The bucolic small-town life of Denville in the 1940s would change forever with the outbreak of World War II. After the attack on Pearl Harbor, the town mobilized, creating the Denville Local Defense Council, designating air wardens to watch the skies and establishing air raid sirens. Schoolchildren gathered around home radios to learn if there were enough supplies to heat the school, and families learned to live within the confines of a ration book. The Denville Salvage Committee proclaimed Bomb 'em with Junk! as it collected waste goods for the war effort. Hundreds of Denville men served valiantly in all theaters of the war, some earning prestigious military accolades and many tragically never returning. Author Peter Zablocki covers the history of World War II Denville, including interviews with members of the town's Greatest Generation.

The bucolic small-town life of Denville in the 1940s would change forever with the outbreak of World War II. After the attack on Pearl Harbor, the town mobilized, creating the Denville Local Defense Council, designating air wardens to watch the skies and establishing air raid sirens. Schoolchildren gathered around home radios to learn if there were enough supplies to heat the school, and families learned to live within the confines of a ration book. The Denville Salvage Committee proclaimed "Bomb 'em with Junk!" as it collected waste goods for the war effort. Hundreds of Denville men served valiantly in all theaters of the war, some earning prestigious military accolades and many tragically never returning. Author Peter Zablocki covers the history of World War II Denville, including interviews with members of the town's "Greatest Generation."

An American Art Colony demonstrates the social dimension of American art in the twentieth century, paying special attention to the role of fellow artists, nonartists and the historical context of art production. This book treats the art colony not as a static addendum to an artist’s profile but rather as an essential ingredient in artistic life. The art colony here becomes a historical entity that changes over time and influences the kind of art that ensues. It is a special methodology of the study that collective features of three generation of artists help clarify how artists engage their audiences. Since many of these artists worked within the cultural confines of metropolitan New York and its magazine industry, they cultivated subjects that were recognizable by ordinary citizens. Early on, they drew from the emergent suburban life of their neighbors for their artistic themes. Gradually these contexts become more formally institutionalized and their subjects gravitated away from themes of ordinary life to themes more exotic, expressionistic and fanciful. A key methodology for this study consisted of an analysis of collective biographies of 170 participating artists. The theme of modern art explains here how abstraction was suborned to public images, widening the very meaning of the term modern.

In 1915, British moviegoers voted Fred Evans second only to Charles Chaplin as their favorite film comedian. Appearing as the roguish and anarchic "Pimple," Fred made 200 silent movies between 1910 and 1922, running amok in frantic chases and sending-up current events and fashions. With a rich family heritage in pantomime and music hall, Evans introduced a satirical approach to filmmaking, frequently lampooning the recently introduced feature films. Pimple's burlesques deflated the seriousness of such productions, providing subversive support for audiences adjusting to the the new form. But continual mockery of themes, acting styles and film techniques did not endear him to all. Changing public tastes and industry disapproval eventually resulted in an end to Evans' screen appearances and a return to the stage. As Evans has been almost entirely sidelined by film historians, this is the first book-length biography of him. It places Evans not only in a film context but within the wider entertainment and social perspectives of his time. Amongst topics discussed are the beginnings of the star system, war propaganda, the growth of film fandom and concerns about the influence of cinema on children.