and more scholars have become aware of the fact that the 19th century movement of the Wissenschaft des Judentums engaged in essential research of kabbalistic texts and thinkers. The legend of Wissenschaft’s neglect for the mystic traditions of Judaism is no longer sustainable. However, the true extent of this enterprise of German Jewish scholars is not yet known. This book will give an overview of what the leading figures have actually achieved: Landauer, Jellinek, Jost, Graetz, Steinschneider and others. It is true that their theological evaluation of the "worth" of kabbalah for what they believed was the ‘essence of Judaism’ yielded overall negative results, but this rejection was rationally founded and rather suggests a true concern for Judaism that transcended their own emancipation and assimilation as German Jews.

This essay collection embarks on a historical voyage into the idea of the West, while contextualising its relevance to the contemporary discourses on cultural difference. Although the idea of the West predates both colonial and Orientalist projects, it has been radically reshaped by the fall of the Berlin Wall in 1989, the end of the Cold War and the 9/11 attacks. In the wake of these developments, this collection attends to the nebulous paradigm shifts that account for a reconfiguration of the conventional coordinates of the West (West vs. Rest, Orient vs. Occident). The essays featured in this collection draw upon a wide range of theories from a comparative perspective. Taken together, the collection covers a vast terrain of textual and non-textual sources, including novels, political and poetological programs, video-clips and hypertexts, while exploring the formal-aesthetic representations of the West from interdisciplinary perspectives as diverse as German classicism, (post-)modern Britain, Canada, China, Ireland and the postcolonial world.

Comparative Literature is changing fast with methodologies, topics, and research interests emerging and remerging. The fifth volume of ICLA 2016 proceedings, Dialogues between Media, focuses on the current interest in inter-arts studies, as well as papers on comics studies, further testimony to the fact that comics have truly arrived in mainstream academic discourse. "Adaptation" is a key term for the studies presented in this volume; various articles discuss the adaptation of literary source texts in different target media - cinematic versions, comics adaptations, TV series, theatre, and opera. Essays on the interplay of media beyond adaptation further show many of the strands that are woven into dialogues between media, and thus the expanding range of comparative literature.